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  • Control truetype font tracking in fontforge

    - by ??O?????
    Hello. I'm designing a font intended to be used mainly as a subtitle font. It's a sans-serif font not unlike Helvetica. The em size is 2000 (I know it "should" be 2048 for a truetype font), the ascent/descent are 1600/400. Most glyphs don't go higher than 1450 though, with the exception of accented Latin characters. There lies the issue: when my font includes accented Latin characters, the tracking (line -of-text intradistance, but correct me if I got the term "tracking" wrong) skyrockets. I can't seem to find a way to control that. As my intended design goes, I don't mind if I have a descender (e.g. "g") above and an accented capital Latin letter below and they almost touch. It's something that does not happen very often, anyway. How can I control tracking? It seems it's auto-calculated.

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  • Is it possible to control my CPU frequency?

    - by Tim
    My laptop's CPU Type is: Mobile AMD Turion 64 ML-30, 1600 MHz (8 x 200) I was wondering how to find out if its CPU frequency is controllable? What softwares or other ways can control my CPU frequency? My OSes are Windows XP and Ubuntu. Can I control CPU frequency so that the CPU temperature can be controlled not to exceed some temperature? Thanks and regards! More information: My laptop is Acer Aspire 5000. Its motherboard is reported by Speccy as: Manufacturer: Acer, Inc. Model: Lugano M Version: Not Applicable Chipset Vendor: SiS Chipset Model: 760GX Chipset Revision: 03 Southbridge Vendor: SiS Southbridge Model: LPC Bridge Southbridge Revision: 25 BIOS Brand: Acer Version: 3A19 Date: 05/17/05

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  • First web server questions

    - by Graeme
    Hi there, Just looking for some help/suggestions with this. I require my own server for an upcoming project that will be hosting users websites. I want to build a control panel the user can log into and modify their website which will be stored elsewhere on the server. This all seems easy enough, It's just managing domains and emails that confuse me. What should I look for to manage domain names and point them to the correct website and also what would be the best way to manage email accounts/set up new ones etc. I want to avoid cPanel/WHM if possible, I'm looking to control most things through the control panel I will be building. So any suggestions on this would be useful as well, as I will be wanting to add email accounts through php (Can be done using a shell I assume?). I will also be wanting to measure bandwidth used on the websites contained in each users directory, any suggestions on making this possible? I'm really looking for some suggestions on what software to use to set this up, any advice would be really helpful! Thanks, Graeme

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  • How can I remotely display images on my computer?

    - by Jakob
    What I Have: A laptop booted with Ubuntu and a stationary computer dual-booted with Ubuntu and Vista, both connected through a wireless ad-hoc network. What I Want: I want a way to display images in fullscreen on my stationary, using my laptop as a "remote control". I want to be able to choose another picture at any time and have my stationary computer remain in fullscreen mode at all times. Preferably, I should also be able to display just an empty (black) screen. How can I arrange for this? What I Have Tried: I have tried simply SSH:ing into my stationary computer and opening the image files using an image viewer, but all of the ones that I have tried (Eye of Gnome, Mirage, Gwenview, and others) open a new window for every new image. I don't know how to force them into using a single instance. I have tried using the VLC remote control command line interface, but apart from seeming somewhat unreliable (exiting with segmentation faults at one point), it also displays some images with a green border and forces me to pause playback in order for the image to remain on screen. Bonus Question: In my final setup, I also need to play music through my stationary computer's speaker and have the ability to switch to another track at any point, like with the images. Preferably, I would like to control the images and the audio through the same interface. How can I best achieve this?

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  • Parent control software for iPhone

    - by Fraser Orr
    My kids both have iPod Touches and I'd like to apply some parental controls. I have had a look and I know there are some really limited features on the phone itself, and a variety of filtered browsers. However, none of them are really hitting what I want. The features I am looking for are: Filtered web (as above) Filtered access to Youtube and music Control over how often they are allowed to play games (like 1 hour per day) Whitelist control over who they can skype (or maybe facetime, but I am an android user so can't hook that net.) Any suggestions?

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  • What are the keyboard shortcuts to operate a Mac slider control

    - by doekman
    In the Safari RSS screen, there is a slider (or range) control to change an article's summary length. By pressing TAB a couple of times, it is possible to navigate to this control, without using the mouse. Is it also possible, to slide the slider with the keyboard? Thus sliding the knob to the right and left? The volume slider in iTunes can be operated by the arrow-keys, but in Safari's RSS window, these are used to scroll the text if there are any scrollbars... Note: in System Preferences, Keyboard (OS X 10.6), Keyboard Shortcuts, I have set Full Keyboard Access to All controls. Otherwise, the TAB key only navigates between text boxes and lists.

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  • How to control fan speed using SpeedFan?

    - by John Young
    The CPU fan in my laptop is running too fast. I wish to control the speed manually to my preference, at times. Here is a CPU-Z screenshot of my laptop configuration: http://i.stack.imgur.com/1oST1.png And here is how SpeedFan window looks at my end: http://i.imgur.com/BIi0RdJ.jpg I have no idea how to use SpeedFan to control my laptop's CPU fan speed. How to configure it so that I can increase and decrease speed of the fan at my will? Edit: Sorry, the first image wasn't as intended, so I've corrected it now. Also, if someone can edit the post and embed the images in the post, that would be great. I need at least 10 reputation to successfully accomplish that.

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  • Using Zentyal to control several servers

    - by user1301428
    I am currently in the process of creating a home server, made up of several virtual machines, each running a different type of server (i.e. a file server, a multimedia server, a firewall and a print server as of now). Today I discovered this new software, Zentyal, which looks interesting for system and network administration. However, I haven't understood one thing: can it be used only with its preconfigured packages or can it also be used to control other servers running other programs (in my case, the four virtual machines)?. Also, would you suggest to use such a program or do you think it's better to control each server on its own?

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  • Excel controls not visible for certain users

    - by Nossidge
    One of the users of an Excel program I've written is having a weird problem. None of the control objects (Command Button, ComboBox, etc.) are visible to him when he opens the file on his laptop. He is using Excel 2003, the same version I used to create the program, and enables macros using the pop-up when the file loads. I have Googled this, and have found these people who seem to be having the exact same problem, with various versions of Excel. Unfortunately, none of their questions were answered. I can't really explain it any better than this user: If I enter design mode and pull a control from the control toolbar onto a sheet all I see are the drag handles. When not in design mode I have to feel around with the mouse and can click the button which executes the button click code correctly and opens another sheet where again I have to feel around for the buttons to return me to the original sheet. The button I managed to click is now visible but as soon as I click anywhere on the sheet it disappears. I have verified that the visible property of the buttons is set and that the Show All Objects on the Options View tab is selected. If I pull buttons from the Forms toolbar onto a sheet they are visible. If I try to find Objects using F5 when not in design mode Excel reports no objects on the sheet. So, Super Users, can you help? UPDATE: Thanks for your replies, but much like the person in the ozgrid link, the problem has gone away. Not sure why it went, but I can confirm that the user rebooted again and also started up other Excel files that didn't contain controls in the interim. Perhaps that fixed it, or maybe it'll be back again. I'll keep udating with progress, and close if the problem doesn't reoccur for the next few days. Thanks again.

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  • How can I remap control+e to escape+control+e in iTerm2?

    - by cwd
    I have set up a few custom keyboard shortcuts in iTerm2 to easily move the cursor around with the arrow keys, but now I'd like to remap control+e to be escape, control+e because bash 4.2 no longer auto-expands variables using the tab key. I know I've done the first part correctly in choosing the keyboard shortcut to remap, but I don't understand how to look up the correct escape sequence (or hex codes) to send in the bottom section: I reference they keyboard codes but that wasn't much help. How can I remap this, and how can I look up the codes in the future? (No luck with Google) Update @db - thanks. To save others trouble I also found a cool util Key Codes.app which can be used to find key codes:

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  • Visual Studio Express 2012 - Moving items to tab control loses actions

    - by JohnP
    VS 2012 Express on Windows 7 Professional, this was pre SP1 install. I have a windows form that I had several elements (Listboxes, buttons, text and labels), with some actions associated with changing indices on the list boxes and of course the button actions. I decided I wanted to add a tab control to enable a second tab with a different feature set, so I copied/cut/pasted all of the original items to a tab control that I added. When I did this, all of the elements lost their click action in the events window. I had to go and re-associate all of them. Is this a normal behavior/known issue, or is there some method to move controls that I am not aware of?

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  • HP Pavilion dv3 volume control display driver on Windows 7

    - by Farinha
    I've recently bought an HP Pavilion dv3-2150ep and I'm having a hard time getting the volume control display to work as expected. The control is a back-lit touch-sensitive bar above the keyboard. Now the buttons to turn the volume up and down actually do it, but the lightning is not changing at all. The mute button does change color when toggled. I'm not sure if I'm missing any drivers here (I've installed all of those on the HP support page that seem to have something to do with sound and/or display) or if I have to activate this somewhere. Any ideas?

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  • Text after Control Sequence

    - by SPAM SPAM SPAM SPAM
    I am trying to parse the output of a command that expects to be writing to the screen. It has data separated by move-to-origin control sequences (for the VT220, ESC[1;1H). I only need the last part (i.e. after the last move-to-origin). I have tried doing this multiple ways (primarily awk and sed), but the problem is always that parts of the control sequence have special meaning (to the program, not just to the shell), and I cannot quote them when I substitute tput's output. Any suggestions?

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  • when add dynamic control in update panel then getting failed to load viewsate error ?

    - by Tushar Maru
    when add dynamic control in update panel then getting failed to load viewsate error ? see following example :- UpdatePanel panel = new UpdatePanel(); panel.ContentTemplateContainer.Controls.Clear(); if (strPopupType == "O") { Control ctrl = Page.LoadControl(@"~/Modules/MLM/UnilevelViewer/DesktopModules/OrderDetails.ascx"); OrderDetails orderdetails = (OrderDetails)ctrl; orderdetails.ID = "Orders" + elementID; orderdetails.OrderID = Convert.ToInt32(elementID); //orderdetails.ModuleSkinStyleName = CurrentModuleSkin; panel.ContentTemplateContainer.Controls.Add(ctrl); } else if (strPopupType == "U") { Control ctrl = Page.LoadControl(@"~/Modules/MLM/UnilevelViewer/DesktopModules/UserDetails.ascx"); UserDetails userdetails = (UserDetails)ctrl; userdetails.ID = "Users" + elementID; // userdetails.UserModuleSkinStyleName = CurrentModuleSkin; userdetails.UserID = new Guid(elementID); panel.ContentTemplateContainer.Controls.Add(ctrl); }

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  • How to Force Graphics Options in PC Games with NVIDIA, AMD, or Intel Graphics

    - by Chris Hoffman
    PC games usually have built-in graphics options you can change. But you’re not limited to the options built into games — the graphics control panels bundled with graphics drivers allow you to tweak options from outside PC games. For example, these tools allow you to force-enabling antialiasing to make old games look better, even if they don’t normally support it. You can also reduce graphics quality to get more performance on slow hardware. If You Don’t See These Options If you don’t have the NVIDIA Control Panel, AMD Catalyst Control Center, or Intel Graphics and Media Control Panel installed, you may need to install the appropriate graphics driver package for your hardware from the hardware manufacturer’s website. The drivers provided via Windows Update don’t include additional software like the NVIDIA Control Panel or AMD Catalyst Control Center. Drivers provided via Windows Update are also more out of date. If you’re playing PC games, you’ll want to have the latest graphics drivers installed on your system. NVIDIA Control Panel The NVIDIA Control Panel allows you to change these options if your computer has NVIDIA graphics hardware. To launch it, right-click your desktop background and select NVIDIA Control Panel. You can also find this tool by performing a Start menu (or Start screen) search for NVIDIA Control Panel or by right-clicking the NVIDIA icon in your system tray and selecting Open NVIDIA Control Panel. To quickly set a system-wide preference, you could use the Adjust image settings with preview option. For example, if you have old hardware that struggles to play the games you want to play, you may want to select “Use my preference emphasizing” and move the slider all the way to “Performance.” This trades graphics quality for an increased frame rate. By default, the “Use the advanced 3D image settings” option is selected. You can select Manage 3D settings and change advanced settings for all programs on your computer or just for specific games. NVIDIA keeps a database of the optimal settings for various games, but you’re free to tweak individual settings here. Just mouse-over an option for an explanation of what it does. If you have a laptop with NVIDIA Optimus technology — that is, both NVIDIA and Intel graphics — this is the same place you can choose which applications will use the NVIDIA hardware and which will use the Intel hardware. AMD Catalyst Control Center AMD’s Catalyst Control Center allows you to change these options on AMD graphics hardware. To open it, right-click your desktop background and select Catalyst Control Center. You can also right-click the Catalyst icon in your system tray and select Catalyst Control Center or perform a Start menu (or Start screen) search for Catalyst Control Center. Click the Gaming category at the left side of the Catalyst Control Center window and select 3D Application Settings to access the graphics settings you can change. The System Settings tab allows you to configure these options globally, for all games. Mouse over any option to see an explanation of what it does. You can also set per-application 3D settings and tweak your settings on a per-game basis. Click the Add option and browse to a game’s .exe file to change its options. Intel Graphics and Media Control Panel Intel integrated graphics is nowhere near as powerful as dedicated graphics hardware from NVIDIA and AMD, but it’s improving and comes included with most computers. Intel doesn’t provide anywhere near as many options in its graphics control panel, but you can still tweak some common settings. To open the Intel graphics control panel, locate the Intel graphics icon in your system tray, right-click it, and select Graphics Properties. You can also right-click the desktop and select Graphics Properties. Select either Basic Mode or Advanced Mode. When the Intel Graphics and Media Control Panel appears, select the 3D option. You’ll be able to set your Performance or Quality setting by moving the slider around or click the Custom Settings check box and customize your Anisotropic Filtering and Vertical Sync preference. Different Intel graphics hardware may have different options here. We also wouldn’t be surprised to see more advanced options appear in the future if Intel is serious about competing in the PC graphics market, as they say they are. These options are primarily useful to PC gamers, so don’t worry about them — or bother downloading updated graphics drivers — if you’re not a PC gamer and don’t use any intensive 3D applications on your computer. Image Credit: Dave Dugdale on Flickr     

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  • What Makes a Good Design Critic? CHI 2010 Panel Review

    - by jatin.thaker
    Author: Daniel Schwartz, Senior Interaction Designer, Oracle Applications User Experience Oracle Applications UX Chief Evangelist Patanjali Venkatacharya organized and moderated an innovative and stimulating panel discussion titled "What Makes a Good Design Critic? Food Design vs. Product Design Criticism" at CHI 2010, the annual ACM Conference on Human Factors in Computing Systems. The panelists included Janice Rohn, VP of User Experience at Experian; Tami Hardeman, a food stylist; Ed Seiber, a restaurant architect and designer; John Kessler, a food critic and writer at the Atlanta Journal-Constitution; and Larry Powers, Chef de Cuisine at Shaun's restaurant in Atlanta, Georgia. Building off the momentum of his highly acclaimed panel at CHI 2009 on what interaction design can learn from food design (for which I was on the other side as a panelist), Venkatacharya brought together new people with different roles in the restaurant and software interaction design fields. The session was also quite delicious -- but more on that later. Criticism, as it applies to food and product or interaction design, was the tasty topic for this forum and showed that strong parallels exist between food and interaction design criticism. Figure 1. The panelists in discussion: (left to right) Janice Rohn, Ed Seiber, Tami Hardeman, and John Kessler. The panelists had great insights to share from their respective fields, and they enthusiastically discussed as if they were at a casual collegial dinner. John Kessler stated that he prefers to have one professional critic's opinion in general than a large sampling of customers, however, "Web sites like Yelp get users excited by the collective approach. People are attracted to things desired by so many." Janice Rohn added that this collective desire was especially true for users of consumer products. Ed Seiber remarked that while people looked to the popular view for their target tastes and product choices, "professional critics like John [Kessler] still hold a big weight on public opinion." Chef Powers indicated that chefs take in feedback from all sources, adding, "word of mouth is very powerful. We also look heavily at the sales of the dishes to see what's moving; what's selling and thus successful." Hearing this discussion validates our design work at Oracle in that we listen to our users (our diners) and industry feedback (our critics) to ensure an optimal user experience of our products. Rohn considers that restaurateur Danny Meyer's book, Setting the Table: The Transforming Power of Hospitality in Business, which is about creating successful restaurant experiences, has many applicable parallels to user experience design. Meyer actually argues that the customer is not always right, but that "they must always feel heard." Seiber agreed, but noted "customers are not designers," and while designers need to listen to customer feedback, it is the designer's job to synthesize it. Seiber feels it's the critic's job to point out when something is missing or not well-prioritized. In interaction design, our challenges are quite similar, if not parallel. Software tasks are like puzzles that are in search of a solution on how to be best completed. As a food stylist, Tami Hardeman has the demanding and challenging task of presenting food to be as delectable as can be. To present food in its best light requires a lot of creativity and insight into consumer tastes. It's no doubt then that this former fashion stylist came up with the ultimate catch phrase to capture the emotion that clients want to draw from their users: "craveability." The phrase was a hit with the audience and panelists alike. Sometime later in the discussion, Seiber remarked, "designers strive to apply craveability to products, and I do so for restaurants in my case." Craveabilty is also very applicable to interaction design. Creating straightforward and smooth workflows for users of Oracle Applications is a primary goal for my colleagues. We want our users to really enjoy working with our products where it makes them more efficient and better at their jobs. That's our "craveability." Patanjali Venkatacharya asked the panel, "if a design's "craveability" appeals to some cultures but not to others, then what is the impact to the food or product design process?" Rohn stated that "taste is part nature and part nurture" and that the design must take the full context of a product's usage into consideration. Kessler added, "good design is about understanding the context" that the experience necessitates. Seiber remarked how important seat comfort is for diners and how the quality of seating will add so much to the complete dining experience. Sometimes if these non-food factors are not well executed, they can also take away from an otherwise pleasant dining experience. Kessler recounted a time when he was dining at a restaurant that actually had very good food, but the photographs hanging on all the walls did not fit in with the overall décor and created a negative overall dining experience. While the tastiness of the food is critical to a restaurant's success, it is a captivating complete user experience, as in interaction design, which will keep customers coming back and ultimately making the restaurant a hit. Figure 2. Patanjali Venkatacharya enjoyed the Sardinian flatbread salad. As a surprise Chef Powers brought out a signature dish from Shaun's restaurant for all the panelists to sample and critique. The Sardinian flatbread dish showcased Atlanta's taste for fresh and local produce and cheese at its finest as a salad served on a crispy flavorful flat bread. Hardeman said it could be photographed from any angle, a high compliment coming from a food stylist. Seiber really enjoyed the colors that the dish brought together and thought it would be served very well in a casual restaurant on a summer's day. The panel really appreciated the taste and quality of the different components and how the rosemary brought all the flavors together. Seiber remarked that "a lot of effort goes into the appearance of simplicity." Rohn indicated that the same notion holds true with software user interface design. A tremendous amount of work goes into crafting straightforward interfaces, including user research, prototyping, design iterations, and usability studies. Design criticism for food and software interfaces clearly share many similarities. Both areas value expert opinions and user feedback. Both areas understand the importance of great design needing to work well in its context. Last but not least, both food and interaction design criticism value "craveability" and how having users excited about experiencing and enjoying the designs is an important goal. Now if we can just improve the taste of software user interfaces, people may choose to dine on their enterprise applications over a fresh organic salad.

    Read the article

  • What Makes a Good Design Critic? CHI 2010 Panel Review

    - by Applications User Experience
    Author: Daniel Schwartz, Senior Interaction Designer, Oracle Applications User Experience Oracle Applications UX Chief Evangelist Patanjali Venkatacharya organized and moderated an innovative and stimulating panel discussion titled "What Makes a Good Design Critic? Food Design vs. Product Design Criticism" at CHI 2010, the annual ACM Conference on Human Factors in Computing Systems. The panelists included Janice Rohn, VP of User Experience at Experian; Tami Hardeman, a food stylist; Ed Seiber, a restaurant architect and designer; Jonathan Kessler, a food critic and writer at the Atlanta Journal-Constitution; and Larry Powers, Chef de Cuisine at Shaun's restaurant in Atlanta, Georgia. Building off the momentum of his highly acclaimed panel at CHI 2009 on what interaction design can learn from food design (for which I was on the other side as a panelist), Venkatacharya brought together new people with different roles in the restaurant and software interaction design fields. The session was also quite delicious -- but more on that later. Criticism, as it applies to food and product or interaction design, was the tasty topic for this forum and showed that strong parallels exist between food and interaction design criticism. Figure 1. The panelists in discussion: (left to right) Janice Rohn, Ed Seiber, Tami Hardeman, and Jonathan Kessler. The panelists had great insights to share from their respective fields, and they enthusiastically discussed as if they were at a casual collegial dinner. Jonathan Kessler stated that he prefers to have one professional critic's opinion in general than a large sampling of customers, however, "Web sites like Yelp get users excited by the collective approach. People are attracted to things desired by so many." Janice Rohn added that this collective desire was especially true for users of consumer products. Ed Seiber remarked that while people looked to the popular view for their target tastes and product choices, "professional critics like John [Kessler] still hold a big weight on public opinion." Chef Powers indicated that chefs take in feedback from all sources, adding, "word of mouth is very powerful. We also look heavily at the sales of the dishes to see what's moving; what's selling and thus successful." Hearing this discussion validates our design work at Oracle in that we listen to our users (our diners) and industry feedback (our critics) to ensure an optimal user experience of our products. Rohn considers that restaurateur Danny Meyer's book, Setting the Table: The Transforming Power of Hospitality in Business, which is about creating successful restaurant experiences, has many applicable parallels to user experience design. Meyer actually argues that the customer is not always right, but that "they must always feel heard." Seiber agreed, but noted "customers are not designers," and while designers need to listen to customer feedback, it is the designer's job to synthesize it. Seiber feels it's the critic's job to point out when something is missing or not well-prioritized. In interaction design, our challenges are quite similar, if not parallel. Software tasks are like puzzles that are in search of a solution on how to be best completed. As a food stylist, Tami Hardeman has the demanding and challenging task of presenting food to be as delectable as can be. To present food in its best light requires a lot of creativity and insight into consumer tastes. It's no doubt then that this former fashion stylist came up with the ultimate catch phrase to capture the emotion that clients want to draw from their users: "craveability." The phrase was a hit with the audience and panelists alike. Sometime later in the discussion, Seiber remarked, "designers strive to apply craveability to products, and I do so for restaurants in my case." Craveabilty is also very applicable to interaction design. Creating straightforward and smooth workflows for users of Oracle Applications is a primary goal for my colleagues. We want our users to really enjoy working with our products where it makes them more efficient and better at their jobs. That's our "craveability." Patanjali Venkatacharya asked the panel, "if a design's "craveability" appeals to some cultures but not to others, then what is the impact to the food or product design process?" Rohn stated that "taste is part nature and part nurture" and that the design must take the full context of a product's usage into consideration. Kessler added, "good design is about understanding the context" that the experience necessitates. Seiber remarked how important seat comfort is for diners and how the quality of seating will add so much to the complete dining experience. Sometimes if these non-food factors are not well executed, they can also take away from an otherwise pleasant dining experience. Kessler recounted a time when he was dining at a restaurant that actually had very good food, but the photographs hanging on all the walls did not fit in with the overall décor and created a negative overall dining experience. While the tastiness of the food is critical to a restaurant's success, it is a captivating complete user experience, as in interaction design, which will keep customers coming back and ultimately making the restaurant a hit. Figure 2. Patnajali Venkatacharya enjoyed the Sardian flatbread salad. As a surprise Chef Powers brought out a signature dish from Shaun's restaurant for all the panelists to sample and critique. The Sardinian flatbread dish showcased Atlanta's taste for fresh and local produce and cheese at its finest as a salad served on a crispy flavorful flat bread. Hardeman said it could be photographed from any angle, a high compliment coming from a food stylist. Seiber really enjoyed the colors that the dish brought together and thought it would be served very well in a casual restaurant on a summer's day. The panel really appreciated the taste and quality of the different components and how the rosemary brought all the flavors together. Seiber remarked that "a lot of effort goes into the appearance of simplicity." Rohn indicated that the same notion holds true with software user interface design. A tremendous amount of work goes into crafting straightforward interfaces, including user research, prototyping, design iterations, and usability studies. Design criticism for food and software interfaces clearly share many similarities. Both areas value expert opinions and user feedback. Both areas understand the importance of great design needing to work well in its context. Last but not least, both food and interaction design criticism value "craveability" and how having users excited about experiencing and enjoying the designs is an important goal. Now if we can just improve the taste of software user interfaces, people may choose to dine on their enterprise applications over a fresh organic salad.

    Read the article

  • To control decibels in speakers by Ubuntu

    - by Masi
    I need to load the module pcspkr to Linux kernel often by sudo modprobe pcspkr. It sometimes happens that something goes totally wrong such that I cannot stand the amount of decibels in my speakers. I would like to control the amount of decibels in my speakers and to have a visual speaker in my top panel which indicates the amount of decibels in my computer at each given time How can you solve at least one of the problems?

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  • control with ID 'GridView1' could not be found for the trigger in UpdatePanel 'UpdatePanel1'

    - by Kk
    I have two gridview in update panel and m adding entries from one gridview to another on selectedIndexChanged event what m trying to do is updating update panel on this event selectedindexchanged ...but my gridview is inside accordian control so it does not get initialized and hence i get this error ..... control with ID 'GridView1' could not be found for the trigger in UpdatePanel 'UpdatePanel1' Anybody knows solution?

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  • How to get the height of Label control in Winforms

    - by bmutch
    My label is wrapping the text due to the length of the text. The height property returns the correct value only if there is a single line. How can I get the correct height? Thanks. Solution: I was creating the label dynamically and checking the height then. Later the panel on which the label was residing was added to a form, changing the panel's font and thus also changing the label's font and height.

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  • What is a simple deformer in which vertices deform linearly with control points?

    - by sebf
    In my project I want to deform a complex mesh, using a simpler 'proxy' mesh. In effect, each vertex of the proxy/collision mesh will be a control point/bone, which should deform the vertices of the main mesh attached to it depending on weight, but where the weight is not dependant on the absolute distance from the control point but rather distance relative to the other affecting control points. The point of this is to preserve complex three dimensional features of the main mesh while using physics implementations which expect something far simpler, low resolution, single surface, etc. Therefore, the vertices must deform linearly with their respective weighted control points (i.e. no falloff fields or all the mesh features will end up collapsed) - as if each vertex was linked to a point on the plane created by the attached control points and deformed with it. I have tried implementing the weight computation algorithm in this paper (page 4) but it is not working as expected and I am wondering if it is really the best way to do what I want. What is the simplest way to 'skin'* an arbitrary mesh, to another arbitrary mesh? *By skin I mean I need an algorithm to determine the best control points for a vertex, and their weights.

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