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  • What program will monitor the chords I'm playing through my MIDI keyboard live?

    - by Jasper
    Leaving Cubase 5 out of the picture, when I use Reason 4.0 to compose something, I need a program running that will monitor the chords I'm pressing WHILE I'm pressing them. See, I'm a new keyboardist, and a thing like this will improve my accuracy by 100%. At one point, I'll stop needing such programs even, but for now, I'd REALLY like to have something of that sort. Free or commercial suggestions.

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  • How to easily Generate Synth Chords Sounds in Android?

    - by barata7
    How to easily Generate Synth Chords Sounds in Android? I wanna be able to generate dynamically an in game Music using 8bit. Tried with AudioTrack, but did not get good results of nice sounds yet. Any examples out there? I have tried the following code without success: public class BitLoose { private final int duration = 1; // seconds private final int sampleRate = 4200; private final int numSamples = duration * sampleRate; private final double sample[] = new double[numSamples]; final AudioTrack audioTrack; public BitLoose() { audioTrack = new AudioTrack(AudioManager.STREAM_MUSIC, sampleRate, AudioFormat.CHANNEL_CONFIGURATION_MONO, AudioFormat.ENCODING_PCM_8BIT, numSamples, AudioTrack.MODE_STREAM); audioTrack.play(); } public void addTone(final int freqOfTone) { // fill out the array for (int i = 0; i < numSamples; ++i) { sample[i] = Math.sin(2 * Math.PI * i / (sampleRate / freqOfTone)); } // convert to 16 bit pcm sound array // assumes the sample buffer is normalised. final byte generatedSnd[] = new byte[numSamples]; int idx = 0; for (final double dVal : sample) { // scale to maximum amplitude final short val = (short) ((((dVal * 255))) % 255); // in 16 bit wav PCM, first byte is the low order byte generatedSnd[idx++] = (byte) (val); } audioTrack.write(generatedSnd, 0, sampleRate); } public void stop() { audioTrack.stop(); }

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  • Ruby on Rails : How can i display data for the current view from a different table

    - by krishkule
    This might be a easy-to-answer question, but its a pain in the bum for me.... So... I have two tables - Chords - |id|chord|name|rating|artist_id| Artists - |id|artist| (the relations : chords : belongs_to :artist artists : has_many :chords ) And in the index page for "chords" i want to display chord,name,rating from Chords table AND artist from the Artists table this is the code for the chrod's index.html.erb : <table border="1"> <%@chords.each do |chord|%> <tr> <td><%=chord.artist.artist%></td> <td><%= link_to chord.name, chord %></td> <td><%=chord.rating%></td> <td><%= chord.created_at %></td> </tr> <%end%> </table> The error message is : undefined method `artist' for nil:NilClass Actually, at first it worked, but when i started to create the "new.html.erb" page and the create,new controllers, it stopped working - thats why this is so confusing for me! I will be glad to hear any critique and suggestions! Thank you

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  • Compiling to a binary from source

    - by Chords
    I'm using WKHTMLTOPDF on a 64-bit Linux server and I'm running into problems with the version. Seen here: http://code.google.com/p/wkhtmltopdf/downloads/list There's slim pickins when it comes to pre-compiled binaries. I started with version 0.9.9 which has a few bugs. I upgraded to 0.11.0 RC 1 to find a slew of new problems, namely the following: http://code.google.com/p/wkhtmltopdf/issues/detail?id=730 I think 0.10 RC 2 would work, and the thread above suggests compiling from the source has a fix for the error I'm getting, but I don't know how to do that. Can anyone explain how I can create a static binary myself, or would anyone be willing to create and post one for the countless people waiting for this fix?

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  • Is key 'chord' functionality provided by Win32/.net?

    - by John
    Several MS apps support the concept of chords, like "CTRL+X,Y" which means "holding down CTRL, press X, then Y". Is this a bespoke thing they (and other companies) implement, or is it built into any APIs? It would be nice to be able to set up event handlers or accelerators based on chords rather than write code to do it.

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  • Chord Chart - Skip to key with a click

    - by Juan Gonzales
    I have a chord chart app that basically can transpose a chord chart up and down throughout the keys, but now I would like to expand that app and allow someone to pick a key and automatically go to that key upon a click event using a function in javascript or jquery. Can someone help me figure this out? The logic seems simple enough, but I'm just not sure how to implement it. Here are my current functions that allow the user to transpose up and down... var match; var chords = ['C','C#','D','D#','E','F','F#','G','G#','A','A#','B','C','Db','D','Eb','E','F','Gb','G','Ab','A','Bb','B','C']; var chords2 = ['C','Db','D','Eb','E','F','Gb','G','Ab','A','Bb','B','C','C#','D','D#','E','F','F#','G','G#','A','A#','C']; var chordRegex = /(?:C#|D#|F#|G#|A#|Db|Eb|Gb|Ab|Bb|C|D|E|F|G|A|B)/g; function transposeUp(x) { $('.chord'+x).each(function(){ ///// initializes variables ///// var currentChord = $(this).text(); // gatheres each object var output = ""; var parts = currentChord.split(chordRegex); var index = 0; ///////////////////////////////// while (match = chordRegex.exec(currentChord)){ var chordIndex = chords2.indexOf(match[0]); output += parts[index++] + chords[chordIndex+1]; } output += parts[index]; $(this).text(output); }); } function transposeDown(x){ $('.chord'+x).each(function(){ var currentChord = $(this).text(); // gatheres each object var output = ""; var parts = currentChord.split(chordRegex); var index = 0; while (match = chordRegex.exec(currentChord)){ var chordIndex = chords2.indexOf(match[0],1); //var chordIndex = $.inArray(match[0], chords, -1); output += parts[index++] + chords2[chordIndex-1]; } output += parts[index]; $(this).text(output); }); } Any help is appreciated. Answer will be accepted! Thank You

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  • Should I always encapsulate an internal data structure entirely?

    - by Prog
    Please consider this class: class ClassA{ private Thing[] things; // stores data // stuff omitted public Thing[] getThings(){ return things; } } This class exposes the array it uses to store data, to any client code interested. I did this in an app I'm working on. I had a ChordProgression class that stores a sequence of Chords (and does some other things). It had a Chord[] getChords() method that returned the array of chords. When the data structure had to change (from an array to an ArrayList), all client code broke. This made me think - maybe the following approach is better: class ClassA{ private Thing[] things; // stores data // stuff omitted public Thing[] getThing(int index){ return things[index]; } public int getDataSize(){ return things.length; } public void setThing(int index, Thing thing){ things[index] = thing; } } Instead of exposing the data structure itself, all of the operations offered by the data structure are now offered directly by the class enclosing it, using public methods that delegate to the data structure. When the data structure changes, only these methods have to change - but after they do, all client code still works. Note that collections more complex than arrays might require the enclosing class to implement even more than three methods just to access the internal data structure. Is this approach common? What do you think of this? What downsides does it have other? Is it reasonable to have the enclosing class implement at least three public methods just to delegate to the inner data structure?

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  • Extracting note onset from Polyphonic MIDI using jMusic API

    - by Dolphin
    Hi May I know whether it's possible to extract note onset and other musical details (e.g. pitch, note duration) form polyphonic MIDI(i.e. either multiples notes played from treble and bass voices, or chords) using the jMusic API? It has a method to extract note onset - but it returns zero each time for a given note. However extracting pitch and duration for monophonic (i.e. single note) MIDI using jMusic is possible. But when there exist chords it only captures a single note of the chord, and note onset returns zero each time. Is there a way I can resolve this? Appreciate any insight asap. Thanks in advance

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  • Extracting note onset from MIDI

    - by Dolphin
    Hi I need to extract musical features (note details-pitch, duration, rhythm, loudness, note start time) from a polyphonic (having 2 scores for treble and bass - bass may also have chords) MIDI file. I'm using the jMusic API to extract these details from a MIDI file. My approach is to go through each score, into parts, then phrases and finally notes and extract the details. With my approach, it's reading all the treble notes first and then the bass notes - but chords are not captured (i.e. only a single note of the chord is taken), and I cannot identify from which point onwards are the bass notes. So what I tried was to get the note onsets (i.e. the start time of note being played) - since the starting time of both the treble and bass notes at the start of the piece should be same - But I cannot extract the note onset using jMusic API. Each time it shows 0.0. Is there any way I can identify the voice (treble or bass) of a note? And also all the notes of a chord? How is the voice or note onset for each note stored in MIDI? Is this different for each MIDI file? Any insight is greatly appreciated. Thanks in advance

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  • Can anyone recommend a chorded keyboard for a programmer?

    - by Tom Wright
    Pre-emptive strike: It's subjective, but it's also Friday... ;) Inspired by this great question and related to this great question, I have decided to buy a chorded keyboard. (A chorded keyboard, by the way, is one with a reduced number of keys, that must be pressed together, in chords, to give all the possible characters etc. - see wikipedia) Being a programmer means that the keys I use regularly are likely different to a regular Joe (a lot more semi-colons for a start), so I was wondering if any of my fellow programmers had tested a chorded keyboard for use on the battlefield of code? Being a nerd, I'm also interested in the extent to which I'd be able to customise my chorded keyboard. (Macros? Shortcuts?) Edit I'm beginning to suspect that no-one has heard of these, let alone tried one. So we're all talking about the same thing, here's an example: Twiddler 2.1

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  • How would the optimal Emacs-keyboard look like?

    - by Thorsten
    Emacs is a historic piece of software. It promises outstanding productivity for keyboard wizards that really want to explore it's power. The effective use of the keyboard is key to Emacs productivity, but the keyboard hardware has changed a lot since the old days, so many modern Emacs users are struggling with weird 'Emacs chords' on their Windows/IBM keyboards. If one would design a keyboard that is entirely focused on the needs of Emacs users - how would it look like? I assume the following: the standard keybindings of Emacs are accepted, redefinitions are rare exceptions we are only talking about QWERTY keyboards (including regional variations like QWERTZ) we are only considering users applying the (10 fingers) touch typing system. the question is not only about remapping the keys of existing keyboards (perfectly possible on Linux with .xmodmap and on Windows with keytweak, for example) - think about the perfect keyboard-hardware you would like to see on your desk while hacking in Emacs all day long. Please tag your answer with your locale, i.e. [en] or [de], so that everybody knows what regional layout you are using. I will answer my own question below, to show you the results of some investigation and experimentation, but I really would like to read about different approaches and their pro's and con's. The emacswiki has a somehow related page with a lot of links (http://www.emacswiki.org/emacs/RepeatedStrainInjury), but here it's about optimal keyboard design for maximal productivity, assuming avoidance of RSI as a byproduct.

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  • OO Design, how to model Tonal Harmony?

    - by David
    I have started to write a program in C++ 11 that would analyse chords, scales, and harmony. The biggest problem I am having in my design phase, is that the note 'C' is a note, a type of chord (Cmaj, Cmin, C7, etc), and a type of key (the key of Cmajor, Cminor). The same issue arises with intervals (minor 3rd, major 3rd). I am using a base class, Token, that is the base class for all 'symbols' in the program. so for example: class Token { public: typedef shared_ptr<Token> pointer_type; Token() {} virtual ~Token() {} }; class Command : public Token { public: Command() {} pointer_type execute(); } class Note : public Token; class Triad : public Token; class MajorTriad : public Triad; // CMajorTriad, etc class Key : public Token; class MinorKey : public Key; // Natural Minor, Harmonic minor,etc class Scale : public Token; As you can see, to create all the derived classes (CMajorTriad, C, CMajorScale, CMajorKey, etc) would quickly become ridiculously complex including all the other notes, as well as enharmonics. multiple inheritance would not work, ie: class C : public Note, Triad, Key, Scale class C, cannot be all of these things at the same time. It is contextual, also polymorphing with this will not work (how to determine which super methods to perform? calling every super class constructors should not happen here) Are there any design ideas or suggestions that people have to offer? I have not been able to find anything on google in regards to modelling tonal harmony from an OO perspective. There are just far too many relationships between all the concepts here.

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  • How do I add color syntax highlighting to GNU emacs?

    - by Alex Reynolds
    I have two versions of emacs available to me on a locked workstation: $ /usr/local/bin/emacs --version GNU Emacs 22.3.1 $ /usr/bin/emacs --version GNU Emacs 21.4.1 In both cases, my terminal type is xterm when I run either version of emacs. When I run the v21 version of emacs, I get syntax coloring for Perl, HTML, and other modes. When I run the v22 version, I do not get syntax coloring. I would like to migrate from the v21 version because the combination of v21 emacs, GNOME Terminal and GNU Screen is eating Ctrl-arrow key chords, which prevents me from moving quickly between words. (OS X Terminal and GNU Screen do not have this issue.) The v22 version allows use of Ctrl-arrow key combinations with GNOME Terminal and GNU Screen. How do I fix the v22 version (or ask my sys admin to fix) so that it once again highlights syntax and allows me to use Ctrl-arrow key combinations?

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  • Alternative to latex / a way to typeset good looking documents from Java to PDF

    - by drasto
    I'm working on application in Java that will maintain database of song lyrics in plain text and print out some songbooks/chordbooks(that is create PDF file from selected songs). I was planing that the Java application will generate source code for pdflatex and after compiling this source user will get PDF file. Lately I've run into a lot of problems because of latex limitation: fixed memory size (some pictures will also be drawn to PDF) - error when exceeded, no way to query end of line or and of page dynamically, it's very hard to override latex placement algorithm in a complex way,... see also some my other questions regarding latex. I come to conclusion that latex is not good option for automated PDF generation. So I need replacement. I need to be able to typeset: Chords over lyrics when the lyrics are in variable char width so I need to be able to measure text width Chord diagrams that means I'll have to draw quite complex pictures Each song on separate double page Different fonts etc. Thanks for all answers

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  • Comapring pitches with digital audio

    - by user2250569
    I work on application which will compare musical notes with digital audio. My first idea was analyzes wav file (or sound in real-time) with some polyphonic pitch algorithms and gets notes and chords from this file and subsequently compared with notes in dataset. I went through a lot of pages and it seems to be a lot of hard work because existing implementations and algorithms are mainly/only focus on monophonic sound. Now, I got the idea to do this in the opposite way. In dataset I have for example note: A4 or better example chord: A4 B4 H4. And my idea is make some wave (or whatever I don't know what) from this note or chord and then compared with piece of digital audio. Is this good idea? Is it better/harder solution? If yes can you recommend me how to do it?

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  • A Bad Day at Work

    - by TehGrumpyCoder
    There's lots of ways of having a bad day at work... I suppose for many people, just being *at* work makes it a bad day, but I happen to be one of those people that found a way to do something I like for a living. I've always said "if you're not having fun, what's the point?" ... on the latest Zune podcast, they were interviewing someone from the WP7 team and he said they're mantra is "It's not done until it's fun" ... I like that too. But, even when you're doing what you like for a living, it can get tedious. There were times that I didn't look forward to going out and playing guitar on a Friday or Saturday night, and some nights I was looking at my watch just waiting for it to be over. Well, that was today... like Steve Martin in "The Jerk" ... the first hour was like a regular hour, but then the rest of the morning was like a day, and the afternoon has been like a week. I've got a list of stuff I need to get into my head, and it's tough when the highest technology you have during 9 hours of your day is .NET 2.0 and you can only run what IT installed. I get wrapped around the power take-off reading something and dearly want to write some code to try, but with the state of technology here, it's like trying to teach jazz chords to someone that showed up for their lesson with that stupid plastic guitar from Guitar Hero. I tried to watch a training video... downloaded it zipped so maybe it wouldn't be noticed like it might if I streamed it. Then nothing on this machine would play the video... dang! Well, if someone doesn't take me out on the drive tonight or back in tomorrow, maybe it'll be a better day... or maybe I'll d/l a bunch of training videos in a different format, or bring in a decent viewer, or download them to my Zune maybe... that would work. I suppose at age 61 there are worse things than feeling stifled... for instance, so far I've lived 2 years longer than my father... but at the same time, he's the one that pointed out that in my first letter home from Boot Camp "He's complaining, he's fine"... guess he had my number :) I think he'd appreciate "Teh Grumpy Coder"

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  • Requesting feedback on my OO design

    - by Prog
    I'm working on an application that creates music by itself. I'm seeking feedback for my OO design so far. This question will focus on one part of the program. The application produces Tune objects, that are the final musical products. Tune is an abstract class with an abstract method play. It has two subclasses: SimpleTune and StructuredTune. SimpleTune owns a Melody and a Progression (chord sequence). It's play implementation plays these two objects simultaneously. StructuredTune owns two Tune instances. It's own play plays the two Tunes one after the other according to a pattern (currently only ABAB). Melody is an abstract class with an abstract play method. It has two subclasses: SimpleMelody and StructuredMelody. SimpleMelody is composed of an array of notes. Invoking play on it plays these notes one after the other. StructuredMelody is composed of an array of Melody objects. Invoking play on it plays these Melodyies one after the other. I think you're starting to see the pattern. Progression is also an abstract class with a play method and two subclasses: SimpleProgression and StructuredProgression, each composed differently and played differently. SimpleProgression owns an array of chords and plays them sequentially. StructuredProgression owns an array of Progressions and it's play implementation plays them sequentially. Every class has a corresponding Generator class. Tune, Melody and Progression are matched with corresponding abstract TuneGenerator, MelodyGenerator and ProgressionGenerator classes, each with an abstract generate method. For example MelodyGenerator defines an abstract Melody generate method. Each of the generators has two subclasses, Simple and Structured. So for example MelodyGenerator has a subclasses SimpleMelodyGenerator, with an implementation of generate that returns a SimpleMelody. (It's important to note that the generate methods encapsulate complex algorithms. They are more than mere factory method. For example SimpleProgressionGenerator.generate() implements an algorithm to compose a series of Chord objects, which are used to instantiate the returned SimpleProgression). Every Structured generator uses another generator internally. It is a Simple generator be default, but in special cases may be a Structured generator. Parts of this design are meant to allow the end-user through the GUI to choose what kind of music is to be created. For example the user can choose between a "simple tune" (SimpleTuneGenerator) and a "full tune" (StructuredTuneGenerator). Other parts of the system aren't subject to direct user-control. What do you think of this design from an OOD perspective? What potential problems do you see with this design? Please share with me your criticism, I'm here to learn. Apart from this, a more specific question: the "every class has a corresponding Generator class" part feels very wrong. However I'm not sure how I could design this differently and achieve the same flexibility. Any ideas?

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  • What is the best way to automatically transpose a LilyPond source file into multiple keys?

    - by Michael Steele
    problem I'm using LilyPond to typeset sheet music for a church choir to perform. Depending on who is available on any given week, songs will be played in various keys. We have an amazing pianist who can play anything we throw at her and the guitarists will typically pencil in alternate chords, but I want to make things easier by having beautifully typeset sheet music available in any key we want. So say we're going to sing our ABCs. First I'll take whatever source transcriptions available and enter it into a LilyPond script: melody = \relative c' { c c g g a a g2 f f e e d d c2 } I want the ability to transpose this automatically, so if I want the whole thing in 'G' I wrap the song in a \transpose call like so: melody = \transpose c g \relative c' { c c g g a a g2 f f e e d d c2 } What I really want is to substitute something for the 'g' and generate the output for melody multiple times. Simple LilyPond variables don't seem to work here, and so far I've been unsuccessful in defining a scheme function to do this. What I've resorted to for the moment is taking the above file, call it twinkle.ly and turning it into an M4 script called twinkle.ly.m4, the contents of which look like this: melody = \transpose c _key \relative c' { c c g g a a g2 f f e e d d c2 } I then compile the while thing by executing the following line: > m4 -D _key=g twinkle.ly.m4 > twinkle_g.ly && lilypond twinkle_g.ly I've written a Makefile to do this for me, defining rules for every song I have and every key I'm interested in. question There's got to be a better way of going about this. Given that Lilypond supports embedded scheme, I would prefer to not use a macro preprocessed on it. Has anybody else come up with a solution to this same problem?

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  • Is there unresizable space in latex? Pictures in good looking grid.

    - by drasto
    I've created latex macro to typeset guitar chords diagrams(using picture environment). Now I want to make diagrams of different appear in good looking grid when typeset one next to each other as the picture shows: The picture. (on the picture: Labeled "First" bad layout of diagrams, labeled "Second" correct layout when equal number of diagrams in line) I'm using \hspace to make some skips between diagrams, otherwise they would be too near to each other. As you can see in second case when latex arrange pictures in so that there is same number of them in each line it works. However if there is less pictures in the last line they become "shifted" to the right. I don't want this. I guess is because latex makes the space between diagrams in first line a little longer for the line to exactly fit the page width. How do I tell latex not to resize spaces created by \hspace ? Or is there any other way ? I guess I cannot use tables because I don't know how many diagrams will fit in one line... This is current state of code: \newcommand{\spaceForChord}{1.7cm} \newcommnad{\chordChart}[1]{% %calculate dimensions xdim and ydim according to setings \begin{picture}(xdim, ydim){% %draw the diagram inside defined area }% \hspace*{\spaceForChord}% \hspace*{-\xdim}% }% %end preambule and begin document \begin{document} First:\\* \\* \chordChart{...some arguments for to change diagram look...} \chordChart{...some arguments for to change diagram look...} \chordChart{...some arguments for to change diagram look...} \chordChart{...some arguments for to change diagram look...} \chordChart{...some arguments for to change diagram look...} %...above line is repeated 12 more times to produce result shown at the picture \end{document} Thanks for any help.

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  • Agile Testing Days 2012 – Day 1 – The birth of the #unicorn…

    - by Chris George
    Still riding the high from the tutorial day, I arrived at the conference venue eager to get cracking with the days talks. The opening Keynote was “Disciplined Agile Delivery: The Foundation for Scaling Agile” presented by Scott Ambler. The general ideas behind the methodology such as not re-inventing the wheel, and being goal driven, not prescriptive in how you work certainly struck chords with how we are trying to work in my team. Scott made some interesting observations about how scrum is quite prescriptive and is this really agile? I agreed with quite a few of his points on how what works for one team may not work for another. How a team works should be driven by context and reflection, not process and prescription. However was somewhat dubious about some of the statistics he rolled out towards the end. However, out of this keynote was born something that was to transcend this one presentation. During the talk, Scott mentioned on more than one occasion “In the real world”, and at one point made reference to people living in the land of unicorns and rainbows. The challenge was then laid down on twitter for all speakers to include a unicorn in their presentations… and for the most part this happened! It became an identity for this years conference, and I’m sure something that any attendee will always associate with Agile Testing Days 2012! Following this keynote, I attended “Going agile with Automated GUI Testing – Some personal insights” by Jan Zdunek from codecentric on the vendor track. My speciality is test automation, and in particular GUI testing, so this drew me to this talk more than the others. Thankfully, it was made clear from the very start that this was not peddling any particular product (even though it was on the vendor track), and Jan faithfully stuck to that. Most of the content was not new to me, but it was really comforting to hear someone else with very similar experiences to my own. In particular, things like how GUI testing is hard and is not a silver bullet; how record & replay is NOT a good thing to do (which drew a somewhat inflammatory tweet from an automation company when I tweeted that!). Something that I have started hearing around the place, and has certainly been murmuring at work is to push more of the automation coding onto the developers. After all they are the coding experts. I agree with this to a degree, but I personally enjoy coding and find it very rewarding doing so, therefore I’d be reluctant to give it up. I think there are some better alternatives such as pairing with a developer. Lastly, Jan mentioned, almost in passing, that we should consider virtualisation for gui testing for covering configuration combinations. On my project we’ve been running our win32/.NET GUI tests in cloud virtualisation for a couple of years now… I really should write about that! After lunch the second keynote of the day was by Lisa Crispin and Janet Gregory,”Myths about Agile Testing, De-Bunked”. It started off well… with the two ladies donning Medusa style head bands whilst they disbanding several myths about agile testing! I got the impression that it was perhaps not as slick as they would have liked, but then Janet was suffering with a very sore throat so kept losing her voice. Nevertheless, the presentation was captivating, and they debunked several myths such as : “Testing is dead”, “Testers must write code”, “Agile teams always deliver faster”. I didn’t take many notes for this because it was being recorded, but unfortunately the recordings have not been posted yet so I’ll write more about this when they are. The TestLab was held during a somewhat free for all time during most of the afternoon. It looked intriguing and proved to be one of the surprising experiences of the conference for me. Run by James Lyndsay and Bart Knaack, it consisted of a number of ‘stations’ that offered different testing problems. I opted for testing a mathematical drawing app call Geogebra, the task being to pair up and exploratory test it. After an allotted time, we discussed issues we’d found and decided if we wanted to continue ‘playing’ to which we all agreed! It was fun! The last track talk of the day was “Developers Exploratory Testing – Raising the bar” by Sigge Birgisson. One of the teams at Red Gate have tried Dev or Team exploratory testing a couple of times, and I was really interested to go to the presentation that prompted that. I was not disappointed! Sigge gave a first class presentation, and not only explained what DET was all about, but also how to go about implementing it. Little tips like calling it a ‘workshop’ rather than ‘testing’ I can really see working! Monday evening saw the presentation of the award for the Most Influential Agile Testing Professional Person go to a much deserved Lisa Crispin. The evening was great, with acrobatics, magic and music. My Takeaway Triple from Day 1:  Some of the cool stuff that was suggested in the GUI Testing talk, we are already doing. I should write about that! Testing is not dead! Perhaps testing will become more of a skill than a specific role, but it is certainly not dead. Team/Developer exploratory testing… seems like a no-brainer assuming you have a team who is willing.  Day 2 – Coming soon…

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