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  • PHP/MySQL - updateing 2 tables in one request

    - by Phil Jackson
    Morning, I want to learn more about sql and I'm wanting to update to tables; $query3 = "INSERT INTO `$table1`, `$table2` ($table1.DISPLAY_NAME, $table1.EMAIL_ACCOUNT, $table2.DISPLAY_NAME, $table2.EMAIL_ACCOUNT) values ('" . DISPLAY_NAME . "', '" . EMAIL_ADDRESS . "', '" . $get['rn'] . "', '" . $email . "')"; could some one point me in the right direction on how I would go about this? current error is You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near ' contacts_ACT_Web_Designs (contacts_E_Jackson.DISPLAY_NAME, contacts_E_Jackson' at line 1 regards, phil

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  • WPF: Checkbox in a ListView/Gridview--How to Get ListItem in Checked/Unchecked Event?

    - by Phil Sandler
    In the code behind's CheckBox_Checked and CheckBox_Unchecked events, I'd like to be able to access the item in MyList that the checkbox is bound to. Is there an easy way to do this? <ListView ItemsSource="{Binding Path=MyList, Mode=OneWay, UpdateSourceTrigger=PropertyChanged}" MinHeight="100" MaxHeight="100"> <ListView.View> <GridView> <GridViewColumn> <GridViewColumn.CellTemplate> <DataTemplate> <CheckBox Margin="-4,0,-4,0" IsChecked="{Binding MyBoolProperty}" Checked="CheckBox_Checked" Unchecked="CheckBox_Unchecked" /> </DataTemplate> </GridViewColumn.CellTemplate> </GridViewColumn> </GridView> </ListView.View> </ListView>

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  • WPF Focus In Tab Control Content When New Tab is Created

    - by Phil Sandler
    I've done a lot of searching on SO and google around this problem, but can't seem to find anything else to try. I have a MainView (window) that contains a tab control. The tab control binds to an ObservableCollection of ChildViews (user controls). The MainView's ViewModel has a method that allows adding to the collection of ChildViews, which then creates a new tab. When a new tab is created, it becomes the active tab, and this works fine. This method on the MainView is called from another ViewModel (OtherViewModel). What I am trying to do is set the keyboard focus to the first control on the tab (an AutoCompleteBox from WPFToolkit*) when a new tab is created. I also need to set the focus the same way, but WITHOUT creating a new tab (so set the focus on the currently active tab). (*Note that there seem to be some focus problems with the AutoCompleteBox--even if it does have focus you need to send a MoveNext() to it to get the cursor in its window. I have worked around this already). So here's the problem. The focusing works when I don't create a new tab, but it doesn't work when I do create a new tab. Both functions use the same method to set focus, but the create logic first calls the method that creates a new tab and sets it to active. Code that sets the focus (in the ChildView's Codebehind): IInputElement element1 = Keyboard.Focus(autoCompleteBox); //plus code to deal with AutoCompleteBox as noted. In either case, the Keyboard.FocusedElement starts out as the MainView. After a create, calling Keyboard.Focus seems to do nothing (focused element is still the MainView). Calling this without creating a tab correctly sets the keyboard focus to autoCompleteBox. Any ideas? Update: Bender's suggestion half-worked. So now in both cases, the focused element is correctly the AutoCompleteBox. What I then do is MoveNext(), which sets the focus to a TextBox. I have been assuming that this Textbox is internal to the AutoCompleteBox, as the focus was correctly set on screen when this happened. Now I'm not so sure. This is still the behavior I see when this code gets hit when NOT doing a create. After a create, MoveNext() sets the focus to an element back in my MainView. The problem must still be along the lines of Bender's answer, where the state of the controls is not the same depending on whether a new tab was created or not. Any other thoughts?

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  • WPF: Animation Only Runs Once

    - by Phil Sandler
    Very basic (I think) animation question. My animation only runs the first time "MyProp" gets set to false. If it gets set a second time, the animation doesn't run. I know my data trigger is getting hit, as the sound DOES play. The effect I want is for the animation to run, then reset the target property back to what it was before the animation occurred (thus the FillBehavior=Stop). Do I need to reset the animation after it plays? <DataTrigger Binding="{Binding MyProp}" Value="False"> <DataTrigger.EnterActions> <SoundPlayerAction Source="/Resources/Sounds/Ding.wav"/> <BeginStoryboard> <Storyboard BeginTime="00:00:00" Duration="0:0:2" Storyboard.TargetProperty="(Background).(SolidColorBrush.Color)"> <ColorAnimation FillBehavior="Stop" From="Black" To="Red" Duration="0:0:0.5" AutoReverse="True"/> </Storyboard> </BeginStoryboard> </DataTrigger.EnterActions> </DataTrigger>

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  • General Question About WPF Control Behavior and using Invoke

    - by Phil Sandler
    I have been putting off activity on SO because my current reputation is "1337". :) This is a question of "why" and not "how". By default, it seems that WPF does not set focus to the first control in a window when it's opening. In addition, when a textbox gets focus, by default it does not have it's existing text selected. So basically when I open a window, I want focus on the first control of the window, and if that control is a textbox, I want it's existing text (if any) to be selected. I found some tips online to accomplish each of these behaviors, and combined them. The code below, which I placed in the constructor of my window, is what I came up with: Loaded += (sender, e) => { MoveFocus(new TraversalRequest(FocusNavigationDirection.Next)); var textBox = FocusManager.GetFocusedElement(this) as TextBox; if (textBox != null) { Action select = textBox.SelectAll; //for some reason this doesn't work without using invoke. Dispatcher.Invoke(DispatcherPriority.Loaded, select); } }; So, my question. Why does the above not work without using Dispatcher.Invoke? Is something built into the behavior of the window (or textbox) cause the selected text to be de-selected post-loading? Maybe related, maybe not--another example of where I had to use Dispatcher.Invoke to control the behavior of a form: http://stackoverflow.com/questions/2602979/wpf-focus-in-tab-control-content-when-new-tab-is-created

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  • Possible to Freeze Columns in a WPF ListView/GridView?

    - by Phil Sandler
    I currently have a GridView inside a ListView.View. The GridView columns will far exceed the width of the screen, so there will always be horizontal scrolling. What I would like to do is to have certain columns always remain on the screen regardless of scrolling. So the first x columns from the left are frozen (ala Excel), and the rest can scroll. It does not need to be dynamic/user selected--I know in advance which columns need to be frozen. Is this possible?

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  • WPF: Selecting the Target of an Animation

    - by Phil Sandler
    I am trying to create a simple (I think) animation effect based on a property change in my ViewModel. I would like the target to be a specific textblock in the control template of a custom control, which inherits from Window. From the article examples I've seen, a DataTrigger is the easiest way to accomplish this. It appears that Window.Triggers doesn't support DataTriggers, which led me to try to apply the trigger in the style. The problem I am currently having is that I can't seem to target the TextBlock (or any other child control)--what happens is which the code below is that the animation is applied to the background of the whole window. If I leave off StoryBoard.Target completely, the effect is exactly the same. Is this the right approach with the wrong syntax, or is there an easier way to accomplish this? <Style x:Key="MyWindowStyle" TargetType="{x:Type Window}"> <Setter Property="Template" Value="{StaticResource MyWindowTemplate}"/> <Style.Triggers> <DataTrigger Binding="{Binding ChangeOccurred}" Value="True"> <DataTrigger.EnterActions> <BeginStoryboard> <Storyboard BeginTime="00:00:00" Duration="0:0:2" Storyboard.Target="{Binding RelativeSource={RelativeSource AncestorType=TextBlock}}" Storyboard.TargetProperty="(Background).(SolidColorBrush.Color)"> <ColorAnimation FillBehavior="Stop" From="Black" To="Red" Duration="0:0:0.5" AutoReverse="True"/> </Storyboard> </BeginStoryboard> </DataTrigger.EnterActions> </DataTrigger> </Style.Triggers> </Style>

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  • WPF Binding with RelativeSource of Window Requires "DataContext" in Path?

    - by Phil Sandler
    The following code works, but I'm curious as to why I need the Path to be prefixed with "DataContext"? In most other cases, the path used is relative to DataContext. Is it because I am using a RelativeSource? Because the source is at the root level (Window)? <Style TargetType="TextBox"> <Setter Property="IsReadOnly" Value="{Binding RelativeSource={RelativeSource FindAncestor, AncestorType={x:Type Window}}, Path=DataContext.IsReadOnly}"/> </Style>

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  • Implementing IComparer<T> For IComparer<DictionaryEntry>

    - by Phil Sandler
    I am using the ObservableSortedDictionary from Dr. WPF. The constructor looks like this: public ObservableSortedDictionary(IComparer<DictionaryEntry> comparer) I am really struggling to create an implementation that satisfies the constructor and works. My current code (that won't compile) is: public class TimeCreatedComparer<T> : IComparer<T> { public int Compare(T x, T y) { var myclass1 = (IMyClass)((DictionaryEntry)x).Value; var myclass2 = (IMyClass)((DictionaryEntry)y).Value; return myclass1.TimeCreated.CompareTo(myclass2.TimeCreated); } } It says I can't cast from T to DictionaryEntry. If I cast directly to IMyClass, it compiles, but I get a runtime error saying I can't cast from DictionaryEntry to IMyClass. At runtime, x and y are instances of DictionaryEntry, which each have the correct IMyClass as their Value.

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  • WPF: Copy Property to Clipboard

    - by Phil Sandler
    I have a string property in my ViewModel/Datacontext and want a simple button that copies its contents to the clipboard. Is this possible to do from XAML, or I do I need to handle the button click event (or use an ICommand) to accomplish this? I thought the following would work, but my button is always greyed out: <Button Width="100" Content="Copy" Command="ApplicationCommands.Copy" CommandTarget="{Binding MyStringProperty}"/>

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  • WPF: Improving Performance for Running on Older PCs

    - by Phil Sandler
    So, I'm building a WPF app and did a test deployment today, and found that it performed pretty poorly. I was surprised, as we are really not doing much in the way of visual effects or animations. I deployed on two machines: the fastest and the slowest that will need to run the application (the slowest PC has an Intel Celeron 1.80GHz with 2GB RAM). The application ran pretty well on the faster machine, but was choppy on the slower machine. And when I say "choppy", I mean the cursor jumped even just passing it over any open window of the app that had focus. I opened the Task Manager Performance window, and could see that the CPU usage jumped whenever the app had focus and the cursor was moving over it. If I gave focus to another (e.g. Excel), the CPU usage went back down after a second. This happened on both machines, but the choppiness was only noticeable on the slower machine. I had very limited time to tinker on the deployment machines, so didn't do a lot of detailed testing. The app runs fine on my development machine, but I also see the CPU spiking up to 10% there, just running the cursor over the window. I downloaded the WPF performance tool from MS and have been tinkering with it (on my dev machine). The docs say this about the "Frame Rate" metric in the Perforator tool: For applications without animation, this value should be near 0. The app is not doing any heavy animation, but the frame rate stays near 50 when the cursor is over any window. The screens I tested on have column headers in a grid that "highlight" and buttons that change color and appearance when scrolled over. Even moving the mouse on blank areas of the windows cause the same Frame rate and CPU usage (doesn't seem to be related to these minor animations). (Also, I am unable to figure out how to get anything but the two default tools--Perforator and Visual Profiler--installed into the WPF performance tool. That is probably a separate question). I also have Redgate's profiling tool, but I'm not sure if that can shed any light on rendering performance. So, I realize this is not an easy thing to troubleshoot without specifics or sample code (which I can't post). My questions are: What are some general things to look for (or avoid) in the code to improve performance? What steps can I take using the WPF performance tool to narrow down the problem? Is the PC spec listed above (Intel Celeron 1.80GHz with 2GB RAM) too slow to be running even vanilla WPF applications?

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  • WPF Binding to IDictionary<int,MyType>.Values Doesn't Respond to Property Changes?

    - by Phil Sandler
    I am binding a ListView a property that essentially wraps the Values collection (ICollection) on a generic dictionary. When the values in the dictionary change, I call OnNotifyPropertyChanged(property). I don't see the updates on the screen, with no binding errors. When I change the property getter to return the Linq extension dictionary.Values.ToList(), without changing the signature of the property (ICollection) it works with no problem. Any reason why the Values collection bind and notify properly without projecting to an IList<?

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  • StructureMap Configuration Per Thread/Request for the Full Dependency Chain

    - by Phil Sandler
    I've been using Structuremap for a few months now, and it has worked great on some smaller (green field) projects. Most of the configurations I have had to set up involve a single implementation per interface. In the cases where I needed to choose a specific implementation at runtime, I created a factory class that used ObjectFactory.GetNamedInstance<(). In the smaller projects, there were few enough of these cases where I was comfortable with the references to ObjectFactory. My understanding is that you want to limit these references as much as possible, and ideally only reference the ObjectFactory once. I am working to refactor a larger codebase to use IOC/StructureMap, and am finding that I may need many of these factory classes with ObjectFactory references to get what I need. Essentially, I am creating a "root service" with the ObjectFactory, so that everything in the dependency chain is managed by the container. The root service is created by name (i.e. "BuildCar", "BuildTruck"), and the services needed deeper in the dependency chain could also be constructed using the same name--so the "IAttachWheels" service could vary based on whether a car or truck is being built. Since the class that depends on IAttachWheels is the same in both configurations, I don't think I can use ConstructedBy in the registry to choose the implementation. Also, to be clear, the IAttachWheels implementations need to be managed by the container as well, because the dependency chain runs fairly deep. I looked briefly at Profiles as an option, but read (here on StackOverflow) that changing profiles essentially changes implementations for all threads. Is there a feature that is similar to profiles that is thread/request specific? Is the factory class that references ObjectFactory approach the right way to go? Any thoughts would be appreciated.

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  • SQL Reset Identity ID in already populated table

    - by rockinthesixstring
    hey all. I have a table in my DB that has about a thousand records in it. I would like to reset the identity column so that all of the ID's are sequential again. I was looking at this but I'm ASSuming that it only works on an empty table Current Table ID | Name 1 Joe 2 Phil 5 Jan 88 Rob Desired Table ID | Name 1 Joe 2 Phil 3 Jan 4 Rob Thanks in advance

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  • MVC2 Apps (and others) sharing WCF services and authentication

    - by stupid-phil
    Hi, I've seen several similar scenarios explained here but not my particular one. I wonder if someone could tell me which direction to go in? I am developing two (and more later) MVC2 apps. There will also be another (thicker) client later on (WPF or Silverlight, TBD). These all need to share the same authentication. For the MVC2 apps they (preferably) need to be single log on - ie if a user logs in to one MVC2 app, they should be authorised on the other, as long as the cookie hasn't timed out. Forms authentication is to be used. All the apps need to use common business functionality and perform db access via a common WCF Service App. It would be nice (I think) if the WCF is not publicly accessible (ie blocked behind FW). The thicker client could use an additional service layer to access the Common WCF App. What this should look like is: MVCApp1 - WCFAppCommon MVCApp2 - WCFAppCommon ThickClient - WCFApp2 - WCFAppCommon Is it possible to carry out all the authentication/authorization in the WCFAppCommon? Otherwise I think I'll have to repeat all the security logic in the MVCApps and WCFApp2, whereas, to me, it seems to sit naturally in WCFAppCommon. On the otherhand, it seems if I authenticate/authorize in WCFAppCommon, I wouldn't be able to use Forms Authentication. Where I've seen possible solutions (that I haven't tried yet) they seem much more complex than Forms Authentication and a single DB. Any help appreciated, Phil

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  • dynamically create class in scala, should I use interpreter?

    - by Phil
    Hi, I want to create a class at run-time in Scala. For now, just consider a simple case where I want to make the equivalent of a java bean with some attributes, I only know these attributes at run time. How can I create the scala class? I am willing to create from scala source file if there is a way to compile it and load it at run time, I may want to as I sometimes have some complex function I want to add to the class. How can I do it? I worry that the scala interpreter which I read about is sandboxing the interpreted code that it loads so that it won't be available to the general application hosting the interpreter? If this is the case, then I wouldn't be able to use the dynamically loaded scala class. Anyway, the question is, how can I dynamically create a scala class at run time and use it in my application, best case is to load it from a scala source file at run time, something like interpreterSource("file.scala") and its loaded into my current runtime, second best case is some creation by calling methods ie. createClass(...) to create it at runtime. Thanks, Phil

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  • Opening href in jQuery Dialog

    - by Phil
    Okay, so I've got the following code to create a dialog of a div within a page: $('#modal').dialog({ autoOpen: false, width: 600, height: 450, modal: true, resizable: false, draggable: false, title: 'Enter Data', close: function() { $("#modal .entry_date").datepicker('hide'); } }); $('.modal').click(function() { $('#modal').dialog('open'); }); All working fine. But what I want is to also be able to open a link in a dialog window, kinda like... <a href="/path/to/file.html" class="modal">Open Me!!</a> I've done this before by hardcoding the path: $('#modal').load('/path/to/file.html').dialog('open'); but we can't hardcode the path in the javascript (as there will be multiple coming from the database) and I'm struggling to understand how to get this to work. I'm also pretty sure that the answer is really obvious, and I'm merely setting myself up to be humbled by the clever folk here at StackOverflow, but I've scratched my head for long enough this afternoon, so my ego has been put away, and hopefully someone can point me in the right direction... Thanks Phil

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  • PHP - post data ends when '&' is in data.

    - by Phil Jackson
    Hi all, im posting data using jquery/ajax and PHP at the backend. Problem being, when I input something like 'Jack & Jill went up the hill' im only recieving 'Jack' when it gets to the backend. I have thrown an error at the frontend before that data is sent which alerts 'Jack & Jill went up the hill'. When I put die(print_r($_POST)); at the very top of my index page im only getting [key] => Jack how can I be loosing the data? I thought It may have been my filter; <?php function filter( $data ) { $data = trim( htmlentities( strip_tags( mb_convert_encoding( $data, 'HTML-ENTITIES', "UTF-8") ) ) ); if ( get_magic_quotes_gpc() ) { $data = stripslashes( $data ); } //$data = mysql_real_escape_string( $data ); return $data; } echo "<xmp>" . filter("you & me") . "</xmp>"; ?> but that returns fine in the test above you &amp; me which is in place after I added die(print_r($_POST));. Can anyone think of how and why this is happening? Any help much appreciated. Regards, Phil.

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  • paypal sadbox IPN

    - by Phil Jackson
    Morning all. I am trying to test a SIMPLE php script to deal with the IPN response from paypal sandbox. <?php // read the post from PayPal system and add 'cmd' $req = 'cmd=_notify-validate'; foreach ($post as $key => $value) { $value = urlencode(stripslashes($value)); $req .= "&$key=$value"; } // post back to PayPal system to validate $header = "POST /cgi-bin/webscr HTTP/1.0\r\n"; $header .= "Content-Type: application/x-www-form-urlencoded\r\n"; $header .= "Content-Length: " . strlen($req) . "\r\n\r\n"; $fp = fsockopen ('ssl://www.sandbox.paypal.com/', 443, $errno, $errstr, 30); if ( !$fp ) { // HTTP ERROR $fp = fopen('thinbg.txt', 'a'); fwrite($fp, "false !fp - " . implode(" ", $post) ); fclose($fp); } else { fputs ($fp, $header . $req); while (!feof($fp)) { $res = fgets ($fp, 1024); if (strcmp ($res, "VERIFIED") == 0) { // PAYMENT VALIDATED & VERIFIED! $fp2 = fopen('thinbg.txt', 'a'); fwrite($fp2, "true - " . implode(" ", $post) ); fclose($fp2); } else if (strcmp ($res, "INVALID") == 0) { // PAYMENT INVALID & INVESTIGATE MANUALY! $fp2 = fopen('thinbg.txt', 'a'); fwrite($fp2, "false - " . implode(" ", $post) ); fclose($fp2); } } fclose ($fp); } ?> When I click on "send IPN" in the test ac"IPN successfully sent". when I look at the file that I created to check the vars it begins with "false !fp" yet still displays all the vars. Can anyone see whats happening and how I go about fixing. Regards, Phil

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  • PHP - dynamic page via subdomain

    - by Phil Jackson
    Hi, im creating profile pages based on a subdomains using the wildcard DNS setting. Problem being, if the subdomain is incorrect, I want it to redirect to the same page but without the subdomain infront ie; if ( preg_match('/^(www\.)?([^.]+)\.domainname\.co.uk$/', $_SERVER['HTTP_HOST'], $match)) { $DISPLAY_NAME = $match[2]; $query = "SELECT * FROM `" . ACCOUNT_TABLE . "` WHERE DISPLAY_NAME = '$DISPLAY_NAME' AND ACCOUNT_TYPE = 'premium_account'"; $q = mysql_query( $query, $CON ) or die( "_error_" . mysql_error() ); if( mysql_num_rows( $q ) != 0 ) { }else{ mysql_close( $CON ); header("location: http://www.domainname.co.uk"); exit; } } I get a browser error: Firefox has detected that the server is redirecting the request for this address in a way that will never complete. I think its because when using header("location: http://www.domainname.co.uk"); it still puts the sub domain infront i.e. ; header("location: http://www.sub.domainname.co.uk"); Does anyone know how to sort this and/or what is the problem. Regards, Phil

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  • loading files through one file to hide locations

    - by Phil Jackson
    Hello all. Im currently doing a project in which my client does not want to location ( ie folder names and locations ) to be displayed. so I have done something like this: <link href="./?0000=css&0001=0001&0002=css" rel="stylesheet" type="text/css" /> <link href="./?0000=css&0001=0002&0002=css" rel="stylesheet" type="text/css" /> <script src="./?0000=js&0001=0000&0002=script" type="text/javascript"></script> </head> <body> <div id="wrapper"> <div id="header"> <div id="left_header"> <img src="./?0000=jpg&0001=0001&0002=pic" width="277" height="167" alt="" /> </div> <div id="right_header"> <div id="top-banner"></div> <ul id="navigation"> <li><a href="#" title="#" id="nav-home">Home</a></li> <li><a href="#" title="#">Signup</a></li> all works but my question being is or will this cause any complications i.e. speed of the site as all requests are being made to one single file and then loading in the appropriate data. Regards, Phil

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  • SQL aggregate query question

    - by Phil
    Hi, Can anyone help me with a SQL query in Apache Derby SQL to get a "simple" count. Given a table ABC that looks like this... id a b c 1 1 1 1 2 1 1 2 3 2 1 3 4 2 1 1 ** 5 2 1 2 ** ** 6 2 2 1 ** 7 3 1 2 8 3 1 3 9 3 1 1 How can I write a query to get a count of how may distinct values of 'a' have both (b=1 and c=2) AND (b=2 and c=1) to get the correct result of 1. (the two rows marked match the criteria and both have a value of a=2, there is only 1 distinct value of a in this table that match the criteria) The tricky bit is that (b=1 and c=2) AND (b=2 and c=1) are obviously mutually exclusive when applied to a single row. .. so how do I apply that expression across multiple rows of distinct values for a? These queries are wrong but to illustrate what I'm trying to do... "SELECT DISTINCT COUNT(a) WHERE b=1 AND c=2 AND b=2 AND c=1 ..." .. (0) no go as mutually exclusive "SELECT DISTINCT COUNT(a) WHERE b=1 AND c=2 OR b=2 AND c=1 ..." .. (3) gets me the wrong result. SELECT COUNT(a) (CASE WHEN b=1 AND c=10 THEN 1 END) FROM ABC WHERE b=2 AND c=1 .. (0) no go as mutually exclusive Cheers, Phil.

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  • Mr Flibble: As Seen Through a Lens, Darkly

    - by Phil Factor
    One of the rewarding things about getting involved with Simple-Talk has been in meeting and working with some pretty daunting talents. I’d like to say that Dom Reed’s talents are at the end of the visible spectrum, but then there is Richard, who pops up on national radio occasionally, presenting intellectual programs, Andrew, master of the ukulele, with his pioneering local history work, and Tony with marathon running and his past as a university lecturer. However, Dom, who is Red Gate’s head of creative design and who did the preliminary design work for Simple-Talk, has taken the art photography to an extreme that was impossible before Photoshop. He’s not the first person to take a photograph of himself every day for two years, but he is definitely the first to weave the results into a frightening narrative that veers from comedy to pathos, using all the arts of Photoshop to create a fictional character, Mr Flibble.   Have a look at some of the Flickr pages. Uncle Spike The B-Men – Woolverine The 2011 BoyZ iN Sink reunion tour turned out to be their last Error 404 – Flibble not found Mr Flibble is not a normal type of alter-ego. We generally prefer to choose bronze age warriors of impossibly magnificent physique and stamina; superheroes who bestride the world, scorning the forces of evil and anarchy in a series noble and righteous quests. Not so Dom, whose Mr Flibble is vulnerable, and laid low by an addiction to toxic substances. His work has gained an international cult following and is used as course material by several courses in photography. Although his work was for a while ignored by the more conventional world of ‘art’ photography they became famous through the internet. His photos have received well over a million views on Flickr. It was definitely time to turn this work into a book, because the whole sequence of images has its maximum effect when seen in sequence. He has a Kickstarter project page, one of the first following the recent UK launch of the crowdfunding platform. The publication of the book should be a major event and the £45 I shall divvy up will be one of the securest investments I shall ever make. The local news in Cambridge picked up on the project and I can quote from the report by the excellent Cabume website , the source of Tech news from the ‘Cambridge cluster’ Put really simply Mr Flibble likes to dress up and take pictures of himself. One of the benefits of a split personality, however is that Mr Flibble is supported in his endeavour by Reed’s top notch photography skills, supreme mastery of Photoshop and unflinching dedication to the cause. The duo have collaborated to take a picture every day for the past 730-plus days. It is not a big surprise that neither Mr Flibble nor Reed watches any TV: In addition to his full-time role at Cambridge software house,Red Gate Software as head of creativity and the two to five hours a day he spends taking the Mr Flibble shots, Reed also helps organise the . And now Reed is using Kickstarter to see if the world is ready for a Mr Flibble coffee table book. Judging by the early response it is. At the time of writing, just a few days after it went live, ‘I Drink Lead Paint: An absurd photography book by Mr Flibble’ had raised £1,545 of the £10,000 target it needs to raise by the Friday 30 November deadline from 37 backers. Following the standard Kickstarter template, Reed is offering a series of rewards based on the amount pledged, ranging from a Mr Flibble desktop wallpaper for pledges of £5 or more to a signed copy of the book for pledges of £45 or more, right up to a starring role in the book for £1,500. Mr Flibble is unquestionably one of the more deranged Kickstarter hopefuls, but don’t think for a second that he doesn’t have a firm grasp on the challenges he faces on the road to immortalisation on 150 gsm stock. Under the section ‘risks and challenges’ on his Kickstarter page his statement begins: “An angry horde of telepathic iguanas discover the world’s last remaining stock of vintage lead paint and hold me to ransom. Gosh how I love to guzzle lead paint. Anyway… faced with such brazen bravado, I cower at the thought of taking on their combined might and die a sad and lonely Flibble deprived of my one and only true liquid love.” At which point, Reed manages to wrestle away the keyboard, giving him the opportunity to present slightly more cogent analysis of the obstacles the project must still overcome. We asked Reed a few questions about Mr Flibble’s Kickstarter adventure and felt that his responses were worth publishing in full: Firstly, how did you manage it – holding down a full time job and also conceiving and executing these ideas on a daily basis? I employed a small team of ferocious gerbils to feed me ideas on a daily basis. Whilst most of their ideas were incomprehensibly rubbish and usually revolved around food, just occasionally they’d give me an idea like my B-Men series. As a backup plan though, I found that the best way to generate ideas was to actually start taking photos. If I were to stand in front of the camera, pull a silly face, place a vegetable on my head or something else equally stupid, the resulting photo of that would typically spark an idea when I came to look at it. Sitting around idly trying to think of an idea was doomed to result in no ideas. I admit that I really struggled with time. I’m proud that I never missed a day, but it was definitely hard when you were late from work, tired or doing something socially on the same day. I don’t watch TV, which I guess really helps, because I’d frequently be spending 2-5 hours taking and processing the photos every day. Are there any overlaps between software development and creative thinking? Software is an inherently creative business and the speed that it moves ensures you always have to find solutions to new things. Everyone in the team needs to be a problem solver. Has it helped me specifically with my photography? Probably. Working within teams that continually need to figure out new stuff keeps the brain feisty I suppose, and I guess I’m continually exposed to a lot of possible sources of inspiration. How specifically will this Kickstarter project allow you to test the commercial appeal of your work and do you plan to get the book into shops? It’s taken a while to be confident saying it, but I know that people like the work that I do. I’ve had well over a million views of my pictures, many humbling comments and I know I’ve garnered some loyal fans out there who anticipate my next photo. For me, this Kickstarter is about seeing if there’s worth to my work beyond just making people smile. In an online world where there’s an abundance of freely available content, can you hope to receive anything from what you do, or would people just move onto the next piece of content if you happen to ask for some support? A book has been the single-most requested thing that people have asked me to produce and it’s something that I feel would showcase my work well. It’s just hard to convince people in the publishing industry just now to take any kind of risk – they’ve been hit hard. If I can show that people would like my work enough to buy a book, then it sends a pretty clear picture that publishers might hear, or it gives me the confidence enough to invest in myself a bit more – hard to do when you’re riddled with self-doubt! I’d love to see my work in the shops, yes. I could see it being the thing that someone flips through idly as they’re Christmas shopping and recognizing that it’d be just the perfect gift for their difficult to buy for friend or relative. That said, working in the software industry means I’m clearly aware of how I could use technology to distribute my work, but I can’t deny that there’s something very appealing to having a physical thing to hold in your hands. If the project is successful is there a chance that it could become a full-time job? At the moment that seems like a distant dream, as should this be successful, there are many more steps I’d need to take to reach any kind of business viability. Kickstarter seems exactly that – a way for people to help kick start me into something that could take off. If people like my work and want me to succeed with it, then taking a look at my Kickstarter page (and hopefully pledging a bit of support) would make my elbows blush considerably. So there is is. An opportunity to open the wallet just a bit to ensure that one of the more unusual talents sees the light in the format it deserves.  

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  • Ada and 'The Book'

    - by Phil Factor
    The long friendship between Charles Babbage and Ada Lovelace created one of the most exciting and mysterious of collaborations ever to have resulted in a technological breakthrough. The fireworks that created by the collision of two prodigious mathematical and creative talents resulted in an invention, the Analytical Engine, which went on to change society fundamentally. However, beyond that, we just don't know what the bulk of their collaborative work was about:;  it was done in strictest secrecy. Even the known outcome of their friendship, the first programmable computer, was shrouded in mystery. At the time, nobody, except close friends and family, had any idea of Ada Byron's contribution to the invention of the ‘Engine’, and how to program it. Her great insight was published in August 1843, under the initials AAL, standing for Ada Augusta Lovelace, her title then being the Countess of Lovelace. It was contained in a lengthy ‘note’ to her translation of a publication that remains the best description of Babbage's amazing Analytical Engine. The secret identity of the person behind those enigmatic initials was finally revealed by Prince de Polignac who, seventy years later, wrote to Ada's daughter to seek confirmation that her mother had, indeed, been the author of the brilliant sentences that described so accurately how Babbage's mechanical computer could be programmed with punch-cards. L.F. Menabrea's paper on the Analytical Engine first appeared in the 'Bibliotheque Universelle de Geneve' in October 1842, and Ada translated it anonymously for Taylor's 'Scientific Memoirs'. Charles Babbage was surprised that she had not written an original paper as she already knew a surprising amount about the way the machine worked. He persuaded her to at least write some explanatory notes. These notes ended up extending to four times the length of the original article and represented the first published account of how a machine could be programmed to perform any calculation. Her example of programming the Bernoulli sequence would have worked on the Analytical engine had the device’s construction been completed, and gave Ada an unassailable claim to have invented the art of programming. What was the reason for Ada's secrecy? She was the only legitimate child of Lord Byron, who was probably the best known celebrity of the age, so she was already famous. She was a senior aristocrat, with titles, a fortune in money and vast estates in the Midlands. She had political influence, and was the cousin of Lord Melbourne, who was the Prime Minister at that time. She was friendly with the young Queen Victoria. Her mathematical activities were a pastime, and not one that would be considered by others to be in keeping with her roles and responsibilities. You wouldn't dare to dream up a fictional heroine like Ada. She was dazzlingly beautiful and talented. She could speak several languages fluently, and play some musical instruments with professional skill. Contemporary accounts refer to her being 'accomplished in science, art and literature'. On top of that, she was a brilliant mathematician, a talent inherited from her mother, Annabella Milbanke. In her mother's circle of literary and scientific friends was Charles Babbage, and Ada's friendship with him dates from her teenage zest for Mathematics. She was one of the first people he'd ever met who understood what he had attempted to achieve with the 'Difference Engine', and with whom he could converse as intellectual equals. He arranged for her to have an education from the most talented academics in the country. Ada melted the heart of the cantankerous genius to the point that he became a faithful and loyal father-figure to her. She was one of the very few who could grasp the principles of the later, and very different, ‘Analytical Engine’ which was designed from the start to tackle a variety of tasks. Sadly, Ada Byron's life ended less than a decade after completing the work that assured her long-term fame, in November 1852. She was dying of cancer, her gambling habits had caused her to run up huge debts, she'd had more than one affairs, and she was being blackmailed. Her brilliant but unempathic mother was nursing her in her final illness, destroying her personal letters and records, and repaying her debts. Her husband was distraught but helpless. Charles Babbage, however, maintained his steadfast paternalistic friendship to the end. She appointed her loyal friend to be her executor. For years, she and Babbage had been working together on a secret project, known only as 'The Book'. We have a clue to what it was in a letter written by her nine years earlier, on 11th August 1843. It was a joint project by herself and Lord Lovelace, her husband, and was intended to involve Babbage's 'undivided energies'. It involved 'consulting your Engine' (it required Babbage’s computer). The letter gives no hint about the project except for the high-minded nature of its purpose, and its highly mathematical nature.  From then on, the surviving correspondence between the two gives only veiled references to 'The Book'. There isn't much, since Babbage later destroyed any letters that could have damaged her reputation within the Establishment. 'I cannot spare the book today, which I am very sorry for. At the moment I want it for constant reference, but I think you can have it tomorrow' (Oct 1844)  And 'I will send you the book directly, and you can say, when you receive it, how long you will want to keep it'. (Nov 1844)  The two of them were obviously intent on the work: She writes, four years later, 'I have an engagement for Wednesday which will prevent me from attending to your wishes about the book' (Dec 1848). This was something that they both needed to work on, but could not do in parallel: 'I will send the book on Tuesday, and it can be left with you till Friday' (11 Feb 1849). After six years work, it had been so well-handled that it was beginning to fall apart: 'Don't forget the new cover you promised for the book. The poor book is very shabby and wants one' (20 Sept 1849). So what was going on? The word 'book' was not a code-word: it was a real book, probably a 'printer's blank', plain paper, but properly bound so printers and publishers could show off how the published work might look. The hints from the correspondence are of advanced mathematics. It is obvious that the book was travelling between them, back and forth, each one working on it for less than a week before passing it back. Ada and her husband were certainly involved in gambling large sums of money on the horses, and so most biographers have concluded that the three of them were trying to calculate the mathematical odds on the horses. This theory has three large problems. Firstly, Ada's original letter proposing the project refers to its high-minded nature. Babbage was temperamentally opposed to gambling and would scarcely have given so much time to the project, even though he was devoted to Ada. Secondly, Babbage would have very soon have realized the hopelessness of trying to beat the bookies. This sort of betting never attracts his type of intellectual background. The third problem is that any work on calculating the odds on horses would not need a well-thumbed book to pass back and forth between them; they would have not had to work in series. The original project was instigated by Ada, along with her husband, William King-Noel, 1st Earl of Lovelace. Charles Babbage was invited to join the project after the couple had come up with the idea. What could William have contributed? One might assume that William was a Bertie Wooster character, addicted only to the joys of the turf, but this was far from the truth. He was a scientist, a Cambridge graduate who was later elected to be a Fellow of the Royal Society. After Eton, he went to Trinity College, Cambridge. On graduation, he entered the diplomatic service and acted as secretary under Lord Nugent, who was Lord Commissioner of the Ionian Islands. William was very friendly with Babbage too, able to discuss scientific matters on equal terms. He was a capable engineer who invented a process for bending large timbers by the application of steam heat. He delivered a paper to the Institution of Civil Engineers in 1849, and received praise from the great engineer, Isambard Kingdom Brunel. As well as being Lord Lieutenant of the County of Surrey for most of Victoria's reign, he had time for a string of scientific and engineering achievements. Whatever the project was, it is unlikely that William was a junior partner. After Ada's death, the project disappeared. Then, two years later, Babbage, through one of his occasional outbursts of temper, demonstrated that he was able to decrypt one of the most powerful of secret codes, Vigenère's autokey cipher.  All contemporary diplomatic and military messages used a variant of this cipher. Babbage had made three important discoveries, namely, the mathematical law of this cipher, the principle of the key periodicity, and the technique of the symmetry of position. The technique is now known as the Kasiski examination, also called the Kasiski test, but Babbage got there first. At one time, he listed amongst his future projects, the writing of a book 'The Philosophy of Decyphering', but it never came to anything. This discovery was going to change the course of history, since it was used to decipher the Russians’ military dispatches in the Crimean war. Babbage himself played a role during the Crimean War as a cryptographical adviser to his friend, Rear-Admiral Sir Francis Beaufort of the Admiralty. This is as much as we can be certain about in trying to make sense of the bulk of the time that Charles Babbage and Ada Lovelace worked together. Nine years of intensive work, involving the 'Engine' and a great deal of mathematics and research seems to have been lost: or has it? I've argued in the past http://www.simple-talk.com/community/blogs/philfactor/archive/2008/06/13/59614.aspx that the cracking of the Vigenère autokey cipher, was a fundamental motive behind the British Government's support and funding of the 'Difference Engine'. The Duke of Wellington, whose understanding of the military significance of being able to read enemy dispatches, was the most steadfast advocate of the project. If the three friends were actually doing the work of cracking codes by mathematical techniques that used the techniques of key periodicity, and symmetry of position (the use of a book being passed quickly to and fro is very suggestive), intending to then use the 'Engine' to do the routine cracking of each dispatch, then this is a rather different story. The project was Ada and William's idea. (William had served in the diplomatic service and would be familiar with the use of codes). This makes Ada Lovelace the initiator of a project which, by giving both Britain, and probably the USA, a diplomatic and military advantage in the second part of the Nineteenth century, changed world history. Ada would never have wanted any credit for cracking the cipher, and developing the method that rendered all contemporary military and diplomatic ciphering techniques nugatory; quite the reverse. And it is clear from the gaps in the record of the letters between the collaborators that the evidence was destroyed, probably on her request by her irascible but intensely honorable executor, Charles Babbage. Charles Babbage toyed with the idea of going public, but the Crimean war put an end to that. The British Government had a valuable secret, and intended to keep it that way. Ada and Charles had quite often discussed possible moneymaking projects that would fund the development of the Analytic Engine, the first programmable computer, but their secret work was never in the running as a potential cash cow. I suspect that the British Government was, even then, working on the concealment of a discovery whose value to the nation depended on it remaining so. The success of code-breaking in the Crimean war, and the American Civil war, led to the British and Americans  subsequently giving much more weight and funding to the science of decryption. Paradoxically, this makes Ada's contribution even closer to the creation of Colossus, the first digital computer, at Bletchley Park, specifically to crack the Nazi’s secret codes.

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