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  • 12.10 no audio via hdmi and video speeds up

    - by jackson
    I have a laptop with an ati radeon 4200, on 12.04 everything worked fine, since upgrading to 12.10 I cannot get sound over the hdmi. When I switch to hdmi audio the video speeds up to about 2x. I can use the speakers in my laptop and watch video via hdmi with no problems. Things I have tried: Various tutorials to install the AMD/ATI drivers, all of which resulted in low graphics mode. Checked that everything is properly set in alsamixer, the sound utility and - installed pavucontrol and checked everything in there. Verified the output from cat /proc/asound/cards looks normal When I initially upgraded there was a plethora of problems which I believe were due to the old proprietary driver still being used but not compatible, after a few hours trying to fix that I decided just to back up and do a fresh install which works great except for the above stated problem. Any help would be greatly appreciated!! Finally hopefully this hasn't already been answered, I have tried a few different searches on the boards and haven't come up with anything. $ aplay -l **** List of PLAYBACK Hardware Devices **** card 0: SB [HDA ATI SB], device 0: ALC269VB Analog [ALC269VB Analog] Subdevices: 1/1 Subdevice #0: subdevice #0 card 1: HDMI [HDA ATI HDMI], device 3: HDMI 0 [HDMI 0] Subdevices: 0/1 Subdevice #0: subdevice #0

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  • Interaction using Kinect in XNA

    - by Sweta Dwivedi
    So i have written a program to play a sound file when ever my RightHand.Joint touches the 3D model . . It goes like this . . even though the code works somehow but not very accurate . . for example it will play the sound when my hand is slightly under my 3D object not exactly on my 3D object . How do i make it more accurate? here is the code . . (HandX & HandY is the values coming from the Skeleton data RightHand.Joint.X etc) and also this calculation doesnt work with Animated Sprites..which i need to do foreach (_3DModel s in Solar) { float x = (float)Math.Floor(((handX * 0.5f) + 0.5f) * (resolution.X)); float y = (float)Math.Floor(((handY * -0.5f) + 0.5f) * (resolution.Y)); float z = (float)Math.Floor((handZ) / 4 * 20000); if (Math.Sqrt(Math.Pow(x - s.modelPosition.X, 2) + Math.Pow(y - s.modelPosition.Y, 2)) < 15) { //Exit(); PlaySound("hyperspace_activate"); Console.WriteLine("1" + "handx:" + x + "," + " " + "modelPos.X:" + s.modelPosition.X + "," + " " + "handY:" + y + "modelPos.Y:" + s.modelPosition.Y); } else { Console.WriteLine("2" + "handx:" + x + "," + " " + "modelPos.X:" + s.modelPosition.X + "," + " " + "handY:" + y + "modelPos.Y:" + s.modelPosition.Y); } }

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  • Is it possible to generate Events and Hooks in Lua for any game without built-in support?

    - by pr0tocol
    Does a game have to have built-in functions to accept and run lua scripts, or can I design Events and Hooks using Lua on any game I please, akin to the days where C code could be used to hook into the WinAPI using dlls? The reason I ask is, I am trying to create a background application that will perform events and hooks on a particular game that does not currently support lua in-game. Brief examples: Events: - An action executed by the PLAYER is detected. For instance, hitting the Q key will normally make my character use an ability, but with my Lua script running in the background, will cause a sound to play on my computer (or something). Hooks: - An action within the GAME is detected. For instance, the game spawns an enemy every minute. When an enemy spawns, the script will detect this and perform an action, for instance playing a sound locally on the computer. I would like to do both, but I know for games like Garry's Mod, the game already has built-in support for running lua scripts. Is there a way to do either events OR hooks using lua similarly to how C/C++ can connect to a game using WinAPI dlls?

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  • TechEd 2012: Fast SQL Server

    - by Tim Murphy
    While I spend a certain amount of my time creating databases (coding around SQL Server and setup a server when I have to) it isn’t my bread and butter.  Since I have run into a number of time that SQL Server needed to be tuned I figured I would step out of my comfort zone and see what I can learn. Brent Ozar packed a mountain of information into his session on making SQL Server faster.  I’m not sure how he found time to hit all of his points since he was allowing the audience abuse him on Twitter instead of asking questions, but he managed it.  I also questioned his sanity since he appeared to be using a fruit laptop. He had my attention though when he stated that he had given up on telling people to not use “select *”. He posited that it could be fixed with hardware by caching the data in memory.  He continued by cautioning that having too many indexes could defeat this approach.  His logic was sound if not always practical, but it was a good place to start when determining the trade-offs you need to balance.  He was moving pretty fast, but I believe he was prescribing this solution predominately for OLTP database prior to moving on to data warehouse solutions. Much of the advice he gave for data warehouses is contained in the Microsoft Fast Track guidance so I won’t rehash it here.  To summarize the solution seems to be the proper balance memory, disk access speed and the speed of the pipes that get the data from storage to the CPU.  It appears to be sound guidance and the session gave enough information that going forward we should be able to find the details needed easily.  Just what the doctor ordered. del.icio.us Tags: SQL Server,TechEd,TechEd 2012,Database,Performance Tuning

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  • How do I turn off PCI devices?

    - by ethana2
    With the purchase of an Intel SSD and 85WHr Li-ion battery and the linking of wifi and bluetooth to my laptop's wireless switch, extensive Intel PowerTop usage, switching from compiz to metacity, stopping of the desktop-couch daemon, removal of Ubuntu One and several other services from my startup, disabling of everything possible in my BIOS, and physical removal of my optical drive, I've gotten my battery life up fairly high, but I think there's still more to be done. Specifically, when I'm in class taking notes, I want to temporarily but completely power down: Ethernet Firewire USB ports SD card reader Optical drive Webcam Sound card PCMCIA slot ..without turning them off in my BIOS like they are now, if possible, because then I have to restart my computer to use any of them. As it stands, I still haven't managed to power down: Firewire USB connection to webcam sound card How do I tell Linux to disable and power down these devices? Is it true that any PCI slot can be physically powered down? My current idle power consumption is 7.9 watts plus the screen. (10.0W at min. brightness) Also, how do I set the screen timeout to ten seconds? gconf editor isn't honoring it when I set it to that. Will switching from nVidia to Nouveau save any significant amount of power?

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  • How can I speed up boot on one of my machines?

    - by Korneel Bouman
    I have a Gateway all in one machine (2 gig Intel Core 2 Duo T7250 dual core processor, 2 gig RAM - full specs) on which I installed 10.10. Once it has booted it's fine, but it takes forever to boot. This is what happens: 1. Boot starts with cursor flashing for about 10-15 seconds 2. Cursor disappears for 1.5 - 2 minutes 3. Cursor reappears, blinks a few seconds more, boot finishes in another 10 seconds 4. Login screen I have another machine with marginal better specs that boots up in no time (basically the above minus the two minute delay). Things I've done: enabled verbose mode for grub nothing is showing until after 2 minute pause. checked syslog last message before pause is a message from alsa saying the process is already running (or something similar... going from memory here...) It could be something sound related as the built in speakers are not working (sound card is recognized though and headphones work). Anyway, it's not the end of the world, but it's annoying and I'd like to know what's going on... Many thanks, and let me know if more info is needed.

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  • iphone: Help with AudioToolbox Leak: Stack trace/code included here...

    - by editor guy
    Part of this app is a "Scream" button that plays random screams from cast members of a TV show. I have to bang on the app quite a while to see a memory leak in Instruments, but it's there, occasionally coming up (every 45 seconds to 2 minutes.) The leak is 3.50kb when it occurs. Haven't been able to crack it for several hours. Any help appreciated. Instruments says this is the offending code line: [appSoundPlayer play]; that's linked to from line 9 of the below stack trace: 0 libSystem.B.dylib malloc 1 libSystem.B.dylib pthread_create 2 AudioToolbox CAPThread::Start() 3 AudioToolbox GenericRunLoopThread::Start() 4 AudioToolbox AudioQueueNew(bool, AudioStreamBasicDescription const*, TCACallback const&, CACallbackTarget const&, unsigned long, OpaqueAudioQueue*) 5 AudioToolbox AudioQueueNewOutput 6 AVFoundation allocAudioQueue(AVAudioPlayer, AudioPlayerImpl*) 7 AVFoundation prepareToPlayQueue(AVAudioPlayer*, AudioPlayerImpl*) 8 AVFoundation -[AVAudioPlayer prepareToPlay] 9 Scream Queens -[ScreamViewController scream:] /Users/laptop2/Desktop/ScreamQueens Versions/ScreamQueens25/Scream Queens/Classes/../ScreamViewController.m:210 10 CoreFoundation -[NSObject performSelector:withObject:withObject:] 11 UIKit -[UIApplication sendAction:to:from:forEvent:] 12 UIKit -[UIApplication sendAction:toTarget:fromSender:forEvent:] 13 UIKit -[UIControl sendAction:to:forEvent:] 14 UIKit -[UIControl(Internal) _sendActionsForEvents:withEvent:] 15 UIKit -[UIControl touchesEnded:withEvent:] 16 UIKit -[UIWindow _sendTouchesForEvent:] 17 UIKit -[UIWindow sendEvent:] 18 UIKit -[UIApplication sendEvent:] 19 UIKit _UIApplicationHandleEvent 20 GraphicsServices PurpleEventCallback 21 CoreFoundation CFRunLoopRunSpecific 22 CoreFoundation CFRunLoopRunInMode 23 GraphicsServices GSEventRunModal 24 UIKit -[UIApplication _run] 25 UIKit UIApplicationMain 26 Scream Queens main /Users/laptop2/Desktop/ScreamQueens Versions/ScreamQueens25/Scream Queens/main.m:14 27 Scream Queens start Here's .h: #import <UIKit/UIKit.h> #import <AVFoundation/AVFoundation.h> #import <MediaPlayer/MediaPlayer.h> #import <AudioToolbox/AudioToolbox.h> #import <MessageUI/MessageUI.h> #import <MessageUI/MFMailComposeViewController.h> @interface ScreamViewController : UIViewController <UIApplicationDelegate, AVAudioPlayerDelegate, MFMailComposeViewControllerDelegate> { //AudioPlayer related AVAudioPlayer *appSoundPlayer; NSURL *soundFileURL; BOOL interruptedOnPlayback; BOOL playing; //Scream button related IBOutlet UIButton *screamButton; int currentScreamIndex; NSString *currentScream; NSMutableArray *screams; NSMutableArray *personScreaming; NSMutableArray *photoArray; int currentSayingsIndex; NSString *currentButtonSaying; NSMutableArray *funnyButtonSayings; IBOutlet UILabel *funnyButtonSayingsLabel; IBOutlet UILabel *personScreamingField; IBOutlet UIImageView *personScreamingImage; //Mailing the scream related IBOutlet UILabel *mailStatusMessage; IBOutlet UIButton *shareButton; } //AudioPlayer related @property (nonatomic, retain) AVAudioPlayer *appSoundPlayer; @property (nonatomic, retain) NSURL *soundFileURL; @property (readwrite) BOOL interruptedOnPlayback; @property (readwrite) BOOL playing; //Scream button related @property (nonatomic, retain) UIButton *screamButton; @property (nonatomic, retain) NSMutableArray *screams; @property (nonatomic, retain) NSMutableArray *personScreaming; @property (nonatomic, retain) NSMutableArray *photoArray; @property (nonatomic, retain) UILabel *personScreamingField; @property (nonatomic, retain) UIImageView *personScreamingImage; @property (nonatomic, retain) NSMutableArray *funnyButtonSayings; @property (nonatomic, retain) UILabel *funnyButtonSayingsLabel; //Mailing the scream related @property (nonatomic, retain) IBOutlet UILabel *mailStatusMessage; @property (nonatomic, retain) IBOutlet UIButton *shareButton; //Scream Button - (IBAction) scream: (id) sender; //Mail the scream - (IBAction) showPicker: (id)sender; - (void)displayComposerSheet; - (void)launchMailAppOnDevice; @end Here's the top of .m: #import "ScreamViewController.h" //top of code has Audio session callback function for responding to audio route changes (from Apple's code), then my code continues... @implementation ScreamViewController @synthesize appSoundPlayer; // AVAudioPlayer object for playing the selected scream @synthesize soundFileURL; // Path to the scream @synthesize interruptedOnPlayback; // Was application interrupted during audio playback @synthesize playing; // Track playing/not playing state @synthesize screamButton; //Press this button, girls scream. @synthesize screams; //Mutable array holding strings pointing to sound files of screams. @synthesize personScreaming; //Mutable array tracking the person doing the screaming @synthesize photoArray; //Mutable array holding strings pointing to photos of screaming girls @synthesize personScreamingField; //Field updates to announce which girl is screaming. @synthesize personScreamingImage; //Updates to show image of the screamer. @synthesize funnyButtonSayings; //Mutable array holding the sayings @synthesize funnyButtonSayingsLabel; //Label that updates with the funnyButtonSayings @synthesize mailStatusMessage; //did the email go out @synthesize shareButton; //share scream via email Next line begins the block with the offending code: - (IBAction) scream: (id) sender { //Play a click sound effect SystemSoundID soundID; NSString *sfxPath = [[NSBundle mainBundle] pathForResource:@"aClick" ofType:@"caf"]; AudioServicesCreateSystemSoundID((CFURLRef)[NSURL fileURLWithPath:sfxPath],&soundID); AudioServicesPlaySystemSound (soundID); // Because someone may slam the scream button over and over, //must stop current sound, then begin next if ([self appSoundPlayer] != nil) { [[self appSoundPlayer] setDelegate:nil]; [[self appSoundPlayer] stop]; [self setAppSoundPlayer: nil]; } //after selecting a random index in the array (did that in View Did Load), //we move to the next scream on each click. //First check... //Are we past the end of the array? if (currentScreamIndex == [screams count]) { currentScreamIndex = 0; } //Get the string at the index in the personScreaming array currentScream = [screams objectAtIndex: currentScreamIndex]; //Get the string at the index in the personScreaming array NSString *screamer = [personScreaming objectAtIndex:currentScreamIndex]; //Log the string to the console NSLog (@"playing scream: %@", screamer); // Display the string in the personScreamingField field NSString *listScreamer = [NSString stringWithFormat:@"scream by: %@", screamer]; [personScreamingField setText:listScreamer]; // Gets the file system path to the scream to play. NSString *soundFilePath = [[NSBundle mainBundle] pathForResource: currentScream ofType: @"caf"]; // Converts the sound's file path to an NSURL object NSURL *newURL = [[NSURL alloc] initFileURLWithPath: soundFilePath]; self.soundFileURL = newURL; [newURL release]; [[AVAudioSession sharedInstance] setDelegate: self]; [[AVAudioSession sharedInstance] setCategory: AVAudioSessionCategoryPlayback error: nil]; // Registers the audio route change listener callback function AudioSessionAddPropertyListener ( kAudioSessionProperty_AudioRouteChange, audioRouteChangeListenerCallback, self ); // Activates the audio session. NSError *activationError = nil; [[AVAudioSession sharedInstance] setActive: YES error: &activationError]; // Instantiates the AVAudioPlayer object, initializing it with the sound AVAudioPlayer *newPlayer = [[AVAudioPlayer alloc] initWithContentsOfURL: soundFileURL error: nil]; //Error check and continue if (newPlayer != nil) { self.appSoundPlayer = newPlayer; [newPlayer release]; [appSoundPlayer prepareToPlay]; [appSoundPlayer setVolume: 1.0]; [appSoundPlayer setDelegate:self]; //NEXT LINE IS FLAGGED BY INSTRUMENTS AS LEAKY [appSoundPlayer play]; playing = YES; //Get the string at the index in the photoArray array NSString *screamerPic = [photoArray objectAtIndex:currentScreamIndex]; //Log the string to the console NSLog (@"displaying photo: %@", screamerPic); // Display the image of the person screaming personScreamingImage.image = [UIImage imageNamed:screamerPic]; //show the share button shareButton.hidden = NO; mailStatusMessage.hidden = NO; mailStatusMessage.text = @"share!"; //Get the string at the index in the funnySayings array currentSayingsIndex = random() % [funnyButtonSayings count]; currentButtonSaying = [funnyButtonSayings objectAtIndex: currentSayingsIndex]; NSString *theSaying = [funnyButtonSayings objectAtIndex:currentSayingsIndex]; [funnyButtonSayingsLabel setText: theSaying]; currentScreamIndex++; } } Here's my dealloc: - (void)dealloc { [appSoundPlayer stop]; [appSoundPlayer release], appSoundPlayer = nil; [screamButton release], screamButton = nil; [mailStatusMessage release], mailStatusMessage = nil; [personScreamingField release], personScreamingField = nil; [personScreamingImage release], personScreamingImage = nil; [funnyButtonSayings release], funnyButtonSayings = nil; [funnyButtonSayingsLabel release], funnyButtonSayingsLabel = nil; [screams release], screams = nil; [personScreaming release], personScreaming = nil; [soundFileURL release]; [super dealloc]; } @end Thanks so much for reading this far! Any input appreciated.

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  • Silverlight Cream for December 18, 2010 -- #1012

    - by Dave Campbell
    In this Issue: Mark Monster, Kevin Dockx, Jeremy Likness(-2-,-3-), Timmy Kokke, Den Delimarsky, Mike Snow, Samuel Jack(-2-), and Renuka Prasad(-2-). Above the Fold: Silverlight: "Trigger a Storyboard on ViewModel changes" Mark Monster WP7: "Microsoft Push Notification in Windows Phone 7" Renuka Prasad Shoutouts: SilverlightGal sent me the link to The Silverlight Dossier ... I think it's a pretty good start... additions I'd like to see are ways to submit to the various areas. Michael Crump put up a contest that runs from now to January 1st... Win a set of Infragistics Silverlight Controls with Data Visualization!... pretty cool, Michael! If you visit WynApse.com, you'll see I have a subscription to LearnVisualStudio.net... and now they have posted a batch of WP7 videos... 64 of them to be exact... wow!: New video series From SilverlightCream.com: Trigger a Storyboard on ViewModel changes Mark Monster has a great post up about triggering Storyboard on ViewModel changes using the DataTrigger from Blend... cool stuff, and you can also do GoToStateAction or other actions or build yourowndang Trigger Action... fun awaits! ... sorry it took a while to post, Mark... been a tad overloaded here! Working with the Silverlight Rich Text Box control Kevin Dockx has had a post up for a while at SilverlightShow where he takes a good look at the RichText control and it's various capabilities, including source so you can give it a dance yourself. Lessons Learned in Personal Web Page Part 3: Custom Panel and Listbox Jeremy Likness's part 3 of his Personal Web Page lessons learned is covering the tres-cool 3D Panel he did... and he's got it all explained out... building from scratch via a custom panel and a Listbox control... A Silverlight MVVM Feed Reader from Scratch in 30 Minutes Jeremy Likness has a video tutorial showing building an MVVM/Silverlight feedreader in 30 minutes ... plus a couple mods that he noticed after the fact... beat that HTML5 :) Jounce Part 8: Raising Property Changed In Jeremy Likness's latest post, he has number 8 in his series on his MVVM platform, Jounce. This time he's explaining the property changed notification, has a very cool way of doing it, and some interesting comments from readers. Dependency Injection, MVVM, Ninject and Silverlight Timmy Kokke has a great tutorial up with associated demo project on Dependency Injection in MVVM and Silverlight. Some hidden features in the Windows Phone 7 emulator Den Delimarsky shows how to get some of the hidden features on your WP7 emulator like the Call History, Call Settings, and Details about the numbers. Playing sound effects on Windows Phone 7 Mike Snow's latest tip is playing sound effects on your WP7 ... a little bit of XNA here and there, and badabing, badaboom, you got sound! Day 3 of my “Build a Windows Phone 7 game in 3 days” Challenge Samuel Jack has a couple more posts up about his 'Build a WP7 game in 3 Days' challenge... first up is Day 3 from 8:50 to 22:30 ... wow... long day! ... but he's got something good going now... some good external links also Day 3.5 of my “Build a Windows Phone 7 game in 3 days” Challenge Samuel Jack's 3rd day ended with another half-day added on to put on some finishing touches... again, some good external links... and he finished with this Say hello to Simon Squared, my 3.5 day old WP7 Game Microsoft Push Notification in Windows Phone 7 Renuka Prasad has a bunch of material up that I've not been aware of (how did that happen, people??) ... here's the first of a couple of his posts on Code Project ... a very nice tutorial on the Push Notification process... great diagrams and external links. Windows Phone 7 – Toast Notification Using Windows Azure Cloud Service Renuka Prasad has another WP7 post on CodeProject... this one on Toast Notification... and he's using Azure and WCF all rolled into it as well... great diagrams, descriptions and all the code. Stay in the 'Light! Twitter SilverlightNews | Twitter WynApse | WynApse.com | Tagged Posts | SilverlightCream Join me @ SilverlightCream | Phoenix Silverlight User Group Technorati Tags: Silverlight    Silverlight 3    Silverlight 4    Windows Phone MIX10

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  • Say What? Podcasting As Part of Your Content Marketing

    - by Mike Stiles
    What do you usually do in your car on the way to work?  Sing along to radio? Stream Pandora or iHeartRadio? Talk on the phone? Sit in total silence? Whatever it is you do, you could be using that time to make yourself an expert in any range of topics…using podcasts. We invite you to follow or subscribe to the daily Oracle Social Spotlight podcast, a quick roundup of the day’s top stories around social marketing and the social networks. After podcasts arrived in 2004, growth was steady but slow. The concept was strong: anyone with a passion for any subject could make a show for anyone who cared to listen. Enter the smartphone, iTunes, new podcasting platforms, and social, and podcasting became easier than ever and made more sense for both podcasters and listeners. Stats show 1 in 5 smartphone owners are podcast consumers and 29% of Americans have listened to a podcast. The potential audience is also larger than ever. “Baked in” podcast apps on over 200 million devices expose users to volumes of audio content with just a tap. 97 million Americans are driving to work every day by themselves. And 38% of Americans listen to audio on a digital device each week, a number that’s projected to double by 2015. Does that mean your brand should be podcasting? That’s part of a larger discussion about your overall content strategy, provided you have one. But if you do and podcasting is a component of it, here are some things to keep in mind: Don’t podcast just to do it. Podcast because you thought of a show customers and prospects will like that they can’t get anywhere else. Sound quality matters. Good microphones are not expensive. Bad sound is annoying, makes your brand feel cheap, and will turn today’s sophisticated ears off. The host matters. Many think they belong on the radio. Few actually do. Your brand’s host should be comfortable & likeable. A top advantage of a podcast is people can bond with a real person. It’s a trust opportunity, so don’t take it lightly. The content matters. “All killer, no filler” means don’t allow babbling just to fill enough time for an episode. Value the listeners’ time, because that time is hard to get. Put time, effort and creativity into it. Sure you’re a business, but you’re competing with content from professional media and showbiz producers. If you can include music, sound effects, and things that amuse the ears, do it. If you start, be consistent. The #1 flaw in podcasting is when listeners can’t count on another episode or don’t know when it’s coming. Don’t skip doing shows just because you can. Get committed. Get your cover art right. Podcasting is about audio, but people shop for podcasts by glancing through graphics. Yours has to be professional, cool, and informative to get listeners interested. Cross-promote your podcast on all your channels. The competition for listeners is fierce, so if you have existing audiences you can leverage to launch your show, use them. Optimize it for mobile. Assume that’s where most listening will take place. If you’re using one of the podcast platform apps, you should be in good shape. Frankly, the percentage of brands that are podcasting is quite low, and that’s okay. Once you move beyond blogging and start connecting with real voices, poor execution can do damage. But more (32%) marketers want to learn how to use podcasting, and more (23%) were increasing their podcasting throughout this year. Bottom line, you want to share your brand’s message and stories wherever your audience might be and in whatever way they prefer to take in content. Many prefer to do that while driving or working out, using the eyes and hands-free medium of audio. @mikestilesPhoto: stock.xchng

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  • Ok it has been pointed out to me

    - by Ratman21
    That it seems my blog is more of poor me or pity me or I deserve a job blog.   Hmmm I wont say, I have not wined here as I have used this blog to vent my frustration on the whole out of work thing (lack of money, self worth, family issues and the never end bills coming my way) but, it was also me trying to reach to others in the same boat as well as advertising, hay I am out here, employers.   It was also said, that I don’t have any thing listed here on me, like a cover letter or resume. Well there is but, it was so many months and post ago. Also what I had posted is not current. So here is my most current cover and resume.   Scott L Newman 45219 Dutton Way Callahan, Fl. 32011 To Whom It May Concern: I am really interested in the IT vacancie that you have listed for your company. Maybe I don’t have all the qualifications you want (hold on don’t hit delete yet) yet! But maybe I do, as I have over 20 + years experience in "IT” RIGHT NOW.   Read the rest of my cover and my resume. You will see what my “IT” skills are and it will Show that I can to this work! I can bring to your company along with my, can do attitude, a broad range of skills, including: Certified CompTIA A+, Security+  and Network+ Technician §         2.5 years (NOC) Network experience on large Cisco based Wan – UK to Austria §         20 years experience MIS/DP – Yes I can do IBM mainframes and Tandem  non-stops too §         18 years experience as technical Help Desk support – panicking users, no problem §         18 years experience with PC/Server based system, intranet and internet systems §         10+ years experienced on: Microsoft Office, Windows XP and Data Network Fundamentals (YES I do windows) §         Strong trouble shooting skills for software, hard ware and circuit issues (and I can tell you what kind of horrors I had to face on all of them). §         Very experienced on working with customers on problems – again panicking users, no problem §         Working experience with Remote Access (VPN/SecurID) – I didn’t just study them I worked on/with them §         Skilled in getting info for and creating documentation for Operation procedures (I don’t just wait for them to give it to me I go out and get it. Waiting for info on working applications is, well dumb) Multiple software languages (Hey I have done some programming) And much more experiences in “IT” (Mortgage, stocks and financial information systems experience and have worked “IT” in a hospital) Can multitask, also have ability to adapt to change and learn quickly. (once was put in charge of a system that I had not worked with for over two years. Talk about having to relearn and adapt to changes but, I did it.) I would welcome the opportunity to further discuss this position with you. If you have questions or would like to schedule an interview, please contact me by phone at 904-879-4880 or on my cell 352-356-0945 or by e-mail at [email protected] or leave a message on my web site (http://beingscottnewman.webs.com/). I have enclosed/attached my resume for your review and I look forward to hearing from you.   Thank you for taking a moment to consider my cover letter and resume. I appreciate how busy you are. Sincerely, Scott L. Newman    Scott L. Newman 45219 Dutton Way, Callahan, FL 32011? H (904)879-4880 C (352)356-0945 ? [email protected] Web - http://beingscottnewman.webs.com/                                                       ______                                                                                       OBJECTIVE To obtain a Network Operation or Helpdesk position.     PROFILE Information Technology Professional with 20+ years of experience. Volunteer website creator and back-up sound technician at True Faith Christian Fellowship. CompTIA A+, Network+ and Security+ Certified.   TECHNICAL AND PROFESSIONAL SKILLS   §         Technical Support §         Frame Relay §         Microsoft Office Suite §         Inventory Management §         ISDN §         Windows NT/98/XP §         Client/Vendor Relations §         CICS §         Cisco Routers/Switches §         Networking/Administration §         RPG §         Helpdesk §         Website Design/Dev./Management §         Assembler §         Visio §         Programming §         COBOL IV §               EDUCATION ? New HorizonsComputerLearningCenter, Jacksonville, Florida – CompTIA A+, Security+ and Network+ Certified.             Currently working on CCNA Certification ?MottCommunity College, Flint, Michigan – Associates Degree - Data Processing and General Education ? Currently studying Japanese     PROFESSIONAL             TrueFaithChristianFellowshipChurch – Callahan, FL, October 2009 – Present Web site Tech ·        Web site Creator/tech, back up song leader and back up sound technician. Note church web site is (http://ambassadorsforjesuschrist.webs.com/) U.S. Census (temp employee) Feb. 23 to March 8, 2010 ·        Enumerator for NassauCounty   ThomasCreekBaptistChurch – Callahan, FL,     June 2008 – September 2009 Churchsound and video technician      ·        sound and video technician           Fidelity National Information Services ? Jacksonville, FL ? February 01, 2005 to October 28, 2008 Client Server Dev/Analyst I ·        Monitored Multiple Debit Card sites, Check Authorization customers and the Card Auth system (AuthNet) for problems with the sites, connections, servers (on our LAN) and/or applications ·        Night (NOC) Network operator for a large Wide Area Network (WAN) ·        Monitored Multiple Check Authorization customers for problems with circuits, routers and applications ·        Resolved circuit and/or router issues or assist circuit carrier in resolving issue ·        Resolved application problems or assist application support in resolution ·        Liaison between customer and application support ·        Maintained and updated the NetOps Operation procedures Guide ·        Kept the listing of equipment on the raised floor updated ·        Involved in the training of all Night Check and Card server operation operators ·        FNIS acquired Certegy in 2005. Was one of 3 kept on.   Certegy ? St.Pete, FL ? August 31, 2003 to February 1, 2005 Senior NetOps Operator(FNIS acquired Certegy in 2005 all of above jobs/skills were same as listed in FNIS) ·        Converting Documentation to Adobe format ·        Sole trainer of day/night shift System Management Center operators (SMC) ·        Equifax spun off Card/Check Dept. as Certegy. Certegy terminated contract with EDS. One of six in the whole IT dept that was kept on.   EDS  (Certegy Account) ? St.Pete, FL ? July 1, 1999 to August 31, 2003 Senior NetOps Operator ·        Equifax outsourced the NetOps dept. to EDS in 1999. ·        Same job skills as listed above for FNIS.   Equifax ? St.Pete&Tampa, FL ? January 1, 1991 to July 1, 1999 NetOps/Tandem Operator ·        All of the above for FNIS, except for circuit and router issues ·        Operated, monitored and trouble shot Tandem mainframe and servers on LAN ·        Supported in the operation of the Print, Tape and Microfiche rooms ·        Equifax acquired TelaCredit in 1991.   TelaCredit ? Tampa, FL ? June 28, 1989 to January 1, 1991 Tandem Operator ·        Operated and monitored Tandem Non-stop systems for Card and Check Auths ·        Operated multiple high-speed Laser printers and Microfiche printers ·        Mounted, filed and maintained 18 reel-to-reel mainframe tape drives, cartridges tape drives and tape library.

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  • Reflections from the Young Prisms

    - by Oracle OpenWorld Blog Team
     By Karen Shamban The Young Prisms began their musical journey in San Francisco, and it's here they return to bring their unique sound to the Oracle OpenWorld Music Festival.  We asked them to tell us their thoughts on music, performing, and what they like in an audience.  Here's what they had to say: Q. What do you like best about performing in front of a live audience?A. There are a lot of things to love about playing in front of people. The best part is definitely the nights when the energy the audience brings shows through. Although it always differs from city to city and person to person, when you play to a full house and people are really getting into it, it's like no other feeling.Q. How do you use technology in creating and delivering your music?A. Well, we actually use a lot more electronic components than people realize. Pretty much every string instrument played either live or on recording has been filtered through numerous electronic effects. Matt uses somewhere around 12 or 14 every time we play live. Giovanni has six. Most of our writing and demoing is done with drum sequencers and samplers too, so it's safe to say we use technology to our advantage in the writing process. Live is a bit different, since we keep it to the basics with guitars and acoustic drums. We also tend to use projections when we play live, so technology helps us do that fairly easily as well.Q. Do you prefer smaller, intimate venues or larger, louder ones?  Why?A. Couldn’t say we have a real preference in venue size. I mean, its always great to get to play through a massive killer sound system, but small venues when packed full are equally as special if not more so, because of the intimacy of it. Some of my favorite shows I've seen as an audience member/ fan have been at the smaller venues in San Francisco.Q. What about your fans surprises you?A. Sometimes the older guys are a surprise. We've played shows where there are more older guys in their 40s and 50s, who come and stare and take notes at our effects pedals. Then there are kids our age or in their 20s. Sometimes it's surprising to think that the older guys relate to what we're doing more than our peers and friends in our age group.Q. What about your live act surprises your fans?A. I think people are often surprised by how shy we can be. It feels like people expect us to be really rowdy and throw things and make really loud noises and get really aggressive on stage because some of the sounds we use can have an abrasive element to them. People expect Matt to have some kind of Kurt Cobain attitude, which he doesn’t at all. So it seems it surprises people to see musicians playing loud and noisy songs in their early and mid 20s being fairly tame and calm on stage.Q. There are going to be a lot of technical people (you could call them geeks) in the Oracle crowd -- what are they going to love about your performance?A. Hopefully most of them are pedal nerds like we are and like the previously mentioned “older dude crowd.” Besides that I hope they’d be into the projections and group of songs we're going to play for them.Q. What's new and different in the music you're making today, versus a year or two ago?A. I'd say there is more focus on the songwriting now and less of the noise today than last year. I think it's pretty evident on the new record compared to the last two. On the first two records we made as YP, we had another guitar player and songwriter who no longer plays with us. So the process in which we develop songs is different as well.Q. Have you been on tour recently? If so, what do you like about touring, and what do you dislike?A. Touring is amazing. Some people might tell you different if they've been doing it for what they'd call too long, but for us it's really a great chance to play for people who care about the music we're making and also to see and explore the world. Getting to visit so many different cities and explore so many different cultures is amazing. Of course we love getting into cultural foods too. Stefanie is a fashion geek so getting to go to New York as often as we do as well as getting to play in London and Paris is always especially fun for her.Q. Ever think about playing another kind of music? If so, what, and why?A. Never really thought about wanting to do anything drastically different. I think the style of music we play has a lot to do with the stuff we have been listening to both growing up and now. It wasn’t really a conscious decision to make sure it was a certain sound, so I'm not sure we've ever thought about doing a way different genre or whatever like electronic music or country. Although there have been times we've had conversations where we discuss possibly doing quiet sets or using the string synth sounds.Q. What are the top three things people should know about your music?A1. We like noise.A2. We use ambience and atmosphere as much as as we can.A3. Yes, the vocals are supposed to be mixed in with the guitars. Get more info: Oracle OpenWorld Music Festival Young Prisms

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  • The Incremental Architect&rsquo;s Napkin - #5 - Design functions for extensibility and readability

    - by Ralf Westphal
    Originally posted on: http://geekswithblogs.net/theArchitectsNapkin/archive/2014/08/24/the-incremental-architectrsquos-napkin---5---design-functions-for.aspx The functionality of programs is entered via Entry Points. So what we´re talking about when designing software is a bunch of functions handling the requests represented by and flowing in through those Entry Points. Designing software thus consists of at least three phases: Analyzing the requirements to find the Entry Points and their signatures Designing the functionality to be executed when those Entry Points get triggered Implementing the functionality according to the design aka coding I presume, you´re familiar with phase 1 in some way. And I guess you´re proficient in implementing functionality in some programming language. But in my experience developers in general are not experienced in going through an explicit phase 2. “Designing functionality? What´s that supposed to mean?” you might already have thought. Here´s my definition: To design functionality (or functional design for short) means thinking about… well, functions. You find a solution for what´s supposed to happen when an Entry Point gets triggered in terms of functions. A conceptual solution that is, because those functions only exist in your head (or on paper) during this phase. But you may have guess that, because it´s “design” not “coding”. And here is, what functional design is not: It´s not about logic. Logic is expressions (e.g. +, -, && etc.) and control statements (e.g. if, switch, for, while etc.). Also I consider calling external APIs as logic. It´s equally basic. It´s what code needs to do in order to deliver some functionality or quality. Logic is what´s doing that needs to be done by software. Transformations are either done through expressions or API-calls. And then there is alternative control flow depending on the result of some expression. Basically it´s just jumps in Assembler, sometimes to go forward (if, switch), sometimes to go backward (for, while, do). But calling your own function is not logic. It´s not necessary to produce any outcome. Functionality is not enhanced by adding functions (subroutine calls) to your code. Nor is quality increased by adding functions. No performance gain, no higher scalability etc. through functions. Functions are not relevant to functionality. Strange, isn´t it. What they are important for is security of investment. By introducing functions into our code we can become more productive (re-use) and can increase evolvability (higher unterstandability, easier to keep code consistent). That´s no small feat, however. Evolvable code can hardly be overestimated. That´s why to me functional design is so important. It´s at the core of software development. To sum this up: Functional design is on a level of abstraction above (!) logical design or algorithmic design. Functional design is only done until you get to a point where each function is so simple you are very confident you can easily code it. Functional design an logical design (which mostly is coding, but can also be done using pseudo code or flow charts) are complementary. Software needs both. If you start coding right away you end up in a tangled mess very quickly. Then you need back out through refactoring. Functional design on the other hand is bloodless without actual code. It´s just a theory with no experiments to prove it. But how to do functional design? An example of functional design Let´s assume a program to de-duplicate strings. The user enters a number of strings separated by commas, e.g. a, b, a, c, d, b, e, c, a. And the program is supposed to clear this list of all doubles, e.g. a, b, c, d, e. There is only one Entry Point to this program: the user triggers the de-duplication by starting the program with the string list on the command line C:\>deduplicate "a, b, a, c, d, b, e, c, a" a, b, c, d, e …or by clicking on a GUI button. This leads to the Entry Point function to get called. It´s the program´s main function in case of the batch version or a button click event handler in the GUI version. That´s the physical Entry Point so to speak. It´s inevitable. What then happens is a three step process: Transform the input data from the user into a request. Call the request handler. Transform the output of the request handler into a tangible result for the user. Or to phrase it a bit more generally: Accept input. Transform input into output. Present output. This does not mean any of these steps requires a lot of effort. Maybe it´s just one line of code to accomplish it. Nevertheless it´s a distinct step in doing the processing behind an Entry Point. Call it an aspect or a responsibility - and you will realize it most likely deserves a function of its own to satisfy the Single Responsibility Principle (SRP). Interestingly the above list of steps is already functional design. There is no logic, but nevertheless the solution is described - albeit on a higher level of abstraction than you might have done yourself. But it´s still on a meta-level. The application to the domain at hand is easy, though: Accept string list from command line De-duplicate Present de-duplicated strings on standard output And this concrete list of processing steps can easily be transformed into code:static void Main(string[] args) { var input = Accept_string_list(args); var output = Deduplicate(input); Present_deduplicated_string_list(output); } Instead of a big problem there are three much smaller problems now. If you think each of those is trivial to implement, then go for it. You can stop the functional design at this point. But maybe, just maybe, you´re not so sure how to go about with the de-duplication for example. Then just implement what´s easy right now, e.g.private static string Accept_string_list(string[] args) { return args[0]; } private static void Present_deduplicated_string_list( string[] output) { var line = string.Join(", ", output); Console.WriteLine(line); } Accept_string_list() contains logic in the form of an API-call. Present_deduplicated_string_list() contains logic in the form of an expression and an API-call. And then repeat the functional design for the remaining processing step. What´s left is the domain logic: de-duplicating a list of strings. How should that be done? Without any logic at our disposal during functional design you´re left with just functions. So which functions could make up the de-duplication? Here´s a suggestion: De-duplicate Parse the input string into a true list of strings. Register each string in a dictionary/map/set. That way duplicates get cast away. Transform the data structure into a list of unique strings. Processing step 2 obviously was the core of the solution. That´s where real creativity was needed. That´s the core of the domain. But now after this refinement the implementation of each step is easy again:private static string[] Parse_string_list(string input) { return input.Split(',') .Select(s => s.Trim()) .ToArray(); } private static Dictionary<string,object> Compile_unique_strings(string[] strings) { return strings.Aggregate( new Dictionary<string, object>(), (agg, s) => { agg[s] = null; return agg; }); } private static string[] Serialize_unique_strings( Dictionary<string,object> dict) { return dict.Keys.ToArray(); } With these three additional functions Main() now looks like this:static void Main(string[] args) { var input = Accept_string_list(args); var strings = Parse_string_list(input); var dict = Compile_unique_strings(strings); var output = Serialize_unique_strings(dict); Present_deduplicated_string_list(output); } I think that´s very understandable code: just read it from top to bottom and you know how the solution to the problem works. It´s a mirror image of the initial design: Accept string list from command line Parse the input string into a true list of strings. Register each string in a dictionary/map/set. That way duplicates get cast away. Transform the data structure into a list of unique strings. Present de-duplicated strings on standard output You can even re-generate the design by just looking at the code. Code and functional design thus are always in sync - if you follow some simple rules. But about that later. And as a bonus: all the functions making up the process are small - which means easy to understand, too. So much for an initial concrete example. Now it´s time for some theory. Because there is method to this madness ;-) The above has only scratched the surface. Introducing Flow Design Functional design starts with a given function, the Entry Point. Its goal is to describe the behavior of the program when the Entry Point is triggered using a process, not an algorithm. An algorithm consists of logic, a process on the other hand consists just of steps or stages. Each processing step transforms input into output or a side effect. Also it might access resources, e.g. a printer, a database, or just memory. Processing steps thus can rely on state of some sort. This is different from Functional Programming, where functions are supposed to not be stateful and not cause side effects.[1] In its simplest form a process can be written as a bullet point list of steps, e.g. Get data from user Output result to user Transform data Parse data Map result for output Such a compilation of steps - possibly on different levels of abstraction - often is the first artifact of functional design. It can be generated by a team in an initial design brainstorming. Next comes ordering the steps. What should happen first, what next etc.? Get data from user Parse data Transform data Map result for output Output result to user That´s great for a start into functional design. It´s better than starting to code right away on a given function using TDD. Please get me right: TDD is a valuable practice. But it can be unnecessarily hard if the scope of a functionn is too large. But how do you know beforehand without investing some thinking? And how to do this thinking in a systematic fashion? My recommendation: For any given function you´re supposed to implement first do a functional design. Then, once you´re confident you know the processing steps - which are pretty small - refine and code them using TDD. You´ll see that´s much, much easier - and leads to cleaner code right away. For more information on this approach I call “Informed TDD” read my book of the same title. Thinking before coding is smart. And writing down the solution as a bunch of functions possibly is the simplest thing you can do, I´d say. It´s more according to the KISS (Keep It Simple, Stupid) principle than returning constants or other trivial stuff TDD development often is started with. So far so good. A simple ordered list of processing steps will do to start with functional design. As shown in the above example such steps can easily be translated into functions. Moving from design to coding thus is simple. However, such a list does not scale. Processing is not always that simple to be captured in a list. And then the list is just text. Again. Like code. That means the design is lacking visuality. Textual representations need more parsing by your brain than visual representations. Plus they are limited in their “dimensionality”: text just has one dimension, it´s sequential. Alternatives and parallelism are hard to encode in text. In addition the functional design using numbered lists lacks data. It´s not visible what´s the input, output, and state of the processing steps. That´s why functional design should be done using a lightweight visual notation. No tool is necessary to draw such designs. Use pen and paper; a flipchart, a whiteboard, or even a napkin is sufficient. Visualizing processes The building block of the functional design notation is a functional unit. I mostly draw it like this: Something is done, it´s clear what goes in, it´s clear what comes out, and it´s clear what the processing step requires in terms of state or hardware. Whenever input flows into a functional unit it gets processed and output is produced and/or a side effect occurs. Flowing data is the driver of something happening. That´s why I call this approach to functional design Flow Design. It´s about data flow instead of control flow. Control flow like in algorithms is of no concern to functional design. Thinking about control flow simply is too low level. Once you start with control flow you easily get bogged down by tons of details. That´s what you want to avoid during design. Design is supposed to be quick, broad brush, abstract. It should give overview. But what about all the details? As Robert C. Martin rightly said: “Programming is abot detail”. Detail is a matter of code. Once you start coding the processing steps you designed you can worry about all the detail you want. Functional design does not eliminate all the nitty gritty. It just postpones tackling them. To me that´s also an example of the SRP. Function design has the responsibility to come up with a solution to a problem posed by a single function (Entry Point). And later coding has the responsibility to implement the solution down to the last detail (i.e. statement, API-call). TDD unfortunately mixes both responsibilities. It´s just coding - and thereby trying to find detailed implementations (green phase) plus getting the design right (refactoring). To me that´s one reason why TDD has failed to deliver on its promise for many developers. Using functional units as building blocks of functional design processes can be depicted very easily. Here´s the initial process for the example problem: For each processing step draw a functional unit and label it. Choose a verb or an “action phrase” as a label, not a noun. Functional design is about activities, not state or structure. Then make the output of an upstream step the input of a downstream step. Finally think about the data that should flow between the functional units. Write the data above the arrows connecting the functional units in the direction of the data flow. Enclose the data description in brackets. That way you can clearly see if all flows have already been specified. Empty brackets mean “no data is flowing”, but nevertheless a signal is sent. A name like “list” or “strings” in brackets describes the data content. Use lower case labels for that purpose. A name starting with an upper case letter like “String” or “Customer” on the other hand signifies a data type. If you like, you also can combine descriptions with data types by separating them with a colon, e.g. (list:string) or (strings:string[]). But these are just suggestions from my practice with Flow Design. You can do it differently, if you like. Just be sure to be consistent. Flows wired-up in this manner I call one-dimensional (1D). Each functional unit just has one input and/or one output. A functional unit without an output is possible. It´s like a black hole sucking up input without producing any output. Instead it produces side effects. A functional unit without an input, though, does make much sense. When should it start to work? What´s the trigger? That´s why in the above process even the first processing step has an input. If you like, view such 1D-flows as pipelines. Data is flowing through them from left to right. But as you can see, it´s not always the same data. It get´s transformed along its passage: (args) becomes a (list) which is turned into (strings). The Principle of Mutual Oblivion A very characteristic trait of flows put together from function units is: no functional units knows another one. They are all completely independent of each other. Functional units don´t know where their input is coming from (or even when it´s gonna arrive). They just specify a range of values they can process. And they promise a certain behavior upon input arriving. Also they don´t know where their output is going. They just produce it in their own time independent of other functional units. That means at least conceptually all functional units work in parallel. Functional units don´t know their “deployment context”. They now nothing about the overall flow they are place in. They are just consuming input from some upstream, and producing output for some downstream. That makes functional units very easy to test. At least as long as they don´t depend on state or resources. I call this the Principle of Mutual Oblivion (PoMO). Functional units are oblivious of others as well as an overall context/purpose. They are just parts of a whole focused on a single responsibility. How the whole is built, how a larger goal is achieved, is of no concern to the single functional units. By building software in such a manner, functional design interestingly follows nature. Nature´s building blocks for organisms also follow the PoMO. The cells forming your body do not know each other. Take a nerve cell “controlling” a muscle cell for example:[2] The nerve cell does not know anything about muscle cells, let alone the specific muscel cell it is “attached to”. Likewise the muscle cell does not know anything about nerve cells, let a lone a specific nerve cell “attached to” it. Saying “the nerve cell is controlling the muscle cell” thus only makes sense when viewing both from the outside. “Control” is a concept of the whole, not of its parts. Control is created by wiring-up parts in a certain way. Both cells are mutually oblivious. Both just follow a contract. One produces Acetylcholine (ACh) as output, the other consumes ACh as input. Where the ACh is going, where it´s coming from neither cell cares about. Million years of evolution have led to this kind of division of labor. And million years of evolution have produced organism designs (DNA) which lead to the production of these different cell types (and many others) and also to their co-location. The result: the overall behavior of an organism. How and why this happened in nature is a mystery. For our software, though, it´s clear: functional and quality requirements needs to be fulfilled. So we as developers have to become “intelligent designers” of “software cells” which we put together to form a “software organism” which responds in satisfying ways to triggers from it´s environment. My bet is: If nature gets complex organisms working by following the PoMO, who are we to not apply this recipe for success to our much simpler “machines”? So my rule is: Wherever there is functionality to be delivered, because there is a clear Entry Point into software, design the functionality like nature would do it. Build it from mutually oblivious functional units. That´s what Flow Design is about. In that way it´s even universal, I´d say. Its notation can also be applied to biology: Never mind labeling the functional units with nouns. That´s ok in Flow Design. You´ll do that occassionally for functional units on a higher level of abstraction or when their purpose is close to hardware. Getting a cockroach to roam your bedroom takes 1,000,000 nerve cells (neurons). Getting the de-duplication program to do its job just takes 5 “software cells” (functional units). Both, though, follow the same basic principle. Translating functional units into code Moving from functional design to code is no rocket science. In fact it´s straightforward. There are two simple rules: Translate an input port to a function. Translate an output port either to a return statement in that function or to a function pointer visible to that function. The simplest translation of a functional unit is a function. That´s what you saw in the above example. Functions are mutually oblivious. That why Functional Programming likes them so much. It makes them composable. Which is the reason, nature works according to the PoMO. Let´s be clear about one thing: There is no dependency injection in nature. For all of an organism´s complexity no DI container is used. Behavior is the result of smooth cooperation between mutually oblivious building blocks. Functions will often be the adequate translation for the functional units in your designs. But not always. Take for example the case, where a processing step should not always produce an output. Maybe the purpose is to filter input. Here the functional unit consumes words and produces words. But it does not pass along every word flowing in. Some words are swallowed. Think of a spell checker. It probably should not check acronyms for correctness. There are too many of them. Or words with no more than two letters. Such words are called “stop words”. In the above picture the optionality of the output is signified by the astrisk outside the brackets. It means: Any number of (word) data items can flow from the functional unit for each input data item. It might be none or one or even more. This I call a stream of data. Such behavior cannot be translated into a function where output is generated with return. Because a function always needs to return a value. So the output port is translated into a function pointer or continuation which gets passed to the subroutine when called:[3]void filter_stop_words( string word, Action<string> onNoStopWord) { if (...check if not a stop word...) onNoStopWord(word); } If you want to be nitpicky you might call such a function pointer parameter an injection. And technically you´re right. Conceptually, though, it´s not an injection. Because the subroutine is not functionally dependent on the continuation. Firstly continuations are procedures, i.e. subroutines without a return type. Remember: Flow Design is about unidirectional data flow. Secondly the name of the formal parameter is chosen in a way as to not assume anything about downstream processing steps. onNoStopWord describes a situation (or event) within the functional unit only. Translating output ports into function pointers helps keeping functional units mutually oblivious in cases where output is optional or produced asynchronically. Either pass the function pointer to the function upon call. Or make it global by putting it on the encompassing class. Then it´s called an event. In C# that´s even an explicit feature.class Filter { public void filter_stop_words( string word) { if (...check if not a stop word...) onNoStopWord(word); } public event Action<string> onNoStopWord; } When to use a continuation and when to use an event dependens on how a functional unit is used in flows and how it´s packed together with others into classes. You´ll see examples further down the Flow Design road. Another example of 1D functional design Let´s see Flow Design once more in action using the visual notation. How about the famous word wrap kata? Robert C. Martin has posted a much cited solution including an extensive reasoning behind his TDD approach. So maybe you want to compare it to Flow Design. The function signature given is:string WordWrap(string text, int maxLineLength) {...} That´s not an Entry Point since we don´t see an application with an environment and users. Nevertheless it´s a function which is supposed to provide a certain functionality. The text passed in has to be reformatted. The input is a single line of arbitrary length consisting of words separated by spaces. The output should consist of one or more lines of a maximum length specified. If a word is longer than a the maximum line length it can be split in multiple parts each fitting in a line. Flow Design Let´s start by brainstorming the process to accomplish the feat of reformatting the text. What´s needed? Words need to be assembled into lines Words need to be extracted from the input text The resulting lines need to be assembled into the output text Words too long to fit in a line need to be split Does sound about right? I guess so. And it shows a kind of priority. Long words are a special case. So maybe there is a hint for an incremental design here. First let´s tackle “average words” (words not longer than a line). Here´s the Flow Design for this increment: The the first three bullet points turned into functional units with explicit data added. As the signature requires a text is transformed into another text. See the input of the first functional unit and the output of the last functional unit. In between no text flows, but words and lines. That´s good to see because thereby the domain is clearly represented in the design. The requirements are talking about words and lines and here they are. But note the asterisk! It´s not outside the brackets but inside. That means it´s not a stream of words or lines, but lists or sequences. For each text a sequence of words is output. For each sequence of words a sequence of lines is produced. The asterisk is used to abstract from the concrete implementation. Like with streams. Whether the list of words gets implemented as an array or an IEnumerable is not important during design. It´s an implementation detail. Does any processing step require further refinement? I don´t think so. They all look pretty “atomic” to me. And if not… I can always backtrack and refine a process step using functional design later once I´ve gained more insight into a sub-problem. Implementation The implementation is straightforward as you can imagine. The processing steps can all be translated into functions. Each can be tested easily and separately. Each has a focused responsibility. And the process flow becomes just a sequence of function calls: Easy to understand. It clearly states how word wrapping works - on a high level of abstraction. And it´s easy to evolve as you´ll see. Flow Design - Increment 2 So far only texts consisting of “average words” are wrapped correctly. Words not fitting in a line will result in lines too long. Wrapping long words is a feature of the requested functionality. Whether it´s there or not makes a difference to the user. To quickly get feedback I decided to first implement a solution without this feature. But now it´s time to add it to deliver the full scope. Fortunately Flow Design automatically leads to code following the Open Closed Principle (OCP). It´s easy to extend it - instead of changing well tested code. How´s that possible? Flow Design allows for extension of functionality by inserting functional units into the flow. That way existing functional units need not be changed. The data flow arrow between functional units is a natural extension point. No need to resort to the Strategy Pattern. No need to think ahead where extions might need to be made in the future. I just “phase in” the remaining processing step: Since neither Extract words nor Reformat know of their environment neither needs to be touched due to the “detour”. The new processing step accepts the output of the existing upstream step and produces data compatible with the existing downstream step. Implementation - Increment 2 A trivial implementation checking the assumption if this works does not do anything to split long words. The input is just passed on: Note how clean WordWrap() stays. The solution is easy to understand. A developer looking at this code sometime in the future, when a new feature needs to be build in, quickly sees how long words are dealt with. Compare this to Robert C. Martin´s solution:[4] How does this solution handle long words? Long words are not even part of the domain language present in the code. At least I need considerable time to understand the approach. Admittedly the Flow Design solution with the full implementation of long word splitting is longer than Robert C. Martin´s. At least it seems. Because his solution does not cover all the “word wrap situations” the Flow Design solution handles. Some lines would need to be added to be on par, I guess. But even then… Is a difference in LOC that important as long as it´s in the same ball park? I value understandability and openness for extension higher than saving on the last line of code. Simplicity is not just less code, it´s also clarity in design. But don´t take my word for it. Try Flow Design on larger problems and compare for yourself. What´s the easier, more straightforward way to clean code? And keep in mind: You ain´t seen all yet ;-) There´s more to Flow Design than described in this chapter. In closing I hope I was able to give you a impression of functional design that makes you hungry for more. To me it´s an inevitable step in software development. Jumping from requirements to code does not scale. And it leads to dirty code all to quickly. Some thought should be invested first. Where there is a clear Entry Point visible, it´s functionality should be designed using data flows. Because with data flows abstraction is possible. For more background on why that´s necessary read my blog article here. For now let me point out to you - if you haven´t already noticed - that Flow Design is a general purpose declarative language. It´s “programming by intention” (Shalloway et al.). Just write down how you think the solution should work on a high level of abstraction. This breaks down a large problem in smaller problems. And by following the PoMO the solutions to those smaller problems are independent of each other. So they are easy to test. Or you could even think about getting them implemented in parallel by different team members. Flow Design not only increases evolvability, but also helps becoming more productive. All team members can participate in functional design. This goes beyon collective code ownership. We´re talking collective design/architecture ownership. Because with Flow Design there is a common visual language to talk about functional design - which is the foundation for all other design activities.   PS: If you like what you read, consider getting my ebook “The Incremental Architekt´s Napkin”. It´s where I compile all the articles in this series for easier reading. I like the strictness of Function Programming - but I also find it quite hard to live by. And it certainly is not what millions of programmers are used to. Also to me it seems, the real world is full of state and side effects. So why give them such a bad image? That´s why functional design takes a more pragmatic approach. State and side effects are ok for processing steps - but be sure to follow the SRP. Don´t put too much of it into a single processing step. ? Image taken from www.physioweb.org ? My code samples are written in C#. C# sports typed function pointers called delegates. Action is such a function pointer type matching functions with signature void someName(T t). Other languages provide similar ways to work with functions as first class citizens - even Java now in version 8. I trust you find a way to map this detail of my translation to your favorite programming language. I know it works for Java, C++, Ruby, JavaScript, Python, Go. And if you´re using a Functional Programming language it´s of course a no brainer. ? Taken from his blog post “The Craftsman 62, The Dark Path”. ?

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  • Do We Indeed Have a Future? George Takei on Star Wars.

    - by Bil Simser
    George Takei (rhymes with Okay), probably best known for playing Hikaru Sulu on the original Star Trek, has always had deep concerns for the present and the future. Whether on Earth or among the stars, he has the welfare of humanity very much at heart. I was digging through my old copies of Famous Monsters of Filmland, a great publication on monster and films that I grew up with, and came across this. This was his reaction to STAR WARS from issue 139 of Famous Monsters of Filmland and was written June 6, 1977. It is reprinted here without permission but I hope since the message is still valid to this day and has never been reprinted anywhere, nobody will mind me sharing it. STAR WARS is the most pre-posterously diverting galactic escape and at the same time the most hideously credible portent of the future yet.While I thrilled to the exploits that reminded me of the heroics of Errol Flynn as Robin Hood, Burt Lancaster as the Crimson Pirate and Buster Crabbe as Flash Gordon, I was at the same time aghast at the phantasmagoric violence technology can place at our disposal. STAR WARS raised in my mind the question - do we indeed have a future?It seems to me what George Lucas has done is to masterfully guide us on a journey through space and time and bring us back face to face with today's reality. STAR WARS is more than science fiction, I think it is science fictitious reality.Just yesterday, June 7, 1977, I read that the United States will embark on the production of a neutron bomb - a bomb that will kill people on a gigantic scale but will not destroy buildings. A few days before that, I read that the Pentagon is fearful that the Soviets may have developed a warhead that could neutralize ours that have a capacity for that irrational concept overkill to the nth power. Already, it seems we have the technology to realize the awesome special effects simulations that we saw in the film.The political scene of STAR WARS is that of government by force and power, of revolutions based on some unfathomable grievance, survival through a combination of cunning and luck and success by the harnessing of technology -  a picture not very much at variance from the political headlines that we read today.And most of all, look at the people; both the heroes in the film and the reaction of the audience. First, the heroes; Luke Skywalker is a pretty but easily led youth. Without any real philosophy to guide him, he easily falls under the influence of a mystical old man believed previously to be an eccentric hermit. Recognize a 1960's hippie or a 1970's moonie? Han Solo has a philosophy coupled with courage and skill. His philosophy is money. His proficiency comes for a price - the highest. Solo is a thoroughly avaricious mercenary. And the Princess, a decisive, strong, self-confident and chilly woman. The audience cheered when she wielded a gun. In all three, I missed qualities that could be called humane - love, kindness, yes, I missed sensuality. I also missed a sense of ideals and faith. In this regard the machines seemed more human. They demonstrated real affection for each other and an occasional poutiness. They exhibited a sense of fidelity and constancy. The machines were humanized and the humans conversely seemed mechanical.As a member of the audience, I was swept up by the sheer romantic escapsim of it all. The deering-dos, the rope swing escape across the pit, the ray gun battles and especially the swash buckle with the ray swords. Great fun!But I just hope that we weren't too intoxicated by the escapism to be able to focus on the recognizable. I hope the beauty of the effects didn't narcotize our sensitivity to violence. I hope the people see through the fantastically well done futuristic mirrors to the disquieting reflection of our own society. I hope they enjoy STAR WARS without being "purely entertained".

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  • Rotate a Video 90 degrees with VLC or Windows Live Movie Maker

    - by DigitalGeekery
    Have you ever captured video with your cell phone or camcorder only to discover when you play it back on your computer that the video is rotated 90 degrees? Or maybe you shot it that way on purpose because you preferred portrait style to a landscape view? Before you go straining your neck or flipping your monitor on it’s side to watch your video, we’ll show you a few easier methods. If you simply want to rotate the video while you watch it, we’ll show you how to accomplish that with VLC Media Player. If you want to convert the video so it is rotated permanently, we’ll show you how to do that with Windows Live Movie Maker and output your video as a WMV file. Rotate and Watch a Video in VLC Download, install, and run VLC Media Player. (See download link below)   Open your video file by going to Media  > Open File… and browsing for your file. Or, by just dragging and dropping your video onto the VLC player.   Choose Tools from the Menu bar and select Effects and Filters. On the Video Effects tab, tick the Transform checkbox and choose your degrees of rotation. The video is rotated counter-clockwise, so to rotate clockwise 90 degrees you’ll want to choose Rotate by 270 degrees.   Now you can enjoy your video the way it was intended to be viewed. Rotate and Convert the Video with Windows Live Movie Maker Starting with Windows 7, Windows Movie Maker no longer comes pre-installed with the OS. It’s now part of the Windows Live suite that is available as a separate, free download for Windows 7 and Vista. (Windows XP is not supported) You can find the link to our detailed instruction on how to install Windows Live at the end of the article. To add your video files to Windows Movie Maker, click on Add videos and photos on the Home tab, or drag and drop the video into the blank area on the right side of the application. Next, you’ll need to rotate the video. Staying on the Home tab, click on the Rotate right 90° or Rotate left 90°.   You’ll see your video is now oriented properly on the left.   To save and convert your video to WMV format, click the Movie Maker tab just to the left of the Home tab. Hover your cursor over Save movie, and then select your output settings. You also have the option to burn directly to DVD. Browse for a location to save it and rename the output file if you’d like. Click Save. You’ll be notified when the file is complete. Now you’ll have your video properly oriented in WMV file format.   These are two rather easy ways to accomplish rotating your video. Unfortunately, Windows Live Movie Maker doesn’t give you a lot of  options for output. If you want to output to a file, your only choice is WMV format or DVD. However, previous versions will also allow you to export to AVI. How-To Geek’s Install Windows Live Essentials In Windows 7 Article. Download Windows Live Download VLC Media Player Similar Articles Productive Geek Tips How to Make/Edit a movie with Windows Movie Maker in Windows VistaCreate and Author DVDs in Windows 7Family Fun: Share Photos with Photo Gallery and Windows Live SpacesInstall Windows Live Essentials In Windows 7Add Network Support to Windows Live MovieMaker TouchFreeze Alternative in AutoHotkey The Icy Undertow Desktop Windows Home Server – Backup to LAN The Clear & Clean Desktop Use This Bookmarklet to Easily Get Albums Use AutoHotkey to Assign a Hotkey to a Specific Window Latest Software Reviews Tinyhacker Random Tips DVDFab 6 Revo Uninstaller Pro Registry Mechanic 9 for Windows PC Tools Internet Security Suite 2010 Awesome Lyrics Finder for Winamp & Windows Media Player Download Videos from Hulu Pixels invade Manhattan Convert PDF files to ePub to read on your iPad Hide Your Confidential Files Inside Images Get Wildlife Photography Tips at BBC’s PhotoMasterClasses

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  • Silverlight Cream for January 04, 2011 -- #1022

    - by Dave Campbell
    In this Issue: Dennis Doomen, Doug Holland, Kunal Chowdhury, Sacha Barber, Paul Sheriff, Mike Snow(-2-), Peter Kuhn(-2-), and Mike Ormond. Above the Fold: Silverlight: "Silverlight: Fixing the BookShelf Sample" Peter Kuhn WP7: "Searching the Windows Phone 7 Marketplace Programmatically" Doug Holland Prism/Cinch: "PRISM 4 Custom Transitioning Region" Sacha Barber Shoutouts: Sacha Barber the author of Cinch asks for some advice from users: Cinch V2 : Question For The Reader Michael Crump introduces us to SnippetManager as a way to organize your Silverlight snippets... I'm thinking any snippet: A better way to organize your Silverlight Code Snippets. Andy Beaulieu announced an update of Physics Helper 4.2 using Farseer 3.2 ... check out the breaking changes though! Dennis Doomen blogged about a new release of his Fluent Assertions: A new year with a new release of Fluent Assertions, with a blog post about it below From SilverlightCream.com: Verifying PropertyChanged events in Silverlight using Fluent Assertions Dennis Doomen release his latest Fluent Assertions for .NET and Silverlight and wrote up a big post about the new event monitoring syntax. Searching the Windows Phone 7 Marketplace Programmatically Doug Holland has a post up on MSDN blogs talking about searching the WP7 Marketplace programmatically... ya know you should be able to do it... here's how. Beginners Guide to Visual Studio LightSwitch (Part - 5) Kunal Chowdhury has Part 5 of a tutorial series on Lightswitch up at SilverlightShow... working with custom validation this time, and for the first time in this series so far actually writes some code! PRISM 4 Custom Transitioning Region Sacha Barber took time to look at Prism4/MEF and Cinch2 and found things to be fine then wrote a custom PRISM region adaptor that uses a TransitionalElement from the Microsoft Transitionals project... code available, blog post to come. Get Application Title from Windows Phone Paul Sheriff has a cool chunk of code up... getting the Application's title programmatically... and other attributes as well, if you were wondering why you might wanna do that. Detecting Users Win7 Mobile Theme Color Mike Snow has a couple as well... first up is how to detect your user's theme... obviously useful if you wanna match it. Selecting an Item in a ComboBox after Adding Items Second for Mike Snow is a general Silverlight issue... setting the selected item on a ComboBox after filling it... if you haven't stumbled across this yet, you will... A Simplified Grid Markup Reloaded Peter Kuhn has a pair of posts up since last time... this first is an extension of Colin Eberhardt's simplified Grid markup system, but it's only useful if you don't plan on using Blend... can we get a show of hands? :) Silverlight: Fixing the BookShelf Sample Next Peter Kuhn has some changes to the Bookshelf code, but more importantly has some excelling tips about shader effects, Effects on Visual Elements and how to make best use of all the above. Displaying HTML Content in Windows Phone 7 Mike Ormond has a WP7 post up describing problems a customer had early on displaying rich text and an attempt to use the WebBrowser control to pull it off and the problems that caused... check out the resultant code, and read the comments as well. Stay in the 'Light! Twitter SilverlightNews | Twitter WynApse | WynApse.com | Tagged Posts | SilverlightCream Join me @ SilverlightCream | Phoenix Silverlight User Group Technorati Tags: Silverlight    Silverlight 3    Silverlight 4    Windows Phone MIX10

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  • Improve Playback Using Enhancements in Windows Media Player 12

    - by DigitalGeekery
    Are you looking for ways to improve the playback of your media in Windows Media Player 12? We’ll show you how to do that by using the enhancements in WMP 12. If you are in Library mode, you’ll need to click the icon at the lower right to switch to Now Playing mode. Right-click anywhere in Media Player while in Now Playing mode, select Enhancements, and select any of the available options.   You can switch between the individual enhancements by clicking the right and left buttons at the top left.   Crossfading and Auto Volume Leveling The Auto Volume Leveling setting is just a simple toggle on and off. If your MP3 or WMA files have volume leveling information values.   You can automatically add volume leveling information values to all files you add to your library by switching to Library view, going to Tools > Options, and selecting Add volume leveling information values for new files on the Library tab. Click OK when finished.   Crossfading will gradually decrease the volume of the song that is ending (fade out) and increase volume of the song that is beginning. Click Turn on Crossfading and then click and drag the slider left or right change the amount of overlap between tracks. Graphic Equalizer The graphic equalizer is toggled on and off by clicking Turn on / Turn off at the top left. You can select pre-defined equalizer settings by music genre by clicking the Default list. The radio buttons on the left allow you to move the sliders individually, in a loose group or a tight group. You can always return to the default settings by clicking Reset. Play Speed Settings Choose a pre-defined settings by clicking Slow, Normal, or Fast. Uncheck the Snap slider to common speeds the move the slider right and left to your desired speed. If nothing else, these settings provide a little fun and amusement. Quiet Mode Quiet mode will level out any sharp volume highs and lows within a single track. Simply toggle the setting on or off and select whether you prefer Medium difference or Little difference by selecting one of the radio buttons. SRS WOW effects SRS WOW effects enhance low-frequency and stereo sound performance. Click Turn on to enable the TruBass and WOW Effect sliders. You can also optimize for your speaker type. Click to switch between Regular, Large, and Headphones. Video Settings Video Settings allow you to adjust the Hue, Brightness, Saturation, and Contrast.   You can also adjust the zoom settings by clicking Select video zoom settings.   Dolby Digital Settings Choose between Normal, Night, and Theater settings to adjust the audio for Dolby Digital content. This setting will only effect media with Dolby Digital sound. Looking for more ways to improve your media experience in WMP 12? Check out how to update metadata and cover art and how to share media with other Windows 7 computers on your home network. Similar Articles Productive Geek Tips Fixing When Windows Media Player Library Won’t Let You Add FilesInstall and Use the VLC Media Player on Ubuntu LinuxHow To Rip a Music CD in Windows 7 Media CenterStream Media from Windows 7 to XP with VLC Media PlayerInstalling Windows Media Player Plugin for Firefox TouchFreeze Alternative in AutoHotkey The Icy Undertow Desktop Windows Home Server – Backup to LAN The Clear & Clean Desktop Use This Bookmarklet to Easily Get Albums Use AutoHotkey to Assign a Hotkey to a Specific Window Latest Software Reviews Tinyhacker Random Tips Acronis Online Backup DVDFab 6 Revo Uninstaller Pro Registry Mechanic 9 for Windows Check these Awesome Chrome Add-ons iFixit Offers Gadget Repair Manuals Online Vista style sidebar for Windows 7 Create Nice Charts With These Web Based Tools Track Daily Goals With 42Goals Video Toolbox is a Superb Online Video Editor

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  • Determining explosion radius damage - Circle to Rectangle 2D

    - by Paul Renton
    One of the Cocos2D games I am working on has circular explosion effects. These explosion effects need to deal a percentage of their set maximum damage to all game characters (represented by rectangular bounding boxes as the objects in question are tanks) within the explosion radius. So this boils down to circle to rectangle collision and how far away the circle's radius is from the closest rectangle edge. I took a stab at figuring this out last night, but I believe there may be a better way. In particular, I don't know the best way to determine what percentage of damage to apply based on the distance calculated. Note : All tank objects have an anchor point of (0,0) so position is according to bottom left corner of bounding box. Explosion point is the center point of the circular explosion. TankObject * tank = (TankObject*) gameSprite; float distanceFromExplosionCenter; // IMPORTANT :: All GameCharacter have an assumed (0,0) anchor if (explosionPoint.x < tank.position.x) { // Explosion to WEST of tank if (explosionPoint.y <= tank.position.y) { //Explosion SOUTHWEST distanceFromExplosionCenter = ccpDistance(explosionPoint, tank.position); } else if (explosionPoint.y >= (tank.position.y + tank.contentSize.height)) { // Explosion NORTHWEST distanceFromExplosionCenter = ccpDistance(explosionPoint, ccp(tank.position.x, tank.position.y + tank.contentSize.height)); } else { // Exp center's y is between bottom and top corner of rect distanceFromExplosionCenter = tank.position.x - explosionPoint.x; } // end if } else if (explosionPoint.x > (tank.position.x + tank.contentSize.width)) { // Explosion to EAST of tank if (explosionPoint.y <= tank.position.y) { //Explosion SOUTHEAST distanceFromExplosionCenter = ccpDistance(explosionPoint, ccp(tank.position.x + tank.contentSize.width, tank.position.y)); } else if (explosionPoint.y >= (tank.position.y + tank.contentSize.height)) { // Explosion NORTHEAST distanceFromExplosionCenter = ccpDistance(explosionPoint, ccp(tank.position.x + tank.contentSize.width, tank.position.y + tank.contentSize.height)); } else { // Exp center's y is between bottom and top corner of rect distanceFromExplosionCenter = explosionPoint.x - (tank.position.x + tank.contentSize.width); } // end if } else { // Tank is either north or south and is inbetween left and right corner of rect if (explosionPoint.y < tank.position.y) { // Explosion is South distanceFromExplosionCenter = tank.position.y - explosionPoint.y; } else { // Explosion is North distanceFromExplosionCenter = explosionPoint.y - (tank.position.y + tank.contentSize.height); } // end if } // end outer if if (distanceFromExplosionCenter < explosionRadius) { /* Collision :: Smaller distance larger the damage */ int damageToApply; if (self.directHit) { damageToApply = self.explosionMaxDamage + self.directHitBonusDamage; [tank takeDamageAndAdjustHealthBar:damageToApply]; CCLOG(@"Explsoion-> DIRECT HIT with total damage %d", damageToApply); } else { // TODO adjust this... turning out negative for some reason... damageToApply = (1 - (distanceFromExplosionCenter/explosionRadius) * explosionMaxDamage); [tank takeDamageAndAdjustHealthBar:damageToApply]; CCLOG(@"Explosion-> Non direct hit collision with tank"); CCLOG(@"Damage to apply is %d", damageToApply); } // end if } else { CCLOG(@"Explosion-> Explosion distance is larger than explosion radius"); } // end if } // end if Questions: 1) Can this circle to rect collision algorithm be done better? Do I have too many checks? 2) How to calculate the percentage based damage? My current method generates negative numbers occasionally and I don't understand why (Maybe I need more sleep!). But, in my if statement, I ask if distance < explosion radius. When control goes through, distance/radius must be < 1 right? So 1 - that intermediate calculation should not be negative. Appreciate any help/advice!

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  • How to undo a changeset using tf.exe rollback

    - by Tarun Arora
    Technorati Tags: Team Foundation Server 2010,Team Foundation Utilities,TFS2010   Oh no! Did you just check in a changeset in to TFS and realized that you need to roll back the changeset because the changes were suppose to go in a different branch? Or did you just accidently merge a wrong changeset in your release branch? There are several ways to undo the damage, Manual: Yes, we all just hate this word but for the record you could manually rollback the changes. Get Specific version on the branch and chose the changeset prior to the one you checked in. After that check out all the files in the changeset and check them in. During the check in you will receive a conflict. At this point choose ‘Keep local changes’ in the conflict resolution window and check in the files. Automated: Yes, we just love it! TFS comes with a very powerful command line utility ‘tf.exe’ that gives you the ability to rollback the effects of one or more changesets to one or more version-controlled items. This command does not remove the changesets from an item's version history. Instead, this command creates in your workspace a set of pending changes that negate the effects of the changesets that you specify. Syntax tf rollback /toversion:VersionSpec ItemSpec [/recursive] [/lock:none|checkin|checkout] [/version:versionspec] [/keepmergehistory] [/login:username,[password]] [/noprompt] tf rollback /changeset:ChangesetFrom~ChangesetTo [ItemSpec] [/recursive] [/lock:none|checkin|checkout] [/version:VersionSpec] [/keepmergehistory] [/noprompt] [/login:username,[password]]   I’ll explain this with an example. Your workspace is at the location C:\myWorkspace You want to rollback changeset # 145621 C:\Workspace\MyBranch>tf.exe rollback /changeset:145621 /recursive How do i rollback/undo a series of changesets? You can also rollback a range of changesets by using the following C:\Workspace\MyBranch>tf.exe rollback /changeset:145601~145621 /recursive This will check out the files in the version control and you should be able to see them in the pending changes. Go on check them in to undo the specific changeset that you just rolled back. Do you completely want to get rid of the changeset from all future merges between the two branches? /KeepMergeHistory: This option has an effect only if one or more of the changesets that you are rolling back include a branch or merge change. Specify this option if you want future merges between the same source and the same target to exclude the changes that you are rolling back. Errors “If you get the message ‘Unable to determine the workspace.’ You may be able to correct this by running ‘tf worksapces /collection:TeamProjectCollectionUrl’” you are in the wrong directory. Make sure that you run the ‘tf rollback’ command from the directory of your workspace.   Status Exit Code Description 0 The operation rolled back all items successfully. 1 The operation rolled back at least one item successfully but could not roll back one or more items. 100 The operation could not roll back any items.   To use the command you must have the Read, Check Out, and Check In permissions set to Allow. So, have you been in a rollback undo situation before?   Share this post :

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  • What is the best practice, point of view of well experienced developers

    - by Damien MIRAS
    My manager pushes me to use his self defined best practices. All of these practices are based on is own assumptions. I disagree with them and I would like to have some feedback of well experienced people about these practices. I would prefer answers from people involved in the maintenance of huge products and people whom have maintained the product for years. Developers with 15+ years of experience are preferred because my manager has that much experience himself. I have 7 years of experience. Here are the practices he wants me to use: never extends classes, use composition and interface instead because extending classes are unmaintainable and difficult to debug. What I think about that Extend when needed, respect "Liskov's Substitution Principle" and you'll never be stuck with a problem, but prefer composition and decoration. I don't know any serious project which has banned inheriting, sometimes it's impossible to not use that, i.e. in a UI framework. Design patterns are just unusable. In PHP, for simple use cases (for example a user needs a web interface to view a database table), his "best practice" is: copy some random php code wich we own, paste and modify it, put html and php code in same file, never use classes in PHP, it doesn't work well for small jobs, and in fact it doesn't work well at all, there is no good tool to work with. Copy & paste PHP code is good practice for maintenance because scripts are independent, if you have a bug somewhere you can fix it without side effects. What I think about that: NEVER EVER COPY code or do it because you have five minutes to deliver something, you will do some refactoring after that. Copy & paste code is a beginners error, if you have errors you'll have the error everywhere any time you have pasted it's a nightmare to maintain. If you repsect the "Open Close Principle" you'll rarely get edge effects, use unit test if you are afraid of that. For small jobs in PHP use at least something you get or write the HTML separately from the PHP code and reuse it any time you need it. Classes in PHP are mature, not as mature as other languages like python or java, but they are usable. There is tools to work with classes in PHP like Zend Studio that work very well. The use of classes or not depends not on the language you use but the programming paradigm you have choosen. I'm a OOP developer, I use PHP5, why do I have to shoot myself in the foot? When you find a simple bug in the code, and you can fix it simply, if you are not working on the code where you have found it, never fix it, even if it takes 5 seconds. He says to me his "best practices" are driven by the fact that he has a lot of experience in maintaining software in production (14 years) and he now knows what works and what doesn't work, what the community says is a fad, and the people advocating such principles as never copy & paste code, are not evolved in maintaining applications. What I think about that: If you find a bug fix it if you can do it quickly inform the people who've touched that code before, check if you have not introduced a new bug, ideally add a unit test for it. I currently work on a web commerce project, which serves 15k unique users per day. The code base has to be maintained and has been maintained this way since 2005. Ideally you include a short description of your position and experience in terms of years effectively maintaining an application which has been in production for real.

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  • Minimum team development sizes

    - by MarkPearl
    Disclaimer - these are observations that I have had, I am not sure if this follows the philosophy of scrum, agile or whatever, but most of these insights were gained while implementing a scrum scenario. Two is a partnership, three starts a team For a while I thought that a team was anything more than one and that scrum could be effective methodology with even two people. I have recently adjusted my thinking to a scrum team being a minimum of three, so what happened to two and what do you call it? For me I consider a group of two people working together a partnership - there is value in having a partnership, but some of the dynamics and value that you get from having a team is lost with a partnership. Avoidance of a one on one confrontation The first dynamic I see missing in a partnership is the team motivation to do better and how this is delivered to individuals that are not performing. Take two highly motivated individuals and put them together and you will typically see them continue to perform. Now take a situation where you have two individuals, one performing and one not and the behaviour is totally different compared to a team of three or more individuals. With two people, if one feels the other is not performing it becomes a one on one confrontation. Most people avoid confrontations and so nothing changes. Compare this to a situation where you have three people in a team, 2 performing and 1 not the dynamic is totally different, it is no longer a personal one on one confrontation but a team concern and people seem more willing to encourage the individual not performing and express their dissatisfaction as a team if they do not improve. Avoiding the effects of Tuckman’s Group Development Theory If you are not familiar with Tuckman’s group development theory give it a read (http://en.wikipedia.org/wiki/Tuckman's_stages_of_group_development) In a nutshell with Tuckman’s theory teams go through these stages of Forming, Storming, Norming & Performing. You want your team to reach and remain in the Performing stage for as long as possible - this is where you get the most value. When you have a partnership of two and you change the individuals in the partnership you basically do a hard reset on the partnership and go back to the beginning of Tuckman’s model each time. This has a major effect on the performance of a team and what they can deliver. What I have seen is that you reduce the effects of Tuckman's theory the more individuals you have in the team (until you hit the maximum team size in which other problems kick in). While you will still experience Tuckman's theory with a team of three, the impact will be greatly reduced compared to two where it is guaranteed every time a change occurs. It's not just in the numbers, it's in the people One final comment - while the actual numbers of a team do play a role, the individuals in the team are even more important - ideally you want to keep individuals working together for an extended period. That doesn't mean that you never change the individuals in a team, or that once someone joins a team they are stuck there - there is value in an individual moving from team to team and getting cross pollination, but the period of time that an individual moves should be in month's or years, not days or weeks. Why? So why is it important to know this? Why is it important to know how a team works and what motivates them? I have been asking myself this question for a while and where I am at right now is this… the aim is to achieve the stage where the sum of the total (team) is greater than the sum of the parts (team members). This is why we form teams and why understanding how they work is a challenge and also extremely stimulating.

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  • How do you setup the driver for a Philips based TV capture card?

    - by user8270
    Hi, I have a TV card that I have not managed to install with Ubuntu 10.10 i386. I have tried various topics in various forums and I could not install it. I hope you can help me to install it thank you. lspci 01:07.0 Multimedia controller: Philips Semiconductors SAA7130 Video Broadcast Decoder (rev 01) dmesg [10299.516344] saa7134 ALSA driver for DMA sound unloaded [11385.340661] Linux video capture interface: v2.00 [11385.384278] saa7130/34: v4l2 driver version 0.2.16 loaded [11385.384390] saa7130[0]: found at 0000:01:07.0, rev: 1, irq: 17, latency: 32, mmio: 0x0 [11385.384403] saa7130[0]: subsystem: 1131:0000, board: LifeView/Typhoon FlyVIDEO2000 [card=3,insmod option] [11385.384412] saa7130[0]: can't get MMIO memory @ 0x0 [11385.384431] saa7134: probe of 0000:01:07.0 failed with error -16 [11385.401174] saa7134 ALSA driver for DMA sound loaded [11385.401182] saa7134 ALSA: no saa7134 cards found [11477.797019] tvtime[12534]: segfault at 6b0 ip 0804cf64 sp bf928a4c error 4 in tvtime[8048000+76000] [11626.141821] tvtime[12549]: segfault at 6b0 ip 0804cf64 sp bfec357c error 4 in tvtime[8048000+76000] [12218.120632] saa7134 ALSA driver for DMA sound unloaded [12464.993061] Linux video capture interface: v2.00 [12465.028285] saa7130/34: v4l2 driver version 0.2.16 loaded [12465.028392] saa7130[0]: found at 0000:01:07.0, rev: 1, irq: 17, latency: 32, mmio: 0x0 [12465.028404] saa7134: <rant> [12465.028406] saa7134: Congratulations! Your TV card vendor saved a few [12465.028408] saa7134: cents for a eeprom, thus your pci board has no [12465.028411] saa7134: subsystem ID and I can't identify it automatically [12465.028414] saa7134: </rant> [12465.028416] saa7134: I feel better now. Ok, here are the good news: [12465.028418] saa7134: You can use the card=<nr> insmod option to specify [12465.028421] saa7134: which board do you have. The list: [12465.028428] saa7134: card=0 -> UNKNOWN/GENERIC [12465.028435] saa7134: card=1 -> Proteus Pro [philips reference design] 1131:2001 1131:2001 [12465.028447] saa7134: card=2 -> LifeView FlyVIDEO3000 5168:0138 4e42:0138 [12465.028457] saa7134: card=3 -> LifeView/Typhoon FlyVIDEO2000 5168:0138 4e42:0138 [12465.028467] saa7134: card=4 -> EMPRESS 1131:6752 [12465.028475] saa7134: card=5 -> SKNet Monster TV 1131:4e85 [12465.028484] saa7134: card=6 -> Tevion MD 9717 [12465.028491] saa7134: card=7 -> KNC One TV-Station RDS / Typhoon TV Tune 1131:fe01 1894:fe01 [12465.028501] saa7134: card=8 -> Terratec Cinergy 400 TV 153b:1142 [12465.028510] saa7134: card=9 -> Medion 5044 [12465.028517] saa7134: card=10 -> Kworld/KuroutoShikou SAA7130-TVPCI [12465.028523] saa7134: card=11 -> Terratec Cinergy 600 TV 153b:1143 [12465.028532] saa7134: card=12 -> Medion 7134 16be:0003 16be:5000 [12465.028542] saa7134: card=13 -> Typhoon TV+Radio 90031 [12465.028548] saa7134: card=14 -> ELSA EX-VISION 300TV 1048:226b [12465.028557] saa7134: card=15 -> ELSA EX-VISION 500TV 1048:226a [12465.028565] saa7134: card=16 -> ASUS TV-FM 7134 1043:4842 1043:4830 1043:4840 [12465.028576] saa7134: card=17 -> AOPEN VA1000 POWER 1131:7133 [12465.028585] saa7134: card=18 -> BMK MPEX No Tuner [12465.028592] saa7134: card=19 -> Compro VideoMate TV 185b:c100 [12465.028600] saa7134: card=20 -> Matrox CronosPlus 102b:48d0 [12465.028608] saa7134: card=21 -> 10MOONS PCI TV CAPTURE CARD 1131:2001 [12465.028617] saa7134: card=22 -> AverMedia M156 / Medion 2819 1461:a70b [12465.028625] saa7134: card=23 -> BMK MPEX Tuner [12465.028632] saa7134: card=24 -> KNC One TV-Station DVR 1894:a006 [12465.028640] saa7134: card=25 -> ASUS TV-FM 7133 1043:4843 [12465.028648] saa7134: card=26 -> Pinnacle PCTV Stereo (saa7134) 11bd:002b [12465.028657] saa7134: card=27 -> Manli MuchTV M-TV002 [12465.028663] saa7134: card=28 -> Manli MuchTV M-TV001 [12465.028670] saa7134: card=29 -> Nagase Sangyo TransGear 3000TV 1461:050c [12465.028679] saa7134: card=30 -> Elitegroup ECS TVP3XP FM1216 Tuner Card( 1019:4cb4 [12465.028687] saa7134: card=31 -> Elitegroup ECS TVP3XP FM1236 Tuner Card 1019:4cb5 [12465.028695] saa7134: card=32 -> AVACS SmartTV [12465.028702] saa7134: card=33 -> AVerMedia DVD EZMaker 1461:10ff [12465.028710] saa7134: card=34 -> Noval Prime TV 7133 [12465.028717] saa7134: card=35 -> AverMedia AverTV Studio 305 1461:2115 [12465.028725] saa7134: card=36 -> UPMOST PURPLE TV 12ab:0800 [12465.028734] saa7134: card=37 -> Items MuchTV Plus / IT-005 [12465.028740] saa7134: card=38 -> Terratec Cinergy 200 TV 153b:1152 [12465.028749] saa7134: card=39 -> LifeView FlyTV Platinum Mini 5168:0212 4e42:0212 5169:1502 [12465.028760] saa7134: card=40 -> Compro VideoMate TV PVR/FM 185b:c100 [12465.028768] saa7134: card=41 -> Compro VideoMate TV Gold+ 185b:c100 [12465.028776] saa7134: card=42 -> Sabrent SBT-TVFM (saa7130) [12465.028783] saa7134: card=43 -> :Zolid Xpert TV7134 [12465.028790] saa7134: card=44 -> Empire PCI TV-Radio LE [12465.028796] saa7134: card=45 -> Avermedia AVerTV Studio 307 1461:9715 [12465.028805] saa7134: card=46 -> AVerMedia Cardbus TV/Radio (E500) 1461:d6ee [12465.028813] saa7134: card=47 -> Terratec Cinergy 400 mobile 153b:1162 [12465.028821] saa7134: card=48 -> Terratec Cinergy 600 TV MK3 153b:1158 [12465.028830] saa7134: card=49 -> Compro VideoMate Gold+ Pal 185b:c200 [12465.028838] saa7134: card=50 -> Pinnacle PCTV 300i DVB-T + PAL 11bd:002d [12465.028847] saa7134: card=51 -> ProVideo PV952 1540:9524 [12465.028855] saa7134: card=52 -> AverMedia AverTV/305 1461:2108 [12465.028863] saa7134: card=53 -> ASUS TV-FM 7135 1043:4845 [12465.028871] saa7134: card=54 -> LifeView FlyTV Platinum FM / Gold 5168:0214 5168:5214 1489:0214 5168:0304 [12465.028884] saa7134: card=55 -> LifeView FlyDVB-T DUO / MSI TV@nywhere D 5168:0306 4e42:0306 [12465.028894] saa7134: card=56 -> Avermedia AVerTV 307 1461:a70a [12465.028903] saa7134: card=57 -> Avermedia AVerTV GO 007 FM 1461:f31f [12465.028911] saa7134: card=58 -> ADS Tech Instant TV (saa7135) 1421:0350 1421:0351 1421:0370 1421:1370 [12465.028924] saa7134: card=59 -> Kworld/Tevion V-Stream Xpert TV PVR7134 [12465.028931] saa7134: card=60 -> LifeView/Typhoon/Genius FlyDVB-T Duo Car 5168:0502 4e42:0502 1489:0502 [12465.028942] saa7134: card=61 -> Philips TOUGH DVB-T reference design 1131:2004 [12465.028951] saa7134: card=62 -> Compro VideoMate TV Gold+II [12465.028958] saa7134: card=63 -> Kworld Xpert TV PVR7134 [12465.028964] saa7134: card=64 -> FlyTV mini Asus Digimatrix 1043:0210 [12465.028973] saa7134: card=65 -> V-Stream Studio TV Terminator [12465.028980] saa7134: card=66 -> Yuan TUN-900 (saa7135) [12465.028986] saa7134: card=67 -> Beholder BeholdTV 409 FM 0000:4091 [12465.028995] saa7134: card=68 -> GoTView 7135 PCI 5456:7135 [12465.029003] saa7134: card=69 -> Philips EUROPA V3 reference design 1131:2004 [12465.029011] saa7134: card=70 -> Compro Videomate DVB-T300 185b:c900 [12465.029020] saa7134: card=71 -> Compro Videomate DVB-T200 185b:c901 [12465.029028] saa7134: card=72 -> RTD Embedded Technologies VFG7350 1435:7350 [12465.029036] saa7134: card=73 -> RTD Embedded Technologies VFG7330 1435:7330 [12465.029045] saa7134: card=74 -> LifeView FlyTV Platinum Mini2 14c0:1212 [12465.029053] saa7134: card=75 -> AVerMedia AVerTVHD MCE A180 1461:1044 [12465.029062] saa7134: card=76 -> SKNet MonsterTV Mobile 1131:4ee9 [12465.029070] saa7134: card=77 -> Pinnacle PCTV 40i/50i/110i (saa7133) 11bd:002e [12465.029078] saa7134: card=78 -> ASUSTeK P7131 Dual 1043:4862 [12465.029087] saa7134: card=79 -> Sedna/MuchTV PC TV Cardbus TV/Radio (ITO [12465.029094] saa7134: card=80 -> ASUS Digimatrix TV 1043:0210 [12465.029102] saa7134: card=81 -> Philips Tiger reference design 1131:2018 [12465.029110] saa7134: card=82 -> MSI TV@Anywhere plus 1462:6231 1462:8624 [12465.029120] saa7134: card=83 -> Terratec Cinergy 250 PCI TV 153b:1160 [12465.029128] saa7134: card=84 -> LifeView FlyDVB Trio 5168:0319 [12465.029137] saa7134: card=85 -> AverTV DVB-T 777 1461:2c05 1461:2c05 [12465.029147] saa7134: card=86 -> LifeView FlyDVB-T / Genius VideoWonder D 5168:0301 1489:0301 [12465.029156] saa7134: card=87 -> ADS Instant TV Duo Cardbus PTV331 0331:1421 [12465.029165] saa7134: card=88 -> Tevion/KWorld DVB-T 220RF 17de:7201 [12465.029173] saa7134: card=89 -> ELSA EX-VISION 700TV 1048:226c [12465.029182] saa7134: card=90 -> Kworld ATSC110/115 17de:7350 17de:7352 [12465.029191] saa7134: card=91 -> AVerMedia A169 B 1461:7360 [12465.029200] saa7134: card=92 -> AVerMedia A169 B1 1461:6360 [12465.029208] saa7134: card=93 -> Medion 7134 Bridge #2 16be:0005 [12465.029216] saa7134: card=94 -> LifeView FlyDVB-T Hybrid Cardbus/MSI TV 5168:3306 5168:3502 5168:3307 4e42:3502 [12465.029229] saa7134: card=95 -> LifeView FlyVIDEO3000 (NTSC) 5169:0138 [12465.029238] saa7134: card=96 -> Medion Md8800 Quadro 16be:0007 16be:0008 16be:000d [12465.029249] saa7134: card=97 -> LifeView FlyDVB-S /Acorp TV134DS 5168:0300 4e42:0300 [12465.029259] saa7134: card=98 -> Proteus Pro 2309 0919:2003 [12465.029267] saa7134: card=99 -> AVerMedia TV Hybrid A16AR 1461:2c00 [12465.029276] saa7134: card=100 -> Asus Europa2 OEM 1043:4860 [12465.029284] saa7134: card=101 -> Pinnacle PCTV 310i 11bd:002f [12465.029293] saa7134: card=102 -> Avermedia AVerTV Studio 507 1461:9715 [12465.029301] saa7134: card=103 -> Compro Videomate DVB-T200A [12465.029308] saa7134: card=104 -> Hauppauge WinTV-HVR1110 DVB-T/Hybrid 0070:6700 0070:6701 0070:6702 0070:6703 0070:6704 0070:6705 [12465.029324] saa7134: card=105 -> Terratec Cinergy HT PCMCIA 153b:1172 [12465.029332] saa7134: card=106 -> Encore ENLTV 1131:2342 1131:2341 3016:2344 [12465.029344] saa7134: card=107 -> Encore ENLTV-FM 1131:230f [12465.029352] saa7134: card=108 -> Terratec Cinergy HT PCI 153b:1175 [12465.029360] saa7134: card=109 -> Philips Tiger - S Reference design [12465.029367] saa7134: card=110 -> Avermedia M102 1461:f31e [12465.029375] saa7134: card=111 -> ASUS P7131 4871 1043:4871 [12465.029384] saa7134: card=112 -> ASUSTeK P7131 Hybrid 1043:4876 [12465.029392] saa7134: card=113 -> Elitegroup ECS TVP3XP FM1246 Tuner Card 1019:4cb6 [12465.029401] saa7134: card=114 -> KWorld DVB-T 210 17de:7250 [12465.029409] saa7134: card=115 -> Sabrent PCMCIA TV-PCB05 0919:2003 [12465.029418] saa7134: card=116 -> 10MOONS TM300 TV Card 1131:2304 [12465.029426] saa7134: card=117 -> Avermedia Super 007 1461:f01d [12465.029435] saa7134: card=118 -> Beholder BeholdTV 401 0000:4016 [12465.029443] saa7134: card=119 -> Beholder BeholdTV 403 0000:4036 [12465.029451] saa7134: card=120 -> Beholder BeholdTV 403 FM 0000:4037 [12465.029459] saa7134: card=121 -> Beholder BeholdTV 405 0000:4050 [12465.029468] saa7134: card=122 -> Beholder BeholdTV 405 FM 0000:4051 [12465.029476] saa7134: card=123 -> Beholder BeholdTV 407 0000:4070 [12465.029484] saa7134: card=124 -> Beholder BeholdTV 407 FM 0000:4071 [12465.029493] saa7134: card=125 -> Beholder BeholdTV 409 0000:4090 [12465.029501] saa7134: card=126 -> Beholder BeholdTV 505 FM 5ace:5050 [12465.029510] saa7134: card=127 -> Beholder BeholdTV 507 FM / BeholdTV 509 5ace:5070 5ace:5090 [12465.029520] saa7134: card=128 -> Beholder BeholdTV Columbus TVFM 0000:5201 [12465.029528] saa7134: card=129 -> Beholder BeholdTV 607 FM 5ace:6070 [12465.029537] saa7134: card=130 -> Beholder BeholdTV M6 5ace:6190 [12465.029545] saa7134: card=131 -> Twinhan Hybrid DTV-DVB 3056 PCI 1822:0022 [12465.029554] saa7134: card=132 -> Genius TVGO AM11MCE [12465.029560] saa7134: card=133 -> NXP Snake DVB-S reference design [12465.029567] saa7134: card=134 -> Medion/Creatix CTX953 Hybrid 16be:0010 [12465.029576] saa7134: card=135 -> MSI TV@nywhere A/D v1.1 1462:8625 [12465.029584] saa7134: card=136 -> AVerMedia Cardbus TV/Radio (E506R) 1461:f436 [12465.029592] saa7134: card=137 -> AVerMedia Hybrid TV/Radio (A16D) 1461:f936 [12465.029601] saa7134: card=138 -> Avermedia M115 1461:a836 [12465.029609] saa7134: card=139 -> Compro VideoMate T750 185b:c900 [12465.029617] saa7134: card=140 -> Avermedia DVB-S Pro A700 1461:a7a1 [12465.029626] saa7134: card=141 -> Avermedia DVB-S Hybrid+FM A700 1461:a7a2 [12465.029634] saa7134: card=142 -> Beholder BeholdTV H6 5ace:6290 [12465.029642] saa7134: card=143 -> Beholder BeholdTV M63 5ace:6191 [12465.029651] saa7134: card=144 -> Beholder BeholdTV M6 Extra 5ace:6193 [12465.029659] saa7134: card=145 -> AVerMedia MiniPCI DVB-T Hybrid M103 1461:f636 1461:f736 [12465.029669] saa7134: card=146 -> ASUSTeK P7131 Analog [12465.029676] saa7134: card=147 -> Asus Tiger 3in1 1043:4878 [12465.029684] saa7134: card=148 -> Encore ENLTV-FM v5.3 1a7f:2008 [12465.029693] saa7134: card=149 -> Avermedia PCI pure analog (M135A) 1461:f11d [12465.029701] saa7134: card=150 -> Zogis Real Angel 220 [12465.029708] saa7134: card=151 -> ADS Tech Instant HDTV 1421:0380 [12465.029716] saa7134: card=152 -> Asus Tiger Rev:1.00 1043:4857 [12465.029725] saa7134: card=153 -> Kworld Plus TV Analog Lite PCI 17de:7128 [12465.029733] saa7134: card=154 -> Avermedia AVerTV GO 007 FM Plus 1461:f31d [12465.029742] saa7134: card=155 -> Hauppauge WinTV-HVR1150 ATSC/QAM-Hybrid 0070:6706 0070:6708 [12465.029752] saa7134: card=156 -> Hauppauge WinTV-HVR1120 DVB-T/Hybrid 0070:6707 0070:6709 0070:670a [12465.029763] saa7134: card=157 -> Avermedia AVerTV Studio 507UA 1461:a11b [12465.029772] saa7134: card=158 -> AVerMedia Cardbus TV/Radio (E501R) 1461:b7e9 [12465.029780] saa7134: card=159 -> Beholder BeholdTV 505 RDS 0000:505b [12465.029789] saa7134: card=160 -> Beholder BeholdTV 507 RDS 0000:5071 [12465.029797] saa7134: card=161 -> Beholder BeholdTV 507 RDS 0000:507b [12465.029806] saa7134: card=162 -> Beholder BeholdTV 607 FM 5ace:6071 [12465.029815] saa7134: card=163 -> Beholder BeholdTV 609 FM 5ace:6090 [12465.029823] saa7134: card=164 -> Beholder BeholdTV 609 FM 5ace:6091 [12465.029832] saa7134: card=165 -> Beholder BeholdTV 607 RDS 5ace:6072 [12465.029840] saa7134: card=166 -> Beholder BeholdTV 607 RDS 5ace:6073 [12465.029849] saa7134: card=167 -> Beholder BeholdTV 609 RDS 5ace:6092 [12465.029857] saa7134: card=168 -> Beholder BeholdTV 609 RDS 5ace:6093 [12465.029866] saa7134: card=169 -> Compro VideoMate S350/S300 185b:c900 [12465.029874] saa7134: card=170 -> AverMedia AverTV Studio 505 1461:a115 [12465.029883] saa7134: card=171 -> Beholder BeholdTV X7 5ace:7595 [12465.029892] saa7134: card=172 -> RoverMedia TV Link Pro FM 19d1:0138 [12465.029900] saa7134: card=173 -> Zolid Hybrid TV Tuner PCI 1131:2004 [12465.029909] saa7134: card=174 -> Asus Europa Hybrid OEM 1043:4847 [12465.029917] saa7134: card=175 -> Leadtek Winfast DTV1000S 107d:6655 [12465.029926] saa7134: card=176 -> Beholder BeholdTV 505 RDS 0000:5051 [12465.029934] saa7134: card=177 -> Hawell HW-404M7 [12465.029941] saa7134: card=178 -> Beholder BeholdTV H7 [12465.029948] saa7134: card=179 -> Beholder BeholdTV A7 [12465.029955] saa7134: card=180 -> Avermedia PCI M733A 1461:4155 1461:4255 [12465.029967] saa7130[0]: subsystem: 1131:0000, board: UNKNOWN/GENERIC [card=0,autodetected] [12465.030033] saa7130[0]: can't get MMIO memory @ 0x0 [12465.030051] saa7134: probe of 0000:01:07.0 failed with error -16 [12465.053892] saa7134 ALSA driver for DMA sound loaded [12465.053900] saa7134 ALSA: no saa7134 cards found tvtime-scanner Leyendo la configuración de /etc/tvtime/tvtime.xml Leyendo la configuración de /home/ricardo/.tvtime/tvtime.xml Escaneando usando la norma de TV NTSC. /home/ricardo/.tvtime/stationlist.xml: No existing NTSC station list "Custom". videoinput: Cannot open capture device /dev/video0: No existe el dispositivo o la dirección

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  • Problems with capture TV card

    - by user8270
    Hi, I have a TV card that I have not managed to install with Ubuntu 10.10 i386. I have tried various topics in various forums and I could not install it. I hope you can help me to install it thank you. lspci 01:07.0 Multimedia controller: Philips Semiconductors SAA7130 Video Broadcast Decoder (rev 01) dmesg [10299.516344] saa7134 ALSA driver for DMA sound unloaded [11385.340661] Linux video capture interface: v2.00 [11385.384278] saa7130/34: v4l2 driver version 0.2.16 loaded [11385.384390] saa7130[0]: found at 0000:01:07.0, rev: 1, irq: 17, latency: 32, mmio: 0x0 [11385.384403] saa7130[0]: subsystem: 1131:0000, board: LifeView/Typhoon FlyVIDEO2000 [card=3,insmod option] [11385.384412] saa7130[0]: can't get MMIO memory @ 0x0 [11385.384431] saa7134: probe of 0000:01:07.0 failed with error -16 [11385.401174] saa7134 ALSA driver for DMA sound loaded [11385.401182] saa7134 ALSA: no saa7134 cards found [11477.797019] tvtime[12534]: segfault at 6b0 ip 0804cf64 sp bf928a4c error 4 in tvtime[8048000+76000] [11626.141821] tvtime[12549]: segfault at 6b0 ip 0804cf64 sp bfec357c error 4 in tvtime[8048000+76000] [12218.120632] saa7134 ALSA driver for DMA sound unloaded [12464.993061] Linux video capture interface: v2.00 [12465.028285] saa7130/34: v4l2 driver version 0.2.16 loaded [12465.028392] saa7130[0]: found at 0000:01:07.0, rev: 1, irq: 17, latency: 32, mmio: 0x0 [12465.028404] saa7134: <rant> [12465.028406] saa7134: Congratulations! Your TV card vendor saved a few [12465.028408] saa7134: cents for a eeprom, thus your pci board has no [12465.028411] saa7134: subsystem ID and I can't identify it automatically [12465.028414] saa7134: </rant> [12465.028416] saa7134: I feel better now. Ok, here are the good news: [12465.028418] saa7134: You can use the card=<nr> insmod option to specify [12465.028421] saa7134: which board do you have. The list: [12465.028428] saa7134: card=0 -> UNKNOWN/GENERIC [12465.028435] saa7134: card=1 -> Proteus Pro [philips reference design] 1131:2001 1131:2001 [12465.028447] saa7134: card=2 -> LifeView FlyVIDEO3000 5168:0138 4e42:0138 [12465.028457] saa7134: card=3 -> LifeView/Typhoon FlyVIDEO2000 5168:0138 4e42:0138 [12465.028467] saa7134: card=4 -> EMPRESS 1131:6752 [12465.028475] saa7134: card=5 -> SKNet Monster TV 1131:4e85 [12465.028484] saa7134: card=6 -> Tevion MD 9717 [12465.028491] saa7134: card=7 -> KNC One TV-Station RDS / Typhoon TV Tune 1131:fe01 1894:fe01 [12465.028501] saa7134: card=8 -> Terratec Cinergy 400 TV 153b:1142 [12465.028510] saa7134: card=9 -> Medion 5044 [12465.028517] saa7134: card=10 -> Kworld/KuroutoShikou SAA7130-TVPCI [12465.028523] saa7134: card=11 -> Terratec Cinergy 600 TV 153b:1143 [12465.028532] saa7134: card=12 -> Medion 7134 16be:0003 16be:5000 [12465.028542] saa7134: card=13 -> Typhoon TV+Radio 90031 [12465.028548] saa7134: card=14 -> ELSA EX-VISION 300TV 1048:226b [12465.028557] saa7134: card=15 -> ELSA EX-VISION 500TV 1048:226a [12465.028565] saa7134: card=16 -> ASUS TV-FM 7134 1043:4842 1043:4830 1043:4840 [12465.028576] saa7134: card=17 -> AOPEN VA1000 POWER 1131:7133 [12465.028585] saa7134: card=18 -> BMK MPEX No Tuner [12465.028592] saa7134: card=19 -> Compro VideoMate TV 185b:c100 [12465.028600] saa7134: card=20 -> Matrox CronosPlus 102b:48d0 [12465.028608] saa7134: card=21 -> 10MOONS PCI TV CAPTURE CARD 1131:2001 [12465.028617] saa7134: card=22 -> AverMedia M156 / Medion 2819 1461:a70b [12465.028625] saa7134: card=23 -> BMK MPEX Tuner [12465.028632] saa7134: card=24 -> KNC One TV-Station DVR 1894:a006 [12465.028640] saa7134: card=25 -> ASUS TV-FM 7133 1043:4843 [12465.028648] saa7134: card=26 -> Pinnacle PCTV Stereo (saa7134) 11bd:002b [12465.028657] saa7134: card=27 -> Manli MuchTV M-TV002 [12465.028663] saa7134: card=28 -> Manli MuchTV M-TV001 [12465.028670] saa7134: card=29 -> Nagase Sangyo TransGear 3000TV 1461:050c [12465.028679] saa7134: card=30 -> Elitegroup ECS TVP3XP FM1216 Tuner Card( 1019:4cb4 [12465.028687] saa7134: card=31 -> Elitegroup ECS TVP3XP FM1236 Tuner Card 1019:4cb5 [12465.028695] saa7134: card=32 -> AVACS SmartTV [12465.028702] saa7134: card=33 -> AVerMedia DVD EZMaker 1461:10ff [12465.028710] saa7134: card=34 -> Noval Prime TV 7133 [12465.028717] saa7134: card=35 -> AverMedia AverTV Studio 305 1461:2115 [12465.028725] saa7134: card=36 -> UPMOST PURPLE TV 12ab:0800 [12465.028734] saa7134: card=37 -> Items MuchTV Plus / IT-005 [12465.028740] saa7134: card=38 -> Terratec Cinergy 200 TV 153b:1152 [12465.028749] saa7134: card=39 -> LifeView FlyTV Platinum Mini 5168:0212 4e42:0212 5169:1502 [12465.028760] saa7134: card=40 -> Compro VideoMate TV PVR/FM 185b:c100 [12465.028768] saa7134: card=41 -> Compro VideoMate TV Gold+ 185b:c100 [12465.028776] saa7134: card=42 -> Sabrent SBT-TVFM (saa7130) [12465.028783] saa7134: card=43 -> :Zolid Xpert TV7134 [12465.028790] saa7134: card=44 -> Empire PCI TV-Radio LE [12465.028796] saa7134: card=45 -> Avermedia AVerTV Studio 307 1461:9715 [12465.028805] saa7134: card=46 -> AVerMedia Cardbus TV/Radio (E500) 1461:d6ee [12465.028813] saa7134: card=47 -> Terratec Cinergy 400 mobile 153b:1162 [12465.028821] saa7134: card=48 -> Terratec Cinergy 600 TV MK3 153b:1158 [12465.028830] saa7134: card=49 -> Compro VideoMate Gold+ Pal 185b:c200 [12465.028838] saa7134: card=50 -> Pinnacle PCTV 300i DVB-T + PAL 11bd:002d [12465.028847] saa7134: card=51 -> ProVideo PV952 1540:9524 [12465.028855] saa7134: card=52 -> AverMedia AverTV/305 1461:2108 [12465.028863] saa7134: card=53 -> ASUS TV-FM 7135 1043:4845 [12465.028871] saa7134: card=54 -> LifeView FlyTV Platinum FM / Gold 5168:0214 5168:5214 1489:0214 5168:0304 [12465.028884] saa7134: card=55 -> LifeView FlyDVB-T DUO / MSI TV@nywhere D 5168:0306 4e42:0306 [12465.028894] saa7134: card=56 -> Avermedia AVerTV 307 1461:a70a [12465.028903] saa7134: card=57 -> Avermedia AVerTV GO 007 FM 1461:f31f [12465.028911] saa7134: card=58 -> ADS Tech Instant TV (saa7135) 1421:0350 1421:0351 1421:0370 1421:1370 [12465.028924] saa7134: card=59 -> Kworld/Tevion V-Stream Xpert TV PVR7134 [12465.028931] saa7134: card=60 -> LifeView/Typhoon/Genius FlyDVB-T Duo Car 5168:0502 4e42:0502 1489:0502 [12465.028942] saa7134: card=61 -> Philips TOUGH DVB-T reference design 1131:2004 [12465.028951] saa7134: card=62 -> Compro VideoMate TV Gold+II [12465.028958] saa7134: card=63 -> Kworld Xpert TV PVR7134 [12465.028964] saa7134: card=64 -> FlyTV mini Asus Digimatrix 1043:0210 [12465.028973] saa7134: card=65 -> V-Stream Studio TV Terminator [12465.028980] saa7134: card=66 -> Yuan TUN-900 (saa7135) [12465.028986] saa7134: card=67 -> Beholder BeholdTV 409 FM 0000:4091 [12465.028995] saa7134: card=68 -> GoTView 7135 PCI 5456:7135 [12465.029003] saa7134: card=69 -> Philips EUROPA V3 reference design 1131:2004 [12465.029011] saa7134: card=70 -> Compro Videomate DVB-T300 185b:c900 [12465.029020] saa7134: card=71 -> Compro Videomate DVB-T200 185b:c901 [12465.029028] saa7134: card=72 -> RTD Embedded Technologies VFG7350 1435:7350 [12465.029036] saa7134: card=73 -> RTD Embedded Technologies VFG7330 1435:7330 [12465.029045] saa7134: card=74 -> LifeView FlyTV Platinum Mini2 14c0:1212 [12465.029053] saa7134: card=75 -> AVerMedia AVerTVHD MCE A180 1461:1044 [12465.029062] saa7134: card=76 -> SKNet MonsterTV Mobile 1131:4ee9 [12465.029070] saa7134: card=77 -> Pinnacle PCTV 40i/50i/110i (saa7133) 11bd:002e [12465.029078] saa7134: card=78 -> ASUSTeK P7131 Dual 1043:4862 [12465.029087] saa7134: card=79 -> Sedna/MuchTV PC TV Cardbus TV/Radio (ITO [12465.029094] saa7134: card=80 -> ASUS Digimatrix TV 1043:0210 [12465.029102] saa7134: card=81 -> Philips Tiger reference design 1131:2018 [12465.029110] saa7134: card=82 -> MSI TV@Anywhere plus 1462:6231 1462:8624 [12465.029120] saa7134: card=83 -> Terratec Cinergy 250 PCI TV 153b:1160 [12465.029128] saa7134: card=84 -> LifeView FlyDVB Trio 5168:0319 [12465.029137] saa7134: card=85 -> AverTV DVB-T 777 1461:2c05 1461:2c05 [12465.029147] saa7134: card=86 -> LifeView FlyDVB-T / Genius VideoWonder D 5168:0301 1489:0301 [12465.029156] saa7134: card=87 -> ADS Instant TV Duo Cardbus PTV331 0331:1421 [12465.029165] saa7134: card=88 -> Tevion/KWorld DVB-T 220RF 17de:7201 [12465.029173] saa7134: card=89 -> ELSA EX-VISION 700TV 1048:226c [12465.029182] saa7134: card=90 -> Kworld ATSC110/115 17de:7350 17de:7352 [12465.029191] saa7134: card=91 -> AVerMedia A169 B 1461:7360 [12465.029200] saa7134: card=92 -> AVerMedia A169 B1 1461:6360 [12465.029208] saa7134: card=93 -> Medion 7134 Bridge #2 16be:0005 [12465.029216] saa7134: card=94 -> LifeView FlyDVB-T Hybrid Cardbus/MSI TV 5168:3306 5168:3502 5168:3307 4e42:3502 [12465.029229] saa7134: card=95 -> LifeView FlyVIDEO3000 (NTSC) 5169:0138 [12465.029238] saa7134: card=96 -> Medion Md8800 Quadro 16be:0007 16be:0008 16be:000d [12465.029249] saa7134: card=97 -> LifeView FlyDVB-S /Acorp TV134DS 5168:0300 4e42:0300 [12465.029259] saa7134: card=98 -> Proteus Pro 2309 0919:2003 [12465.029267] saa7134: card=99 -> AVerMedia TV Hybrid A16AR 1461:2c00 [12465.029276] saa7134: card=100 -> Asus Europa2 OEM 1043:4860 [12465.029284] saa7134: card=101 -> Pinnacle PCTV 310i 11bd:002f [12465.029293] saa7134: card=102 -> Avermedia AVerTV Studio 507 1461:9715 [12465.029301] saa7134: card=103 -> Compro Videomate DVB-T200A [12465.029308] saa7134: card=104 -> Hauppauge WinTV-HVR1110 DVB-T/Hybrid 0070:6700 0070:6701 0070:6702 0070:6703 0070:6704 0070:6705 [12465.029324] saa7134: card=105 -> Terratec Cinergy HT PCMCIA 153b:1172 [12465.029332] saa7134: card=106 -> Encore ENLTV 1131:2342 1131:2341 3016:2344 [12465.029344] saa7134: card=107 -> Encore ENLTV-FM 1131:230f [12465.029352] saa7134: card=108 -> Terratec Cinergy HT PCI 153b:1175 [12465.029360] saa7134: card=109 -> Philips Tiger - S Reference design [12465.029367] saa7134: card=110 -> Avermedia M102 1461:f31e [12465.029375] saa7134: card=111 -> ASUS P7131 4871 1043:4871 [12465.029384] saa7134: card=112 -> ASUSTeK P7131 Hybrid 1043:4876 [12465.029392] saa7134: card=113 -> Elitegroup ECS TVP3XP FM1246 Tuner Card 1019:4cb6 [12465.029401] saa7134: card=114 -> KWorld DVB-T 210 17de:7250 [12465.029409] saa7134: card=115 -> Sabrent PCMCIA TV-PCB05 0919:2003 [12465.029418] saa7134: card=116 -> 10MOONS TM300 TV Card 1131:2304 [12465.029426] saa7134: card=117 -> Avermedia Super 007 1461:f01d [12465.029435] saa7134: card=118 -> Beholder BeholdTV 401 0000:4016 [12465.029443] saa7134: card=119 -> Beholder BeholdTV 403 0000:4036 [12465.029451] saa7134: card=120 -> Beholder BeholdTV 403 FM 0000:4037 [12465.029459] saa7134: card=121 -> Beholder BeholdTV 405 0000:4050 [12465.029468] saa7134: card=122 -> Beholder BeholdTV 405 FM 0000:4051 [12465.029476] saa7134: card=123 -> Beholder BeholdTV 407 0000:4070 [12465.029484] saa7134: card=124 -> Beholder BeholdTV 407 FM 0000:4071 [12465.029493] saa7134: card=125 -> Beholder BeholdTV 409 0000:4090 [12465.029501] saa7134: card=126 -> Beholder BeholdTV 505 FM 5ace:5050 [12465.029510] saa7134: card=127 -> Beholder BeholdTV 507 FM / BeholdTV 509 5ace:5070 5ace:5090 [12465.029520] saa7134: card=128 -> Beholder BeholdTV Columbus TVFM 0000:5201 [12465.029528] saa7134: card=129 -> Beholder BeholdTV 607 FM 5ace:6070 [12465.029537] saa7134: card=130 -> Beholder BeholdTV M6 5ace:6190 [12465.029545] saa7134: card=131 -> Twinhan Hybrid DTV-DVB 3056 PCI 1822:0022 [12465.029554] saa7134: card=132 -> Genius TVGO AM11MCE [12465.029560] saa7134: card=133 -> NXP Snake DVB-S reference design [12465.029567] saa7134: card=134 -> Medion/Creatix CTX953 Hybrid 16be:0010 [12465.029576] saa7134: card=135 -> MSI TV@nywhere A/D v1.1 1462:8625 [12465.029584] saa7134: card=136 -> AVerMedia Cardbus TV/Radio (E506R) 1461:f436 [12465.029592] saa7134: card=137 -> AVerMedia Hybrid TV/Radio (A16D) 1461:f936 [12465.029601] saa7134: card=138 -> Avermedia M115 1461:a836 [12465.029609] saa7134: card=139 -> Compro VideoMate T750 185b:c900 [12465.029617] saa7134: card=140 -> Avermedia DVB-S Pro A700 1461:a7a1 [12465.029626] saa7134: card=141 -> Avermedia DVB-S Hybrid+FM A700 1461:a7a2 [12465.029634] saa7134: card=142 -> Beholder BeholdTV H6 5ace:6290 [12465.029642] saa7134: card=143 -> Beholder BeholdTV M63 5ace:6191 [12465.029651] saa7134: card=144 -> Beholder BeholdTV M6 Extra 5ace:6193 [12465.029659] saa7134: card=145 -> AVerMedia MiniPCI DVB-T Hybrid M103 1461:f636 1461:f736 [12465.029669] saa7134: card=146 -> ASUSTeK P7131 Analog [12465.029676] saa7134: card=147 -> Asus Tiger 3in1 1043:4878 [12465.029684] saa7134: card=148 -> Encore ENLTV-FM v5.3 1a7f:2008 [12465.029693] saa7134: card=149 -> Avermedia PCI pure analog (M135A) 1461:f11d [12465.029701] saa7134: card=150 -> Zogis Real Angel 220 [12465.029708] saa7134: card=151 -> ADS Tech Instant HDTV 1421:0380 [12465.029716] saa7134: card=152 -> Asus Tiger Rev:1.00 1043:4857 [12465.029725] saa7134: card=153 -> Kworld Plus TV Analog Lite PCI 17de:7128 [12465.029733] saa7134: card=154 -> Avermedia AVerTV GO 007 FM Plus 1461:f31d [12465.029742] saa7134: card=155 -> Hauppauge WinTV-HVR1150 ATSC/QAM-Hybrid 0070:6706 0070:6708 [12465.029752] saa7134: card=156 -> Hauppauge WinTV-HVR1120 DVB-T/Hybrid 0070:6707 0070:6709 0070:670a [12465.029763] saa7134: card=157 -> Avermedia AVerTV Studio 507UA 1461:a11b [12465.029772] saa7134: card=158 -> AVerMedia Cardbus TV/Radio (E501R) 1461:b7e9 [12465.029780] saa7134: card=159 -> Beholder BeholdTV 505 RDS 0000:505b [12465.029789] saa7134: card=160 -> Beholder BeholdTV 507 RDS 0000:5071 [12465.029797] saa7134: card=161 -> Beholder BeholdTV 507 RDS 0000:507b [12465.029806] saa7134: card=162 -> Beholder BeholdTV 607 FM 5ace:6071 [12465.029815] saa7134: card=163 -> Beholder BeholdTV 609 FM 5ace:6090 [12465.029823] saa7134: card=164 -> Beholder BeholdTV 609 FM 5ace:6091 [12465.029832] saa7134: card=165 -> Beholder BeholdTV 607 RDS 5ace:6072 [12465.029840] saa7134: card=166 -> Beholder BeholdTV 607 RDS 5ace:6073 [12465.029849] saa7134: card=167 -> Beholder BeholdTV 609 RDS 5ace:6092 [12465.029857] saa7134: card=168 -> Beholder BeholdTV 609 RDS 5ace:6093 [12465.029866] saa7134: card=169 -> Compro VideoMate S350/S300 185b:c900 [12465.029874] saa7134: card=170 -> AverMedia AverTV Studio 505 1461:a115 [12465.029883] saa7134: card=171 -> Beholder BeholdTV X7 5ace:7595 [12465.029892] saa7134: card=172 -> RoverMedia TV Link Pro FM 19d1:0138 [12465.029900] saa7134: card=173 -> Zolid Hybrid TV Tuner PCI 1131:2004 [12465.029909] saa7134: card=174 -> Asus Europa Hybrid OEM 1043:4847 [12465.029917] saa7134: card=175 -> Leadtek Winfast DTV1000S 107d:6655 [12465.029926] saa7134: card=176 -> Beholder BeholdTV 505 RDS 0000:5051 [12465.029934] saa7134: card=177 -> Hawell HW-404M7 [12465.029941] saa7134: card=178 -> Beholder BeholdTV H7 [12465.029948] saa7134: card=179 -> Beholder BeholdTV A7 [12465.029955] saa7134: card=180 -> Avermedia PCI M733A 1461:4155 1461:4255 [12465.029967] saa7130[0]: subsystem: 1131:0000, board: UNKNOWN/GENERIC [card=0,autodetected] [12465.030033] saa7130[0]: can't get MMIO memory @ 0x0 [12465.030051] saa7134: probe of 0000:01:07.0 failed with error -16 [12465.053892] saa7134 ALSA driver for DMA sound loaded [12465.053900] saa7134 ALSA: no saa7134 cards found tvtime-scanner Leyendo la configuración de /etc/tvtime/tvtime.xml Leyendo la configuración de /home/ricardo/.tvtime/tvtime.xml Escaneando usando la norma de TV NTSC. /home/ricardo/.tvtime/stationlist.xml: No existing NTSC station list "Custom". videoinput: Cannot open capture device /dev/video0: No existe el dispositivo o la dirección ls /dev/ No video directory here

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  • Could not convert JavaScript argument arg 0" nsresult: "0x80570009 (NS_ERROR_XPC_BAD_CONVERT_JS

    - by Drahcir
    I am trying to make this captcha jquery plugin to work. The a certain line of code is executed, the error pops up. This is the line of code that causes the error : $(".ajax-fc-" + rand).draggable({ containment: '#ajax-fc-content' }); What I am assuming is that there is some kind of conflict with the javascript reference, but can't determain what. These are the referenes that I am using <script type="text/javascript" src="http://ajax.googleapis.com/ajax/libs/jquery/1.3.2/jquery.min.js"></script> <script type="text/javascript" src="http://ajax.googleapis.com/ajax/libs/jqueryui/1.7.2/jquery-ui.min.js"></script> <script src="js/ui.core.js"></script> <script src="js/ui.draggable.js"></script> <script src="js/ui.droppable.js"></script> <script src="js/effects.core.js"></script> <script src="js/effects.slide.js"></script>

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  • DWM and painting unresponsive apps

    - by Doug Kavendek
    In Vista and later, if an app becomes unresponsive, the Desktop Window Manager is able to handle redrawing it when necessary (move a window over it, drag it around, etc.) because it has kept a pixel buffer for it. Windows also tries to detect when an app has become unresponsive after some timeout, and tries to make the best of the situation -- I believe it dims out the window, adds "Not Responding" to its title bar, and perhaps some other effects. Now, we have a skinned app that uses window regions and layered windows, and it doesn't play well with these effects. We've been developing on XP, but have noticed a strange effect when testing on Vista. At some points the app may spend a few moments on some calculation or callback, and if it passes the unresponsive threshold (I've read that it's a five second timeout, but I cannot find a link), a strange graphical problem occurs: any pixels that would be 100% transparent due to the window regions turn black, which effectively makes the window rectangular again, with a black background. There seem to be other anomalies, with the original window's pixels being shifted a bit in some child dialogs. I am working on reducing such delays (ideally Windows will never need to step in like this), and trying to maintain responsiveness while it's busy, but I'd still like to figure out what is causing it to render like that, as I can't guarantee I can eliminate all delays. Basically, I just would like to know what Windows is doing when this happens, and how I can make my app behave properly with it. Skinned apps have to still work on Vista and later, so I need to figure out what I'm doing that's non-standard. I don't even know exactly how to look for information into how Windows now handles unresponsive apps, as my searches only return people having issues with apps that are unresponsive, or very rudimentary explanations of what the DWM does with such apps. Heck I'm not even 100% sure it's the DWM responsible, but it seems likely. Any potential leads? Photo of problem; screen shots won't capture the effect (note that the white dialog's buffer is shifted -- it is shifted exactly by the distance it has been offset from the main (blue) window):

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  • Are lambda expressions/delegates in C# "pure", or can they be?

    - by Bob
    I recently asked about functional programs having no side effects, and learned what this means for making parallelized tasks trivial. Specifically, that "pure" functions make this trivial as they have no side effects. I've also recently been looking into LINQ and lambda expressions as I've run across examples many times here on StackOverflow involving enumeration. That got me to wondering if parallelizing an enumeration or loop can be "easier" in C# now. Are lambda expressions "pure" enough to pull off trivial parallelizing? Maybe it depends on what you're doing with the expression, but can they be pure enough? Would something like this be theoretically possible/trivial in C#?: Break the loop into chunks Run a thread to loop through each chunk Run a function that does something with the value from the current loop position of each thread For instance, say I had a bunch of objects in a game loop (as I am developing a game and was thinking about the possibility of multiple threads) and had to do something with each of them every frame, would the above be trivial to pull off? Looking at IEnumerable it seems it only keeps track of the current position, so I'm not sure I could use the normal generic collections to break the enumeration into "chunks". Sorry about this question. I used bullets above instead of pseudo-code because I don't even know enough to write pseudo-code off the top of my head. My .NET knowledge has been purely simple business stuff and I'm new to delegates and threads, etc. I mainly want to know if the above approach is good for pursuing, and if delegates/lambdas don't have to be worried about when it comes to their parallelization.

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