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  • Best direction for displaying game graphics in C# App

    - by Mike Webb
    I am making a small game as sort of a test project, nothing major. I just started and am working on the graphics piece, but I'm not sure the best way to draw the graphics to the screen. It is going to be sort of like the old Zelda, so pretty simple using bitmaps and such. I started thinking that I could just paint to a Picture Box control using Drawing.Graphics with the Handle from the control, but this seems cumbersome. I'm also not sure if I can use double buffering with this method either. I looked at XNA, but for now I wanted to use a simple method to display everything. So, my question. Using the current C# windows controls and framework, what is the best approach to displaying game graphics (i.e. Picture Box, build a custom control, etc.)

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  • What are Class methods in Python for?

    - by Dave Webb
    I'm teaching myself Python and my most recent lesson was that Python is not Java, and so I've just spent a while turning all my Class methods into functions. I now realise that I don't need to use Class methods for what I would done with static methods in Java, but now I'm not sure when I would use them. All the advice I can find about Python Class methods is along the lines of newbies like me should steer clear of them, and the standard documentation is at its most opaque when discussing them. Does anyone have a good example of using a Class method in Python or at least can someone tell me when Class methods can be sensibly used?

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  • Hide JQueryUI Accordion Items with View All Option

    - by Dominic Webb
    I have a JqueryUi Accordion that is dynamically generated. However I need it to show only the first 8 items with the rest viewable by clicking a "View All" link. The code is simply a series of: <h2>Title</h2> <div>....</div> The jquery is all of: $(function() { $("#sidebar").accordion({autoHeight: false}); }); Thanks

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  • Is Using Tuples in my .NET 4.0 Code a Poor Design Decision?

    - by Jason Webb
    With the addition of the Tuple class in .net 4, I have been trying to decide if using them in my design is a bad choice or not. The way I see it, a Tuple can be a shortcut to writing a result class (I am sure there are other uses too). So this: public class ResultType { public string StringValue { get; set; } public int IntValue { get; set; } } public ResultType GetAClassedValue() { //..Do Some Stuff ResultType result = new ResultType { StringValue = "A String", IntValue = 2 }; return result; } Is equivalent to this: public Tuple<string, int> GetATupledValue() { //...Do Some stuff Tuple<string, int> result = new Tuple<string, int>("A String", 2); return result; } So setting aside the possibility that I am missing the point of Tuples, is the example with a Tuple a bad design choice? To me it seems like less clutter, but not as self documenting and clean. Meaning that with the type ResultType, it is very clear later on what each part of the class means but you have extra code to maintain. With the Tuple<string, int> you will need to look up and figure out what each Item represents, but you write and maintain less code. Any experience you have had with this choice would be greatly appreciated.

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  • Silverlight Cream for April 23, 2010 -- #845

    - by Dave Campbell
    In this Issue: Jason Allor, Bill Reiss, Mike Snow, Tim Heuer, John Papa, Jeremy Likness, and Dave Campbell. Shoutouts: You saw it at MIX10 and DevConnections... now you can give it a dance, John Papa announced eBay Simple Lister Beta Now Available Mike Snow posted some info about and a link to his new Flickr/Bing/Google High End Image Viewer and he's looking for feedback From SilverlightCream.com: Hierarchical Data Trees With A Custom DataSource Jason Allor is rounding out a series here in his new blog (bookmark it), and he's created his own custom HierarchicalDataSource class for use with the TreeView. Space Rocks game step 11: Start level logic Bill Reiss has Episode 11 up in his Space Rocks game ... working on NewGame and start level logic Silverlight Tip of the Day #3 – Mouse Right Clicks Mike Snow has Tip 3 up ... about handling right-mouse clicks in Silverlight 4 -- oh yeah, we got right mouse now ... grab Mike's project to check it out. Silverlight 4 enables Authorization header modification Tim Heuer talks about the ability to modify the Authorization header in network calls with Silverlight 4. He gives not only the quick-and-dirty of how to use it, but has some good examples, code, and code results for show and tell. WCF RIA Services - Hands On Lab John Papa built a bookstore app in roughly 10 minutes in the keynote at DevConnections. He now has a tutorial on doing just that plus all the code up. Transactions with MVVM Not strictly Silverlight (or WPF), but Jeremy Likness has an interesting article up on MVVM and transaction processing. Read the post then grab his helper class. Your First Windows Phone 7 Application As with the First Silverlight App a couple weeks ago, if you've got any WP7 experience at all, just keep going... this is for folks that have not looked at it yet, have not downloaded anything... oh, and it's by Dave Campbell Stay in the 'Light! Twitter SilverlightNews | Twitter WynApse | WynApse.com | Tagged Posts | SilverlightCream Join me @ SilverlightCream | Phoenix Silverlight User Group Technorati Tags: Silverlight    Silverlight 3    Silverlight 4    Windows Phone MIX10

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  • links for 2010-05-10

    - by Bob Rhubart
    Announcing the MOS WCI "Community" (World of WebCenter Interaction) In this community you'll find a product related discussion forum moderated by Oracle WebCenter Interaction support engineers, recommended tips and tricks, links to knowledge base articles and best practices for setting up and administering up your environment. We hope you'll take a minute to have a look through the community. (tags: oracle otn webcenter enterprise2.0) Jason Williamson: Tuxedo Runtime for CICS and Batch Webcast "The notion that mainframes can be rehosted on open system is pretty well accepted. There are still some hold out CxO's who don't believe it, but those guys typically are not really looking to migrate anyway and don't take an honest look at the case studies, history and TPC reports." Jason Williamson (tags: oracle otn entarch tuxedo) Tom Hofte: Analyzing Out-Of-Memory issues in WebLogic 10.3.3 with JRockit 4.0 Flight Recorder Tom Hofte shows you "how to capture automatically an overall WLS system image, including a JFR image, after an out-of-memory (OOM) exception has occured in the JVM hosting WLS 10.3.3." (tags: oracle otn weblogic soa java) Install Control Center Agent on Oracle Application Server (Oracle Warehouse Builder (OWB) Weblog) Qianqian Wu show you how to Install and Configure the Application Server; Deploy the Control Center Agent to the Application Server; Optional Configuration Tasks (tags: oracle otn bi datawarehousing) Frank Buytendijk: BI and EPM Landscape "Organizations are getting more serious about ecosystem thinking. They do not evaluate single tools anymore for different application areas, but buy into a complete ecosystem of hardware, software and services. The best ecosystem is the one that offers the most options, in environments where the uncertainty is high and investments are hard to reverse. The key to successfully managing such an environment is middleware, and BI and EPM become increasingly middleware intensive. In fact, given the horizontal nature of BI and EPM, sitting on top of all business functions and applications, you could call them 'upperware.'" -- Frank Buytendijk (tags: oracle otn enterprisearchitecture bi)

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  • m2e-wtp proposal to move into an Eclipse project

    - by gstachni
    Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} I am attending EclipseCon 2012 in Reston VA this week and had a chance to attend Jason van Zyl's session on M2E. One announcement during the presentation was the plan to move m2e-wtp plugin into the m2e project at Eclipse. The project proposal was posted yesterday afternoon for those who are interested - http://www.eclipse.org/proposals/technology.m2e.m2e-wtp/. Jason said that m2e-wtp will not make it into the m2e Juno release but they expect the code to be transitioned over to Eclipse over the next six months. Getting the maven and wtp project models to play nicely together has been an issue for quite some time for our users. Hopefully this is a good step toward resolving those issues.

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  • ActionMailer and Exchange

    - by Jason Nerer
    Hello Community, I successfully send Mails via SMTP using my Rails App and my Postfix Server. Now I need to move to an Exchange: Microsoft ESMTP MAIL Service, Version: 6.0.3790.3959 that has POP3 and SMTP support enabled. I use actionmailer 1.2.5 and am not able to successfully login to the server while trying to send a mail. In case I use Mail.app sending and recieving works fine as long as I change the authentication schema to "Password". Checking the server looks like so: READ Nov 18 10:37:00.509 [kCFStreamSocketSecurityLevelNone] -- host:mail.my-mail-server-domain.com -- port:25 -- socket:0x11895cf20 -- thread:0x11b036a10 250-mail.my-mail-server-domain.com Hello [xxx.xxx.xxx.xxx] 250-TURN 250-SIZE 250-ETRN 250-PIPELINING 250-DSN 250-ENHANCEDSTATUSCODES 250-8bitmime 250-BINARYMIME 250-CHUNKING 250-VRFY 250-X-EXPS GSSAPI NTLM LOGIN 250-X-EXPS=LOGIN 250-AUTH GSSAPI NTLM LOGIN 250-AUTH=LOGIN 250-X-LINK2STATE 250-XEXCH50 250 OK WROTE Nov 18 10:37:00.852 [kCFStreamSocketSecurityLevelNone] -- host:mail.my-mail-server-domain.com -- port:25 -- socket:0x11895cf20 -- thread:0x11b036a10 AUTH LOGIN READ Nov 18 10:37:01.848 [kCFStreamSocketSecurityLevelNone] -- host:mail.my-mail-server-domain.com -- port:25 -- socket:0x11895cf20 -- thread:0x11b036a10 235 2.7.0 Authentication successful. So authentication method :login seems to be properly supported. Now when it comes to my configuration for actionmailer it looks like so: ActionMailer::Base.server_settings = { :address => "mail.my-mail-server-domain.com", :port => 25, :domain => "my-mail-server-domain.com", :authentication => :login, :user_name => "myusername", :password => "mypassword" } And I get authentication errors over and over. I also tried to change :user_name => "my-mail-server-domain.com\myusername" :user_name => "my-mail-server-domain.com\\myusername" :user_name => "myusername/my-mail-server-domain.com" :user_name => "[email protected]" but nothing works. Can anyone help me? Regards. Jason

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  • How does Visual Studio decide the order in which stack variables should be allocated?

    - by Jason
    I'm trying to turn some of the programs in gera's Insecure Programming by example into client/server applications that could be used in capture the flag scenarios to teach exploit development. The problem I'm having is that I'm not sure how Visual Studio (I'm using 2005 Professional Edition) decides where to allocate variables on the stack. When I compile and run example 1: int main() { int cookie; char buf[80]; printf("buf: %08x cookie: %08x\n", &buf, &cookie); gets(buf); if (cookie == 0x41424344) printf("you win!\n"); } I get the following result: buf: 0012ff14 cookie: 0012ff64 buf starts at an address eighty bytes lower than cookie, and any four bytes that are copied in buf after the first eighty will appear in cookie. The problem I'm having is when I place this code in some other function. When I compile and run the following code, I get a different result: buf appears at an address greater than cookie's. void ClientSocketHandler(SOCKET cs){ int cookie; char buf[80]; char stringToSend[160]; int numBytesRecved; int totalNumBytes; sprintf(stringToSend,"buf: %08x cookie: %08x\n",&buf,&cookie); send(cs,stringToSend,strlen(stringToSend),NULL); The result is: buf: 0012fd00 cookie: 0012fcfc Now there is no way to set cookie to arbitrary data via overwriting buf. Is there any way to tell Visual Studio to allocate cookie before buf? Is there any way to tell beforehand how the variables will be allocated? Thanks, Jason

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  • Can YAML have inheritance?

    - by Jason
    This question involves a lot of symfony but it should be easy enough for someone to follow who only knows YAML and not symfony. My symfony models come from a three-step process: First, I create the tables in MySQL. Second, I run a symfony command (symfony doctrine:build-schema) to convert my table structure into a YAML file. Third, I run another symfony command (symfony doctrine:build-model) to convert the YAML file into PHP code. Here's the problem: there are some tables in the database that I don't want to end up in my symfony code. For example, let's say I have two tables: one called my_table and another called wordpress. The YAML file I end up with might look like this: MyTable: connection: doctrine tableName: my_table Wordpress: connection: doctrine tableName: wordpress That's great except the wordpress table has nothing to do with my symfony models. The result is that every single time I make a change to my database and generate this YAML file, I have to manually remove wordpress. It's annoying! I'd like to be able to create a file called baseConfig.php or something that looks like this: $config = array( 'MyTable' => array( 'connection' => 'doctrine', 'tableName' => 'my_table', ), 'Wordpress' => array( 'connection' => 'doctrine', 'tableName' => 'wordpress', ), ); And then I could have a separate file called config.php or something where I could make modifications to the base config: unset($config['Wordpress']); So my question is: is there any way to convert YAML into executable PHP code (as opposed to load YAML INTO PHP code like what sfYaml::load() does) to achieve this sort of thing? Or is there maybe some other way to achieve YAML inheritance? Thanks, Jason

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  • Accessing Current URL using Prototype

    - by Jason Nerer
    Hi folks, following Ryan Bates Screencast #114 I'm trying to generate endless pages using prototype. In difference to Ryan's showcase my URL called via the AJAX request shall be handled dynamically, cause I do not always call the same URL when the user reaches the end of my page. So my JS running in backround looks like that and uses document.location.href instead a fixed URL: var currentPage = 1; function checkScroll() { if (nearBottomOfPage()) { currentPage++; new Ajax.Request(document.location.href + '?page=' + currentPage, {asynchronous:true, evalScripts:true, method:'get'}); } else { setTimeout("checkScroll()", 250); } } function nearBottomOfPage() { return scrollDistanceFromBottom() < 10; } function scrollDistanceFromBottom(argument) { return pageHeight() - (window.pageYOffset + self.innerHeight); } function pageHeight() { return Math.max(document.body.scrollHeight, document.body.offsetHeight); } document.observe('dom:loaded', checkScroll); The question is: The code seems to work in Safari but fails in FF 3.6. It seems that FF calculates scrollHeight or offsetHeight differently. How can I prevent that? Thx in advance. Jason

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  • How to find the latest row for each group of data

    - by Jason
    Hi All, I have a tricky problem that I'm trying to find the most effective method to solve. Here's a simplified version of my View structure. Table: Audits AuditID | PublicationID | AuditEndDate | AuditStartDate 1 | 3 | 13/05/2010 | 01/01/2010 2 | 1 | 31/12/2009 | 01/10/2009 3 | 3 | 31/03/2010 | 01/01/2010 4 | 3 | 31/12/2009 | 01/10/2009 5 | 2 | 31/03/2010 | 01/01/2010 6 | 2 | 31/12/2009 | 01/10/2009 7 | 1 | 30/09/2009 | 01/01/2009 There's 3 query's that I need from this. I need to one to get all the data. The next to get only the history data (that is, everything but exclude the latest data item by AuditEndDate) and then the last query is to obtain the latest data item (by AuditEndDate). There's an added layer of complexity that I have a date restriction (This is on a per user/group basis) where certain user groups can only see between certain dates. You'll notice this in the where clause as AuditEndDate<=blah and AuditStartDate=blah Foreach publication, select all the data available. select * from Audits Where auditEndDate<='31/03/10' and AuditStartDate='06/06/2009'; foreach publication, select all the data but Exclude the latest data available (by AuditEndDate) select * from Audits left join (select AuditId as aid, publicationID as pid and max(auditEndDate) as pend from Audit where auditenddate <= '31/03/2009' /* user restrict / group by pid) Ax on Ax.pid=Audit.pubid where pend!=Audits.auditenddate AND auditEndDate<='31/03/10' and AuditStartDate='06/06/2009' / user restrict */ Foreach publication, select only the latest data available (by AuditEndDate) select * from Audits left join (select AuditId as aid, publicationID as pid and max(auditEndDate) as pend from Audit where auditenddate <= '31/03/2009'/* user restrict / group by pid) Ax on Ax.pid=Audit.pubid where pend=Audits.auditenddate AND auditEndDate<='31/03/10' and AuditStartDate='06/06/2009' / user restrict */ So at the moment, query 1 and 3 work fine, but query 2 just returns all the data instead of the restriction. Can anyone help me? Thanks jason

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  • Can't get this SPARQL query to work

    - by Jason
    Okay, I'm just learning to use SPARQL to query data from dbpedia.org and I'm using dbpedia's http://dbpedia.org/snorql/ to run my queries in. I am trying to get a list of MusicalArtists based on searching for the same string over three fields like so: SELECT ?subject ?artistRdfsLabel ?artistFoafName ?artistDbpedia2Name WHERE { ?subject rdf:type <http://dbpedia.org/ontology/MusicalArtist> . OPTIONAL { ?subject rdfs:label ?artistRdfsLabel . } OPTIONAL { ?subject foaf:name ?artistFoafName . } OPTIONAL { ?subject dbpedia2:name ?artistDbpedia2Name . } FILTER ( str(?artistRdfsLabel) = "Stevie Nicks" || str(?artistFoafName) = "Stevie Nicks" || str(?artistDbpedia2Name) = "Stevie Nicks" ) } LIMIT 10 This works because "Stevie Nicks" has all three fields (rdfs:label, foaf:name, dbpedia2:name). But when I try to query by another MusicalArtist that doesn't have all three ("Depeche Mode" for example) I get no results. I have tried various things like BIND(COALESCE(?field,...,...) AS ?artistName) to filter by ?artistName and I also tried UNION but nothing seems to work. Can someone point out the error of my SPARQL ways? :) Thanks! Jason

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  • MSForms.ListBox Type Mismatch in Access

    - by Jason
    I have an Access database where I use a Tab control (without tabs) to simulate a wizard. One of the tab pages has an MSForms.ListBox control called lstPorts, and a button named cmdAdd which adds the contents of a textbox to the List Box. I then try to keep the contents of the ListBox sorted. However, the call to the Sort method causes a type mismatch. Here is the cmdAdd_Click() code behind: Private Sub cmdAdd_Click() Dim test As MSForms.ListBox lstPorts2.AddItem (txtPortName) Call SortListBox(lstPorts2) End Sub Here is the SortListBox Sub: Public Sub SortListBox(ByRef oLb As MSForms.ListBox) Dim vaItems As Variant Dim i As Long, j As Long Dim vTemp As Variant 'Put the items in a variant array vaItems = oLb.List For i = LBound(vaItems, 1) To UBound(vaItems, 1) - 1 For j = i + 1 To UBound(vaItems, 1) If vaItems(i, 0) > vaItems(j, 0) Then vTemp = vaItems(i, 0) vaItems(i, 0) = vaItems(j, 0) vaItems(j, 0) = vTemp End If Next j Next i 'Clear the listbox oLb.Clear 'Add the sorted array back to the listbox For i = LBound(vaItems, 1) To UBound(vaItems, 1) oLb.AddItem vaItems(i, 0) Next i End Sub Any help out there? Since the Sort routine explicitly references the MSForms.ListBox, most of the results from Google aren't applicable. Jason

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  • HTML5 Flash 100% IE8 and Firefox

    - by Jason
    I need to have a flash intro for my website (a requirement from my teacher). I created the intro and embedded it into my page. I takes up the entire screen in both Chrome and Chromium. In IE8, Firefox and Opera the size is incorrect. What am I doing wrong? <!DOCTYPE html> <html> <head> <meta http-equiv="Refresh" content="3; url=template.htm"> <meta charset="UTF-8"> <title>Com Tech Projects | Jason Cook</title> </head> <body style="background: black;"> <embed style="height: 100%; width: 100%;" src="Flash/Introv6.swf"/> </body> </html>

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  • Use MySQL trigger to update another table when duplicate key found

    - by Jason
    Been scratching my head on this one, hoping one of you kind people and direct me towards solving this problem. I have a mysql table of customers, it contains a lot of data, but for the purpose of this question, we only need to worry about 4 columns 'ID', 'Firstname', 'Lastname', 'Postcode' Problem is, the table contains a lot of duplicated customers. A new table is being created where each customer is unique and for us, we decide a unique customer is based on 'Firstname', 'Lastname' and 'Postcode' However, (this is the important bit) we need to ensure each new "unique" customer record also can be matched to the original multiple entries of that customer in the original table. I believe the best way to do this is to have a third table, that has 'NewUniqueID', 'OldCustomerID'. So we can search this table for 'NewUniqueID' = '123' and it would return multiple 'OldCustomerID' values where appropriate. I am hoping to make this work using a trigger and the on duplicate key syntax. So what would happen is as follows: An query is run taking the old customer table and inserting it in to the new unique table. (A standard Insert Select query) On duplicate key continue adding records, but add one entry in to the third table noting the 'NewUniqueID' that duped along with the 'OldCustomerID' of the record we were trying to insert. Hope this makes sense, my apologies if it isn't clear. I welcome and appreciate any thoughts on this one! Many thanks Jason

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  • Parsing SQLIO Output to Excel Charts using Regex in PowerShell

    - by Jonathan Kehayias
    Today Joe Webb ( Blog | Twitter ) blogged about The Power of Regex in Powershell, and in his post he shows how to parse the SQL Server Error Log for events of interest.  At the end of his blog post Joe asked about other places where Regular Expressions have been useful in PowerShell so I thought I’d blog my script for parsing SQLIO output using Regex in PowerShell, to populate an Excel worksheet and build charts based on the results automatically. If you’ve never used SQLIO, Brent Ozar ( Blog...(read more)

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  • Parsing SQLIO Output to Excel Charts using Regex in PowerShell

    - by Jonathan Kehayias
    Today Joe Webb ( Blog | Twitter ) blogged about The Power of Regex in Powershell, and in his post he shows how to parse the SQL Server Error Log for events of interest. At the end of his blog post Joe asked about other places where Regular Expressions have been useful in PowerShell so I thought I’d blog my script for parsing SQLIO output using Regex in PowerShell, to populate an Excel worksheet and build charts based on the results automatically. If you’ve never used SQLIO, Brent Ozar ( Blog | Twitter...(read more)

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  • Greatest Hits : A reflection on my 2010 blog posts

    - by AaronBertrand
    Okay, I'm following the lead of Joe Webb ( blog | twitter ), who recently posted " My Most Popular Posts From 2010 ." I think it can be a very useful exercise to back and look at what blog posts were popular and, arguably more importantly, which posts were most thought-provoking and generated the most dialog (whether it is praise, heckling, or a mixture). I think you can a learn a lot about your blogging habits and perhaps where to focus energy in the future/ You can also be quite surprised at which...(read more)

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  • #MDX in London and speculation about future books

    - by Marco Russo (SQLBI)
    Chris Webb, who wrote the Expert Cube Development with Microsoft SQL Server 2008 Analysis Services book with me and Alberto , is preparing another Introduction to MDX course in London, this time from October 26th to 28th. It is now a three day course (previously it was two day) and you can find every other detail here . You might be wondering whether we are writing something else... well, we don't have plan to release a new edition of the Analysis Services book - after all, all the content of the...(read more)

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  • SQL Server Training in the UK–SSIS, MDX, Admin, MDS, Internals

    - by simonsabin
    If you are looking for SQL Server training they there is no better place to start than a new company Technitrain Its been setup by a fellow MVP and SQLBits Organiser Chris Webb. Why this company rather than any others? Training based on real world experience by the best in the business. The key to Technitrain’s model is not to cram the shelves high with courses and get some average Joe trainers to deliver them. Technitrain bring in world renowned experts in their fields to deliver courses written...(read more)

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  • March 2012 - SSIS Training in London!

    - by andyleonard
    I am honored to announce I will be delivering From Zero To SSIS! in London, England 5-9 Mar 2012. This course is delivered in cooperation with my friends at TechniTrain who provide awesome training by talented technologists like Chris Webb ( Blog ), Gavin Payne ( Blog ), and Christian Bolton ( Blog ). This opportunity grew out of conversations at SQLBits 9 in Liverpool in September 2011. I had an awesome time at SQLBits and encourage everyone to attend the conference if you have the opportunity to...(read more)

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  • HTG Reviews the CODE Keyboard: Old School Construction Meets Modern Amenities

    - by Jason Fitzpatrick
    There’s nothing quite as satisfying as the smooth and crisp action of a well built keyboard. If you’re tired of  mushy keys and cheap feeling keyboards, a well-constructed mechanical keyboard is a welcome respite from the $10 keyboard that came with your computer. Read on as we put the CODE mechanical keyboard through the paces. What is the CODE Keyboard? The CODE keyboard is a collaboration between manufacturer WASD Keyboards and Jeff Atwood of Coding Horror (the guy behind the Stack Exchange network and Discourse forum software). Atwood’s focus was incorporating the best of traditional mechanical keyboards and the best of modern keyboard usability improvements. In his own words: The world is awash in terrible, crappy, no name how-cheap-can-we-make-it keyboards. There are a few dozen better mechanical keyboard options out there. I’ve owned and used at least six different expensive mechanical keyboards, but I wasn’t satisfied with any of them, either: they didn’t have backlighting, were ugly, had terrible design, or were missing basic functions like media keys. That’s why I originally contacted Weyman Kwong of WASD Keyboards way back in early 2012. I told him that the state of keyboards was unacceptable to me as a geek, and I proposed a partnership wherein I was willing to work with him to do whatever it takes to produce a truly great mechanical keyboard. Even the ardent skeptic who questions whether Atwood has indeed created a truly great mechanical keyboard certainly can’t argue with the position he starts from: there are so many agonizingly crappy keyboards out there. Even worse, in our opinion, is that unless you’re a typist of a certain vintage there’s a good chance you’ve never actually typed on a really nice keyboard. Those that didn’t start using computers until the mid-to-late 1990s most likely have always typed on modern mushy-key keyboards and never known the joy of typing on a really responsive and crisp mechanical keyboard. Is our preference for and love of mechanical keyboards shining through here? Good. We’re not even going to try and hide it. So where does the CODE keyboard stack up in pantheon of keyboards? Read on as we walk you through the simple setup and our experience using the CODE. Setting Up the CODE Keyboard Although the setup of the CODE keyboard is essentially plug and play, there are two distinct setup steps that you likely haven’t had to perform on a previous keyboard. Both highlight the degree of care put into the keyboard and the amount of customization available. Inside the box you’ll find the keyboard, a micro USB cable, a USB-to-PS2 adapter, and a tool which you may be unfamiliar with: a key puller. We’ll return to the key puller in a moment. Unlike the majority of keyboards on the market, the cord isn’t permanently affixed to the keyboard. What does this mean for you? Aside from the obvious need to plug it in yourself, it makes it dead simple to repair your own keyboard cord if it gets attacked by a pet, mangled in a mechanism on your desk, or otherwise damaged. It also makes it easy to take advantage of the cable routing channels in on the underside of the keyboard to  route your cable exactly where you want it. While we’re staring at the underside of the keyboard, check out those beefy rubber feet. By peripherals standards they’re huge (and there is six instead of the usual four). Once you plunk the keyboard down where you want it, it might as well be glued down the rubber feet work so well. After you’ve secured the cable and adjusted it to your liking, there is one more task  before plug the keyboard into the computer. On the bottom left-hand side of the keyboard, you’ll find a small recess in the plastic with some dip switches inside: The dip switches are there to switch hardware functions for various operating systems, keyboard layouts, and to enable/disable function keys. By toggling the dip switches you can change the keyboard from QWERTY mode to Dvorak mode and Colemak mode, the two most popular alternative keyboard configurations. You can also use the switches to enable Mac-functionality (for Command/Option keys). One of our favorite little toggles is the SW3 dip switch: you can disable the Caps Lock key; goodbye accidentally pressing Caps when you mean to press Shift. You can review the entire dip switch configuration chart here. The quick-start for Windows users is simple: double check that all the switches are in the off position (as seen in the photo above) and then simply toggle SW6 on to enable the media and backlighting function keys (this turns the menu key on the keyboard into a function key as typically found on laptop keyboards). After adjusting the dip switches to your liking, plug the keyboard into an open USB port on your computer (or into your PS/2 port using the included adapter). Design, Layout, and Backlighting The CODE keyboard comes in two flavors, a traditional 87-key layout (no number pad) and a traditional 104-key layout (number pad on the right hand side). We identify the layout as traditional because, despite some modern trapping and sneaky shortcuts, the actual form factor of the keyboard from the shape of the keys to the spacing and position is as classic as it comes. You won’t have to learn a new keyboard layout and spend weeks conditioning yourself to a smaller than normal backspace key or a PgUp/PgDn pair in an unconventional location. Just because the keyboard is very conventional in layout, however, doesn’t mean you’ll be missing modern amenities like media-control keys. The following additional functions are hidden in the F11, F12, Pause button, and the 2×6 grid formed by the Insert and Delete rows: keyboard illumination brightness, keyboard illumination on/off, mute, and then the typical play/pause, forward/backward, stop, and volume +/- in Insert and Delete rows, respectively. While we weren’t sure what we’d think of the function-key system at first (especially after retiring a Microsoft Sidewinder keyboard with a huge and easily accessible volume knob on it), it took less than a day for us to adapt to using the Fn key, located next to the right Ctrl key, to adjust our media playback on the fly. Keyboard backlighting is a largely hit-or-miss undertaking but the CODE keyboard nails it. Not only does it have pleasant and easily adjustable through-the-keys lighting but the key switches the keys themselves are attached to are mounted to a steel plate with white paint. Enough of the light reflects off the interior cavity of the keys and then diffuses across the white plate to provide nice even illumination in between the keys. Highlighting the steel plate beneath the keys brings us to the actual construction of the keyboard. It’s rock solid. The 87-key model, the one we tested, is 2.0 pounds. The 104-key is nearly a half pound heavier at 2.42 pounds. Between the steel plate, the extra-thick PCB board beneath the steel plate, and the thick ABS plastic housing, the keyboard has very solid feel to it. Combine that heft with the previously mentioned thick rubber feet and you have a tank-like keyboard that won’t budge a millimeter during normal use. Examining The Keys This is the section of the review the hardcore typists and keyboard ninjas have been waiting for. We’ve looked at the layout of the keyboard, we’ve looked at the general construction of it, but what about the actual keys? There are a wide variety of keyboard construction techniques but the vast majority of modern keyboards use a rubber-dome construction. The key is floated in a plastic frame over a rubber membrane that has a little rubber dome for each key. The press of the physical key compresses the rubber dome downwards and a little bit of conductive material on the inside of the dome’s apex connects with the circuit board. Despite the near ubiquity of the design, many people dislike it. The principal complaint is that dome keyboards require a complete compression to register a keystroke; keyboard designers and enthusiasts refer to this as “bottoming out”. In other words, the register the “b” key, you need to completely press that key down. As such it slows you down and requires additional pressure and movement that, over the course of tens of thousands of keystrokes, adds up to a whole lot of wasted time and fatigue. The CODE keyboard features key switches manufactured by Cherry, a company that has manufactured key switches since the 1960s. Specifically the CODE features Cherry MX Clear switches. These switches feature the same classic design of the other Cherry switches (such as the MX Blue and Brown switch lineups) but they are significantly quieter (yes this is a mechanical keyboard, but no, your neighbors won’t think you’re firing off a machine gun) as they lack the audible click found in most Cherry switches. This isn’t to say that they keyboard doesn’t have a nice audible key press sound when the key is fully depressed, but that the key mechanism isn’t doesn’t create a loud click sound when triggered. One of the great features of the Cherry MX clear is a tactile “bump” that indicates the key has been compressed enough to register the stroke. For touch typists the very subtle tactile feedback is a great indicator that you can move on to the next stroke and provides a welcome speed boost. Even if you’re not trying to break any word-per-minute records, that little bump when pressing the key is satisfying. The Cherry key switches, in addition to providing a much more pleasant typing experience, are also significantly more durable than dome-style key switch. Rubber dome switch membrane keyboards are typically rated for 5-10 million contacts whereas the Cherry mechanical switches are rated for 50 million contacts. You’d have to write the next War and Peace  and follow that up with A Tale of Two Cities: Zombie Edition, and then turn around and transcribe them both into a dozen different languages to even begin putting a tiny dent in the lifecycle of this keyboard. So what do the switches look like under the classicly styled keys? You can take a look yourself with the included key puller. Slide the loop between the keys and then gently beneath the key you wish to remove: Wiggle the key puller gently back and forth while exerting a gentle upward pressure to pop the key off; You can repeat the process for every key, if you ever find yourself needing to extract piles of cat hair, Cheeto dust, or other foreign objects from your keyboard. There it is, the naked switch, the source of that wonderful crisp action with the tactile bump on each keystroke. The last feature worthy of a mention is the N-key rollover functionality of the keyboard. This is a feature you simply won’t find on non-mechanical keyboards and even gaming keyboards typically only have any sort of key roller on the high-frequency keys like WASD. So what is N-key rollover and why do you care? On a typical mass-produced rubber-dome keyboard you cannot simultaneously press more than two keys as the third one doesn’t register. PS/2 keyboards allow for unlimited rollover (in other words you can’t out type the keyboard as all of your keystrokes, no matter how fast, will register); if you use the CODE keyboard with the PS/2 adapter you gain this ability. If you don’t use the PS/2 adapter and use the native USB, you still get 6-key rollover (and the CTRL, ALT, and SHIFT don’t count towards the 6) so realistically you still won’t be able to out type the computer as even the more finger twisting keyboard combos and high speed typing will still fall well within the 6-key rollover. The rollover absolutely doesn’t matter if you’re a slow hunt-and-peck typist, but if you’ve read this far into a keyboard review there’s a good chance that you’re a serious typist and that kind of quality construction and high-number key rollover is a fantastic feature.  The Good, The Bad, and the Verdict We’ve put the CODE keyboard through the paces, we’ve played games with it, typed articles with it, left lengthy comments on Reddit, and otherwise used and abused it like we would any other keyboard. The Good: The construction is rock solid. In an emergency, we’re confident we could use the keyboard as a blunt weapon (and then resume using it later in the day with no ill effect on the keyboard). The Cherry switches are an absolute pleasure to type on; the Clear variety found in the CODE keyboard offer a really nice middle-ground between the gun-shot clack of a louder mechanical switch and the quietness of a lesser-quality dome keyboard without sacrificing quality. Touch typists will love the subtle tactile bump feedback. Dip switch system makes it very easy for users on different systems and with different keyboard layout needs to switch between operating system and keyboard layouts. If you’re investing a chunk of change in a keyboard it’s nice to know you can take it with you to a different operating system or “upgrade” it to a new layout if you decide to take up Dvorak-style typing. The backlighting is perfect. You can adjust it from a barely-visible glow to a blazing light-up-the-room brightness. Whatever your intesity preference, the white-coated steel backplate does a great job diffusing the light between the keys. You can easily remove the keys for cleaning (or to rearrange the letters to support a new keyboard layout). The weight of the unit combined with the extra thick rubber feet keep it planted exactly where you place it on the desk. The Bad: While you’re getting your money’s worth, the $150 price tag is a shock when compared to the $20-60 price tags you find on lower-end keyboards. People used to large dedicated media keys independent of the traditional key layout (such as the large buttons and volume controls found on many modern keyboards) might be off put by the Fn-key style media controls on the CODE. The Verdict: The keyboard is clearly and heavily influenced by the needs of serious typists. Whether you’re a programmer, transcriptionist, or just somebody that wants to leave the lengthiest article comments the Internet has ever seen, the CODE keyboard offers a rock solid typing experience. Yes, $150 isn’t pocket change, but the quality of the CODE keyboard is so high and the typing experience is so enjoyable, you’re easily getting ten times the value you’d get out of purchasing a lesser keyboard. Even compared to other mechanical keyboards on the market, like the Das Keyboard, you’re still getting more for your money as other mechanical keyboards don’t come with the lovely-to-type-on Cherry MX Clear switches, back lighting, and hardware-based operating system keyboard layout switching. If it’s in your budget to upgrade your keyboard (especially if you’ve been slogging along with a low-end rubber-dome keyboard) there’s no good reason to not pickup a CODE keyboard. Key animation courtesy of Geekhack.org user Lethal Squirrel.       

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