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  • Is it possible for a faulty processor to cause audio static/noise?

    - by Tom
    I have a Core 2 Extreme processor I received from a friend and have set up an XBMC box using it. However, I constantly get audio static whenever playing any music or videos. Here is a video of the sound: http://www.youtube.com/watch?v=SqKQkxYRVA4 I have tried replacing everything short of the case and the processor, including cables, audio interfaces, operating systems, ram, etc, leading me to think it might be either the case shorting out the motherboards I have tried or a faulty processor. Is it possible for a faulty processor to cause audio static/noise? Any feedback would be appreciated. Edit - Here's a list of things I have tried: Reinstalling OS Installing/upgrading/repairing PulseAudio/Alsa Installing alternate OSes, straight Ubuntu, Lubuntu, Xubuntu, Arch, Mint, Windows 7 Switching audio from the external card to internal Optical, audio out through HDMI, audio out through headphones Different ports on receiver (my main desktop sounds fine on the same sound system) Different optical cables Unplugging everything unnecessary from the motherboard (1 HD, 1 Stick of Ram, 1 Keyboard) Swapping out ram Swapping out the motherboard Replacing the Graphics Card (was replaced due to fan being noisy, not specifically for this problem) Different harddrives Swapping power supply Disabling onboard audio Switching Power Cable Plugging in through surge protector Plugging into different outlet on separate circuit

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  • [SOLVED} How do I restore my audio after uninstalling Ventrilo?

    - by Marcx
    Hi, I've a Dell studio 1555 bought on september with Windows 7 64bit Professional on it. The audio device works proprerly, while listening to audio contents (from disk or internet) When I use Ventrilo, the audio from other people sounds good and I hear their voices clearly When I use any other VOIP programs like Teamspeak 3, MSN or Skype, I hear a disturbed voice, and it's impossible to comprehend something... Anyway everything worked fine until I installed Ventrilo, but removing it didn´t solve my problem. Update: Here's a sample of how I hear others people voices.. Audio Sample After some tests, also the desktop has the same problem. (I tried TeamSpeak3) Here are some details on my laptop and desktop Laptop Dell Studio 1555 Core 2 Duo P8600 2.4Ghz 4Gb Ram Dual Channel Ati HD 4570 512Mb dedicated (up to 2048) IDT High Definition Audio Desktop Motherboard Asus P5KPL-AM Dual Core CPU E5200 2.50Ghz 2x2GB PC6400 Dual Channel Ati Radeon HD 4650 512MB VIA High Definition Audio Both computers have Windows 7 Professional 64Bit. So how do I restore my audio? SOLVED The problem was in router firmware, there was a bug that recognized VoIP traffic as a DOS attack and the router grambled every packet... I've installed the newest firmware and everything is fine :)

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  • The Sensemaking Spectrum for Business Analytics: Translating from Data to Business Through Analysis

    - by Joe Lamantia
    One of the most compelling outcomes of our strategic research efforts over the past several years is a growing vocabulary that articulates our cumulative understanding of the deep structure of the domains of discovery and business analytics. Modes are one example of the deep structure we’ve found.  After looking at discovery activities across a very wide range of industries, question types, business needs, and problem solving approaches, we've identified distinct and recurring kinds of sensemaking activity, independent of context.  We label these activities Modes: Explore, compare, and comprehend are three of the nine recognizable modes.  Modes describe *how* people go about realizing insights.  (Read more about the programmatic research and formal academic grounding and discussion of the modes here: https://www.researchgate.net/publication/235971352_A_Taxonomy_of_Enterprise_Search_and_Discovery) By analogy to languages, modes are the 'verbs' of discovery activity.  When applied to the practical questions of product strategy and development, the modes of discovery allow one to identify what kinds of analytical activity a product, platform, or solution needs to support across a spread of usage scenarios, and then make concrete and well-informed decisions about every aspect of the solution, from high-level capabilities, to which specific types of information visualizations better enable these scenarios for the types of data users will analyze. The modes are a powerful generative tool for product making, but if you've spent time with young children, or had a really bad hangover (or both at the same time...), you understand the difficult of communicating using only verbs.  So I'm happy to share that we've found traction on another facet of the deep structure of discovery and business analytics.  Continuing the language analogy, we've identified some of the ‘nouns’ in the language of discovery: specifically, the consistently recurring aspects of a business that people are looking for insight into.  We call these discovery Subjects, since they identify *what* people focus on during discovery efforts, rather than *how* they go about discovery as with the Modes. Defining the collection of Subjects people repeatedly focus on allows us to understand and articulate sense making needs and activity in more specific, consistent, and complete fashion.  In combination with the Modes, we can use Subjects to concretely identify and define scenarios that describe people’s analytical needs and goals.  For example, a scenario such as ‘Explore [a Mode] the attrition rates [a Measure, one type of Subject] of our largest customers [Entities, another type of Subject] clearly captures the nature of the activity — exploration of trends vs. deep analysis of underlying factors — and the central focus — attrition rates for customers above a certain set of size criteria — from which follow many of the specifics needed to address this scenario in terms of data, analytical tools, and methods. We can also use Subjects to translate effectively between the different perspectives that shape discovery efforts, reducing ambiguity and increasing impact on both sides the perspective divide.  For example, from the language of business, which often motivates analytical work by asking questions in business terms, to the perspective of analysis.  The question posed to a Data Scientist or analyst may be something like “Why are sales of our new kinds of potato chips to our largest customers fluctuating unexpectedly this year?” or “Where can innovate, by expanding our product portfolio to meet unmet needs?”.  Analysts translate questions and beliefs like these into one or more empirical discovery efforts that more formally and granularly indicate the plan, methods, tools, and desired outcomes of analysis.  From the perspective of analysis this second question might become, “Which customer needs of type ‘A', identified and measured in terms of ‘B’, that are not directly or indirectly addressed by any of our current products, offer 'X' potential for ‘Y' positive return on the investment ‘Z' required to launch a new offering, in time frame ‘W’?  And how do these compare to each other?”.  Translation also happens from the perspective of analysis to the perspective of data; in terms of availability, quality, completeness, format, volume, etc. By implication, we are proposing that most working organizations — small and large, for profit and non-profit, domestic and international, and in the majority of industries — can be described for analytical purposes using this collection of Subjects.  This is a bold claim, but simplified articulation of complexity is one of the primary goals of sensemaking frameworks such as this one.  (And, yes, this is in fact a framework for making sense of sensemaking as a category of activity - but we’re not considering the recursive aspects of this exercise at the moment.) Compellingly, we can place the collection of subjects on a single continuum — we call it the Sensemaking Spectrum — that simply and coherently illustrates some of the most important relationships between the different types of Subjects, and also illuminates several of the fundamental dynamics shaping business analytics as a domain.  As a corollary, the Sensemaking Spectrum also suggests innovation opportunities for products and services related to business analytics. The first illustration below shows Subjects arrayed along the Sensemaking Spectrum; the second illustration presents examples of each kind of Subject.  Subjects appear in colors ranging from blue to reddish-orange, reflecting their place along the Spectrum, which indicates whether a Subject addresses more the viewpoint of systems and data (Data centric and blue), or people (User centric and orange).  This axis is shown explicitly above the Spectrum.  Annotations suggest how Subjects align with the three significant perspectives of Data, Analysis, and Business that shape business analytics activity.  This rendering makes explicit the translation and bridging function of Analysts as a role, and analysis as an activity. Subjects are best understood as fuzzy categories [http://georgelakoff.files.wordpress.com/2011/01/hedges-a-study-in-meaning-criteria-and-the-logic-of-fuzzy-concepts-journal-of-philosophical-logic-2-lakoff-19731.pdf], rather than tightly defined buckets.  For each Subject, we suggest some of the most common examples: Entities may be physical things such as named products, or locations (a building, or a city); they could be Concepts, such as satisfaction; or they could be Relationships between entities, such as the variety of possible connections that define linkage in social networks.  Likewise, Events may indicate a time and place in the dictionary sense; or they may be Transactions involving named entities; or take the form of Signals, such as ‘some Measure had some value at some time’ - what many enterprises understand as alerts.   The central story of the Spectrum is that though consumers of analytical insights (represented here by the Business perspective) need to work in terms of Subjects that are directly meaningful to their perspective — such as Themes, Plans, and Goals — the working realities of data (condition, structure, availability, completeness, cost) and the changing nature of most discovery efforts make direct engagement with source data in this fashion impossible.  Accordingly, business analytics as a domain is structured around the fundamental assumption that sense making depends on analytical transformation of data.  Analytical activity incrementally synthesizes more complex and larger scope Subjects from data in its starting condition, accumulating insight (and value) by moving through a progression of stages in which increasingly meaningful Subjects are iteratively synthesized from the data, and recombined with other Subjects.  The end goal of  ‘laddering’ successive transformations is to enable sense making from the business perspective, rather than the analytical perspective.Synthesis through laddering is typically accomplished by specialized Analysts using dedicated tools and methods. Beginning with some motivating question such as seeking opportunities to increase the efficiency (a Theme) of fulfillment processes to reach some level of profitability by the end of the year (Plan), Analysts will iteratively wrangle and transform source data Records, Values and Attributes into recognizable Entities, such as Products, that can be combined with Measures or other data into the Events (shipment of orders) that indicate the workings of the business.  More complex Subjects (to the right of the Spectrum) are composed of or make reference to less complex Subjects: a business Process such as Fulfillment will include Activities such as confirming, packing, and then shipping orders.  These Activities occur within or are conducted by organizational units such as teams of staff or partner firms (Networks), composed of Entities which are structured via Relationships, such as supplier and buyer.  The fulfillment process will involve other types of Entities, such as the products or services the business provides.  The success of the fulfillment process overall may be judged according to a sophisticated operating efficiency Model, which includes tiered Measures of business activity and health for the transactions and activities included.  All of this may be interpreted through an understanding of the operational domain of the businesses supply chain (a Domain).   We'll discuss the Spectrum in more depth in succeeding posts.

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  • How to write C++ audio processing applications?

    - by cesko82
    Hi everyone, I'm an Electronics and Telecommunications student, next to my graduation. I'm gonna work on a project that involves my knowledge about DSP, music and audio in general. I allready know all the basic mathematic instruments and all the stuff I need to manage it, such as FFT, circular convolution ecc ecc. I want to learn C++ programming basically for one reason: it's very important in the professional world!!! And I think it's one of the most used to write applications working with audio, especially when it's about real time processing. Ok, after this small introduction I would like to know first, which are the most used libraries to work with audio processing in c++?? I was longer looking on the web but i couldn't find a lo of working stuff. (I work under linux with eclipse CDT enviroment). Then I would like to know if there are good sources to learn how to write some working code, such as for example how to write a simple low pass filter. Basically now i will not write real time applications, I would like to start from the processing of a WAV file, or even better an MP3 file, so basically on vectors of samples. Let's say that basically for now I would like to extract the waveform from an audio file, and save it to a thumbnail or to a PNG image. Ok, for now I think it's all I would need. Any ideas, advices, libraries, books, interesting sources about that? Thanks a lot in advance for any kind of answer. Giovanni.

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  • Looping HTML5 audio on the iPhone

    - by Peeps
    I'm trying to make a HTML5 webapp that simply plays a sound over and over and over again, on my iPhone. I don't know any Obj-C to do it natively. What I have works fine, but the sound only plays once: <!DOCTYPE html> <html> <head> <title>noisemaker!</title> <meta http-equiv="content-type" content="text/html; charset=utf-8" /> <meta name="viewport" content="maximum-scale=1, minimum-scale=1, width=device-width, user-scalable=no" /> <meta name="apple-mobile-web-app-capable" content="yes" /> </head> <body> <audio src="noise.mp3" autoplay controls loop></audio> </body> </html> Is there a way to either bypass the QuickTime audio screen and loop it in the webpage, or get the QuickTime audio screen to loop the sound?

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  • Virtual audio driver (microphone)

    - by Dalamber
    Hello guys, I want to develop a virtual microphone driver. Please, do not say anything about DirectShow - that's not "the way". I need a solution that will work with any software including Skype and MSN. And DirectShow doesn't fit these requirements. I found AVStream Filter-Centric Simulated Capture Driver (avssamp.sys) in Windows 7 WDK. What I need is an audio part of it. By default it reads avssamp.wav and plays it. But this driver is registered as WDM streaming capture device. And I want it in Audio Capture Device. There are some posts in the web but they are all the same: http://www.tech-archive.net/Archive/Development/microsoft.public.development.device.drivers/2005-05/msg00124.html http://www.winvistatips.com/problem-installing-avssamp-audio-capture-sources-category-t184898.html I think registering this filter-driver as audio capture device will make Skype recognize it as a microphone and thefore I will be able to push any PCM file as if it goes from mic. If someone already faced this problem before, please help. Thanks in advance.

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  • Which tool can list writing access to a specific variable in C?

    - by Lichtblitz
    Unfortunately I'm not even sure how this sort of static analysis is called. It's not really control flow analysis because I'm not looking for function calls and I don't really need data flow analysis because I don't care about the actual values. I just need a tool that lists the locations (file, function) where writing access to a specific variable takes place. I don't even care if that list contained lines that are unreachable. I could imagine that writing a simple parser could suffice for this task but I'm certain that there must be a tool out there that does this simple analysis. As a poor student I would appreciate free or better yet open source tools and if someone could tell me how this type of static analysis is actually called, I would be equally grateful! EDIT: I forgot to mention there's no pointer arithmetic in the code base.

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  • How do I restore my audio after uninstalling Ventrilo?

    - by Marcx
    Hi, I've a Dell studio 1555 bought on september with Windows 7 64bit Professional on it. The audio device works proprerly, while listening to audio contents (from disk or internet) When I use Ventrilo, the audio from other people sounds good and I hear their voices clearly When I use any other VOIP programs like Teamspeak 3, MSN or Skype, I hear a disturbed voice, and it's impossible to comprehend something... Anyway everything worked fine until I installed Ventrilo, but removing it didn´t solve my problem. So how do I restore my audio?

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  • How do I use different audio devices for different apps in Windows 8?

    - by Eclipse
    Besides switching the default audio device, how can I send the audio from one app (say x-box music) to one audio device, and another (say the video app) to another audio device? Edit: Looking further, I found this: http://channel9.msdn.com/Events/BUILD/BUILD2011/APP-408T At 16:16, he demonstrates exactly what I'm wanting to do, but when I go to the devices charm, I get a message: "You don't have any devices that can receive content from Music".

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  • Best way to learn iphone audio queue services, step by step tutorial

    - by optician
    Hi Everyone, I'm trying to learn how to handle audio at a fairly low level with audio queue services. I have been progrmaing in memory managed languages for quite a while, and have just completed the c programing tutorial by vtc (2007). This has left me comfortable with the understanding of pointers and memory allocation, but the apple documention still leaves me wanting for a simpler implenation and explaination. Maybe I need to learn objective c and cocoa better. I have heard that this book is good. Cocoa(R) Programming for Mac(R) OS X (3rd Edition) Could someone suggest a learning path that is going to help me get an better understanding of working with audio and an iphone. I want to be able to play mp3 files back and also alter the pitch of them as they are playing. I am prepared that I may have to temporarily convert the mp3 files into pcm files to do things like that to them. Thanks everyone.

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  • Which audio library to use?

    - by Jeb
    I want to build a .Net application for processing audio, and distribute it using ClickOnce deployment. I need access to a raw audio pipeline. Which audio library should I be using? I've heard the managed libraries for DirectSound are a dead end. I need as little as possible to be installed on the client's machine. Anything outside of the ClickOnce process isn't going to work. NAudio might be a possibility, but isn't there potentially a separate driver install? There's also SlimDX. It's a shame -- the managed DirectX libraries seem to work nicely and from what I've read, DirectX can be included in the ClickOnce install.

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  • Unexpected behavior with AudioQueueServices callback while recording audio

    - by rcw3
    I'm recording a continuous stream of data using AudioQueueServices. It is my understanding that the callback will only be called when the buffer fills with data. In practice, the first callback has a full buffer, the 2nd callback is 3/4 full, the 3rd callback is full, the 4th is 3/4 full, and so on. These buffers are 8000 packets (recording 8khz audio) - so I should be getting back 1s of audio to the callback each time. I've confirmed that my audio queue buffer size is correct (and is somewhat confirmed by the behavior). What am I doing wrong? Should I be doing something in the AudioQueueNewInput with a different RunLoop? I tried but this didn't seem to make a difference... By the way, if I run in the debugger, each callback is full with 8000 samples - making me think this is a threading / timing thing.

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  • Link to audio in XHTML/EPUB

    - by wxs
    I'm looking into synchronizing an ebook in epub format (so the content is in XHTML) to an audio file. I'm thinking of putting something along the lines of: <a class="audiolink" href="sound.ogg?t=1093"></a> into the body of the document, and then have a custom epub reader that recognizes those tags and synchronizes the audio accordingly. That does seem like a bit of a hack to me though, especially the use of a special class name. Does anyone have any pointers to how this may be done in a more standards-compliant manner (or somewhere where it has been done before)? Ebooks with audio annotation seem like an idea that may already be out there.

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  • Trying to build automatic audio-conferencing capability into a WebApp

    - by Keller
    Hey all, I'm working with a team of relatively novice programmers, and we are trying to create a site that will have audio-conferencing capabilities such that whenever someone visits the page, they will immediately have audio-conferencing capabilities with everyone else on the page (5 people max). Can anyone point us in a general direction? Should we be looking into building a custom app, leveraging audio conferencing software, or trying to mimic a webex program? Would Adobe Stratus be useful in getting this kind of functionality? Does anyone have any ideas about how we would design something like this on a macro level? Sorry for the noobish question, but any guidance would be deeply appreciated. Thanks, Keller

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  • Seeking through a streamed MP3 file with HTML5 <audio> tag

    - by Kyle Slattery
    Hopefully someone can help me out with this. I'm playing around with a node.js server that streams audio to a client, and I want to create an HTML5 player. Right now, I'm streaming the code from node using chunked encoding, and if you go directly to the URL, it works great. What I'd like to do is embed this using the HTML5 <audio> tag, like so: <audio src="http://server/stream?file=123"> where /stream is the endpoint for the node server to stream the MP3. The HTML5 player loads fine in Safari and Chrome, but it doesn't allow me to seek, and Safari even says it's a "Live Broadcast". In the headers of /stream, I include the file size and file type, and the response gets ended properly. Any thoughts on how I could get around this? I certainly could just send the whole file at once, but then the player would wait until the whole thing is downloaded--I'd rather stream it.

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  • Suggestion for creating custom sound recognition software to toggle audio

    - by Parrot owner
    I need to develop a program that toggles a particular audio track on or off when it recognizes a parrot scream or screech. The software would need to recognize a particular range of sounds and allow some variations in the range (as a parrot likely won't replicate its sreeches EXACTLY each time). Example: Bird screeches, no audio. Bird stops screeching for five seconds, audio track praising the bird plays. Regular chattering needs to be ignored completely, as it is not to be discouraged. I've heard of java libraries that have speech recognition with dictionaries built in, but the software would need to be taught the particular sounds that my particular parrot makes - not words or any random bird sound. In addition as I mentioned above, it would need to allow for slight variation in the sound, as the screech will likely never be 100% identical to the recorded version. What would be the best way to go about this/what language should I look into?

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  • Server-side Audio Editor

    - by Kristen
    I am looking for an audio editor that we can use server side (ASP + IIS) We want users to be able to upload an audio file, and then offer a 10 second teaser clip to other users for download. Ideally I would like our application to be able to specify Input and Output Filename, Start and End time (or Duration), and be able to fade-in and fade-out, and equalise the volume. Maybe some audio editors have a batch edit facility, and it would just be a question of installing on the server? All the keywords I have tried putting into Google have led me on a wild goose chase, hopefully someone can help me with suggestions. Thanks.

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  • iPhone xcode - Best way to control audio from several view controllers

    - by Are Refsdal
    Hi, I am pretty new to iPhone programming. I have a navBar with three views. I need to control audio from all of the views. I only want one audio stream to play at a time. I was thinking that it would be smart to let my AppDelegate have an instance of my audioplaying class and let the three other views use that instance to control the audio. My problem is that I don´t know how my views can use the audioplaying class in my AppDelegate. Is this the best approach and if so, how? Is there a better way?

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  • How to have game audio loop at a certain point

    - by Essential
    I have a storm in my game, and so I've made an ambient audio file which slowly grows into a storm and rain fades in, which then becomes a loopable storm audio file. Here is how I've done it: // Play intro clip and merge into main loop var introTime = stormIntro.length; AudioSource.PlayClipAtPoint( stormIntro, Vector3.zero, 0.7 ); Invoke( "StormMusic", introTime ); The way I'm currently trying to do it is get the length of the storm_intro audio clip, play the clip, and then invoke storm_loop to begin after the length of the intro has completed. This kinda works, but not really because there's occasionally a gap between the two. So how can I do it so the transition is seamless?

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  • Outputting audio stream into microphone

    - by Brap
    Hey everyone. Is there a way of outputting audio from my program and redirecting that stream to the system's microphone input 'layer'? I understand this might require some low-level calls being 'Pinvoked', but are there any articles that might help me. For example, if I was to run the output audio stream of my application into Window's Sound Recorder program, it would think that the audio is coming from a microphone and thus record that. I don't want to record a stream, just output it to the device's micrphone input. Thanks for any ideas.

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  • What tool can record multiple parallel stream to files of defined size?

    - by Hauke
    I would like to record record multiple audio web streams like this one in parallel to an mp3 or wma file for a duration of several days. I would like to be able to limit the file size or the duration stored in each file. The tool can be for any operating system. I do not need anything fancy like song recognition, metadata or silence detection. I haven't been able to find such a piece of software so far. Example: Tap channel "News" results in: News-090902-0000-0100.mp3, News-090902-0100-0200.mp3, etc... Who knows what tool can do this? It can be commercial software. Link in fulltext: 88.84.145.116:8000/listen.pls

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  • hdmi AC-3 audio broke after upgrading from 11.10 to 12.04.3

    - by Jim LastName
    I just updated my MythBuntu 11.10 to 12.04.3. Now, when I try to play 5.1 content (ripped DVD), my TV (and receiver) plays a "chattering" sound. I check my receiver and the digital dolby light isn't on--it's in PCM mode. So, either the audio is getting sent as AC-3, but the TV and receiver think it's PCM or the AC-3 audio got converted to multichannel PCM and they can't handle it. My setup: hdmi cable from htpc to TV. TV has an s/pdif output to my receiver. I know TV sends AC-3 audio out correctly because I see digital dolby light come on when I view a digital TV channel and PCM come on when I view an old analog channel. I can connect s/pdif from my htpc to my receiver and the digital dolby light comes on and it can decode the audio just fine. It's just not sending it right over hdmi. Now for some hints to the issue: I noticed in MythTV audio setup when I select alsa:hdmi.... the description only lists 2 channel PCM audio capability. speaker-test -Dhdmi:PCH -c6 errors about a bad channel count (only -c2 works). Finally, I tried vlc and it does the same chattering sound. These all make me think this isn't a MythTV issue, it's something lower than that. I think the best way to troubleshoot this is to start at the drivers and check each layer, one at a time all the way to alsa. I just don't know what the layers are and how to do it. So, I need to find some audio troubleshooting guide to assist me. Or, if one doesn't exist, I'd appreciate some steps. Thanks much, Jim

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  • Static code analysis for VB6 and classic ASP

    - by Ryan
    I'm looking for a static code analysis tool that will determine if I have orphaned functions in my VB6 code. The problem I'm running into is we make calls to the VB6 code from classic asp. Is there a tool that will look at both the classic asp and VB6 and determine if there are any orphaned functions?

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