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  • Azure Linux out of band managment

    - by faker
    I have a Linux (Ubuntu) virtual machine running on Azure. It seems like the only way to connect to it is via SSH. This is OK for normal operation, but what to do when something goes wrong (fsck waiting for user-input, new kernel doesn't boot, mis-configured network, etc.)? There is a grayed out "Connect" button in the management interface, and the help for it says: To access a virtual machine running Windows Server, click Connect and follow the instructions. Enter the password that was set when the virtual machine was created. The Connect button is not available for a virtual machine running Linux, but you can use your favorite SSH program to access it. I've read the documentation on the command line tools, but there is also no way to connect to it. Is there any way for me to get such a console?

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  • Why does my Belkin Play router regularly stop working for a few minutes at a time?

    - by YeahStu
    I recently purchased a Belking Play dual-band router for my home. About every few hours, the router stops working or "cuts out" for several minutes before coming back online automatically. My old one did this as well. I figured out a main problem was my wireless home phone, which sends a 2.4GHz signal. Anytime someone would call the phone, my router would get interrupted. Therefore, I unplugged this phone and got a wired phone. Unfortunately, my wired phone has the same problem. Therefore, I unplugged the wired phone. Unfortunately, my router still has regular issues. I live in a home with neighbors within close proximity to me, so it might be possible that their devices are the ones causing me problems. How can I determine what is causing my router problems? I thought that the point of a dual-band router was that if a signal was interfering on one band then it would be uninterrupted on another. However, it seems that is not the case. Does anyone have any tips on how to troubleshoot this or any knowledge you can share to properly set my expectations?

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  • need primitive public key signature with out of band key distribution

    - by Mike D
    I pretty much a complete neophyte at this signature business so I don't know if what I'm asking is nonsense or not. Anyway, here goes... I want to send an out of band message (don't worry about how it gets there) to a program I've written on a distant machine. I want the program to have some confidence the message is legit by attaching a digital signature to the message. The message will be small less than 200 characters. It seems a public key based signature is what I want to use. I could embed the public key in the program. I understand that the program would be vulnerable to attack by anyone who modifies it BUT I'm not too worried about that. The consequences are not dire. I've looked through the MSDN and around the web but the prospect of diving in is daunting. I'm writing in straight c++, no NET framework or other fancy stuff. I've had no experience including NET framework stuff and little luck during previous attempts. Can anyone point me at some very basic resources to get me started? I need to know 1)how to generate the public and private keys 2)how to sign the message 3)how to verify the signature Any help much appreciated. TIA, Mike

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  • How do I require use of the 5 GHz band when connecting to a Wireless N access point?

    - by cqcallaw
    What is says in the topic: there's a Wireless N access point to which I'd like to connect using the 5 GHz band exclusively. How does one accomplish this? Using the directive band=a in the connection configuration file in /etc/NetworkManager/system-connections doesn't seem to affect anything (/var/log/syslog still shows attempts by wpa_supplicant to connect using the 2.4 GHz band), and running iwconfig wlan0 freq 5G per this question results in the following error: Error for wireless request "Set Frequency" (8B04) : SET failed on device wlan0 ; Invalid argument. [Edit] I'm hoping the answer won't depend on the hardware in use, but here's some information about the hardware, just in case: System is an Asus ZenBook Prime UX31A-DB51, running Ubuntu 12.04. lspci output: 00:00.0 Host bridge: Intel Corporation Ivy Bridge DRAM Controller (rev 09) 00:02.0 VGA compatible controller: Intel Corporation Ivy Bridge Graphics Controller (rev 09) 00:04.0 Signal processing controller: Intel Corporation Device 0153 (rev 09) 00:14.0 USB controller: Intel Corporation Panther Point USB xHCI Host Controller (rev 04) 00:16.0 Communication controller: Intel Corporation Panther Point MEI Controller #1 (rev 04) 00:1a.0 USB controller: Intel Corporation Panther Point USB Enhanced Host Controller #2 (rev 04) 00:1b.0 Audio device: Intel Corporation Panther Point High Definition Audio Controller (rev 04) 00:1c.0 PCI bridge: Intel Corporation Panther Point PCI Express Root Port 1 (rev c4) 00:1c.1 PCI bridge: Intel Corporation Panther Point PCI Express Root Port 2 (rev c4) 00:1d.0 USB controller: Intel Corporation Panther Point USB Enhanced Host Controller #1 (rev 04) 00:1f.0 ISA bridge: Intel Corporation Panther Point LPC Controller (rev 04) 00:1f.2 SATA controller: Intel Corporation Panther Point 6 port SATA Controller [AHCI mode] (rev 04) 00:1f.3 SMBus: Intel Corporation Panther Point SMBus Controller (rev 04) 00:1f.6 Signal processing controller: Intel Corporation Panther Point Thermal Management Controller (rev 04) 02:00.0 Network controller: Intel Corporation Centrino Advanced-N 6235 (rev 24) The driver for the wireless interface is iwlwifi.

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  • Create attribute in XML

    - by user560411
    Hello. I have the following php code that adds data into XML and works correctly. However, in my second step I will create a form that deletes some of the elements. The problem is that I want to add an ID number and then the PHP file will search for it and delete entire node. My question is how can i add an ID into CD for this to work ? For example ( <cd id="xxxx"> ) Also, any ideas or examples of a code that deletes CD having the ID would be appreciate. insert.php ( my index file with the form ) <h1>Playlist</h1> <form action="insert2.php" method="post"> <fieldset> <label for="TITLE">TITLE:</label><input type="text" id="title" name="title" /><br /> <label for="title">BAND:</label> <input type="text" id="band" name="band"/><br /> <label for="path">YEAR:</label> <input type="text" id="year" name="year" /> <br /> <input type="submit" /> </fieldset> </form> <h2>Current entries:</h2> <p>TITLE - BAND - YEAR</p> <?php $doc = new DOMDocument(); $doc->load( 'insert.xml' ); $CATEGORIES = $doc->getElementsByTagName( "CD" ); foreach( $CATEGORIES as $CD ) { $TITLES = $CD->getElementsByTagName( "TITLE" ); $TITLE = $TITLES->item(0)->nodeValue; $BANDS= $CD->getElementsByTagName( "BAND" ); $BAND= $BANDS->item(0)->nodeValue; $YEARS = $CD->getElementsByTagName( "YEAR" ); $YEAR = $YEARS->item(0)->nodeValue; echo "<b>$TITLE - $BAND - $YEAR\n</b><br>"; } ?> inser2.php ( the main code ) <?php $CD = array( 'TITLE' => $_POST['title'], 'BAND' => $_POST['band'], 'YEAR' => $_POST['year'], ); $doc = new DOMDocument(); $doc->load( 'insert.xml' ); $doc->formatOutput = true; $r = $doc->getElementsByTagName("CATEGORIES")->item(0); $b = $doc->createElement("CD"); $TITLE = $doc->createElement("TITLE"); $TITLE->appendChild( $doc->createTextNode( $CD["TITLE"] ) ); $b->appendChild( $TITLE ); $BAND = $doc->createElement("BAND"); $BAND->appendChild( $doc->createTextNode( $CD["BAND"] ) ); $b->appendChild( $BAND ); $YEAR = $doc->createElement("YEAR"); $YEAR->appendChild( $doc->createTextNode( $CD["YEAR"] ) ); $b->appendChild( $YEAR ); $r->appendChild( $b ); $doc->save("insert.xml"); ?> the XML file <?xml version="1.0" encoding="utf-8"?> <MY_CD> <CATEGORIES> <CD> <TITLE>NEVER MIND THE BOLLOCKS</TITLE> <BAND>SEX PISTOLS</BAND> <YEAR>1977</YEAR> </CD> <CD> <TITLE>NEVERMIND</TITLE> <BAND>NIRVANA</BAND> <YEAR>1991</YEAR> </CD> </CATEGORIES> </MY_CD>

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  • HOW-TO Make computer sing

    - by Ofir
    Hi, I'm trying to develop an online application where the user writes some text and the software sings it back to the user. I can currently generate the audio file with the words spoken by the computer using espeak, but I have no idea how to make it sound like a song, how to add rhythm to it. I'm able to change the pitch and tempo using rubberband, but that's as far as I've gotten. Does anyone have a clue how to make this happen?

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  • what constitutes out-of-band access to a server?

    - by broiyan
    The first time I access my server with a new installation of Filezilla or Putty, I will get prompted that I should continue only if the RSA key shown to me is correct. The cloud provider has advice on their website that I ought to use their AJAX console to get a key out-of-band with which to compare to the one shown by Filezilla. The AJAX console is launched from a link on the cloud provider's website which requires a login. Exactly how is this AJAX console considered to be out-of-band when it obviously is not a form of physical access to the server?

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  • How do I handle nils in views?

    - by Badweather
    I have the following models set up: class Contact < ActiveRecord::Base belongs_to :band belongs_to :mode validates_presence_of :call, :mode validates_associated :mode, :band validates_presence_of :band, :if => :no_freq? validates_presence_of :freq, :if => :no_band? protected def no_freq? freq.nil? end def no_band? band.nil? end end class Band < ActiveRecord::Base has_many :logs end class Mode < ActiveRecord::Base has_many :logs end When I enter a frequency on my new view it allows for no band to be specified if a freq is entered. This creates a problem in my other views though because band is now nil. How do I allow for band not to be specified and just show up as empty on my index and show views, and then in the edit view allow one to be specified at a later point in time. I have been able to get my index to display a blank by doing: contact.band && contact.band.name But I'm not sure if this is a best approach, and I'm unsure of how to apply a similar solution to my other views. Many thanks from a rails newb!

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  • Myspace Music Layout Question

    - by EE
    How do I push my content to the top of the page to not cover up the ad, but to cover the menu and myspace links. I want to do something similar to: http://www.myspace.com/sensesfail and http://www.myspace.com/attackx2. Thanks.

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  • Create attribute in existing XML

    - by user560411
    Hello. I have the following php code that inserts data into XML and works correctly. However, I want to add an ID number like below <CD id="xxxx"> My question is how can i add an ID into CD for this to work ? I use form to parse the id. ** the main code ** <?php $CD = array( 'TITLE' => $_POST['title'], 'BAND' => $_POST['band'], 'YEAR' => $_POST['year'], ); $doc = new DOMDocument(); $doc->load( 'insert.xml' ); $doc->formatOutput = true; $r = $doc->getElementsByTagName("CATEGORIES")->item(0); $b = $doc->createElement("CD"); $TITLE = $doc->createElement("TITLE"); $TITLE->appendChild( $doc->createTextNode( $CD["TITLE"] ) ); $b->appendChild( $TITLE ); $BAND = $doc->createElement("BAND"); $BAND->appendChild( $doc->createTextNode( $CD["BAND"] ) ); $b->appendChild( $BAND ); $YEAR = $doc->createElement("YEAR"); $YEAR->appendChild( $doc->createTextNode( $CD["YEAR"] ) ); $b->appendChild( $YEAR ); $r->appendChild( $b ); $doc->save("insert.xml"); ?> the XML file <?xml version="1.0" encoding="utf-8"?> <MY_CD> <CATEGORIES> <CD> <TITLE>NEVER MIND THE BOLLOCKS</TITLE> <BAND>SEX PISTOLS</BAND> <YEAR>1977</YEAR> </CD> <CD> <TITLE>NEVERMIND</TITLE> <BAND>NIRVANA</BAND> <YEAR>1991</YEAR> </CD> </CATEGORIES> </MY_CD>

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  • HTG Reviews the CODE Keyboard: Old School Construction Meets Modern Amenities

    - by Jason Fitzpatrick
    There’s nothing quite as satisfying as the smooth and crisp action of a well built keyboard. If you’re tired of  mushy keys and cheap feeling keyboards, a well-constructed mechanical keyboard is a welcome respite from the $10 keyboard that came with your computer. Read on as we put the CODE mechanical keyboard through the paces. What is the CODE Keyboard? The CODE keyboard is a collaboration between manufacturer WASD Keyboards and Jeff Atwood of Coding Horror (the guy behind the Stack Exchange network and Discourse forum software). Atwood’s focus was incorporating the best of traditional mechanical keyboards and the best of modern keyboard usability improvements. In his own words: The world is awash in terrible, crappy, no name how-cheap-can-we-make-it keyboards. There are a few dozen better mechanical keyboard options out there. I’ve owned and used at least six different expensive mechanical keyboards, but I wasn’t satisfied with any of them, either: they didn’t have backlighting, were ugly, had terrible design, or were missing basic functions like media keys. That’s why I originally contacted Weyman Kwong of WASD Keyboards way back in early 2012. I told him that the state of keyboards was unacceptable to me as a geek, and I proposed a partnership wherein I was willing to work with him to do whatever it takes to produce a truly great mechanical keyboard. Even the ardent skeptic who questions whether Atwood has indeed created a truly great mechanical keyboard certainly can’t argue with the position he starts from: there are so many agonizingly crappy keyboards out there. Even worse, in our opinion, is that unless you’re a typist of a certain vintage there’s a good chance you’ve never actually typed on a really nice keyboard. Those that didn’t start using computers until the mid-to-late 1990s most likely have always typed on modern mushy-key keyboards and never known the joy of typing on a really responsive and crisp mechanical keyboard. Is our preference for and love of mechanical keyboards shining through here? Good. We’re not even going to try and hide it. So where does the CODE keyboard stack up in pantheon of keyboards? Read on as we walk you through the simple setup and our experience using the CODE. Setting Up the CODE Keyboard Although the setup of the CODE keyboard is essentially plug and play, there are two distinct setup steps that you likely haven’t had to perform on a previous keyboard. Both highlight the degree of care put into the keyboard and the amount of customization available. Inside the box you’ll find the keyboard, a micro USB cable, a USB-to-PS2 adapter, and a tool which you may be unfamiliar with: a key puller. We’ll return to the key puller in a moment. Unlike the majority of keyboards on the market, the cord isn’t permanently affixed to the keyboard. What does this mean for you? Aside from the obvious need to plug it in yourself, it makes it dead simple to repair your own keyboard cord if it gets attacked by a pet, mangled in a mechanism on your desk, or otherwise damaged. It also makes it easy to take advantage of the cable routing channels in on the underside of the keyboard to  route your cable exactly where you want it. While we’re staring at the underside of the keyboard, check out those beefy rubber feet. By peripherals standards they’re huge (and there is six instead of the usual four). Once you plunk the keyboard down where you want it, it might as well be glued down the rubber feet work so well. After you’ve secured the cable and adjusted it to your liking, there is one more task  before plug the keyboard into the computer. On the bottom left-hand side of the keyboard, you’ll find a small recess in the plastic with some dip switches inside: The dip switches are there to switch hardware functions for various operating systems, keyboard layouts, and to enable/disable function keys. By toggling the dip switches you can change the keyboard from QWERTY mode to Dvorak mode and Colemak mode, the two most popular alternative keyboard configurations. You can also use the switches to enable Mac-functionality (for Command/Option keys). One of our favorite little toggles is the SW3 dip switch: you can disable the Caps Lock key; goodbye accidentally pressing Caps when you mean to press Shift. You can review the entire dip switch configuration chart here. The quick-start for Windows users is simple: double check that all the switches are in the off position (as seen in the photo above) and then simply toggle SW6 on to enable the media and backlighting function keys (this turns the menu key on the keyboard into a function key as typically found on laptop keyboards). After adjusting the dip switches to your liking, plug the keyboard into an open USB port on your computer (or into your PS/2 port using the included adapter). Design, Layout, and Backlighting The CODE keyboard comes in two flavors, a traditional 87-key layout (no number pad) and a traditional 104-key layout (number pad on the right hand side). We identify the layout as traditional because, despite some modern trapping and sneaky shortcuts, the actual form factor of the keyboard from the shape of the keys to the spacing and position is as classic as it comes. You won’t have to learn a new keyboard layout and spend weeks conditioning yourself to a smaller than normal backspace key or a PgUp/PgDn pair in an unconventional location. Just because the keyboard is very conventional in layout, however, doesn’t mean you’ll be missing modern amenities like media-control keys. The following additional functions are hidden in the F11, F12, Pause button, and the 2×6 grid formed by the Insert and Delete rows: keyboard illumination brightness, keyboard illumination on/off, mute, and then the typical play/pause, forward/backward, stop, and volume +/- in Insert and Delete rows, respectively. While we weren’t sure what we’d think of the function-key system at first (especially after retiring a Microsoft Sidewinder keyboard with a huge and easily accessible volume knob on it), it took less than a day for us to adapt to using the Fn key, located next to the right Ctrl key, to adjust our media playback on the fly. Keyboard backlighting is a largely hit-or-miss undertaking but the CODE keyboard nails it. Not only does it have pleasant and easily adjustable through-the-keys lighting but the key switches the keys themselves are attached to are mounted to a steel plate with white paint. Enough of the light reflects off the interior cavity of the keys and then diffuses across the white plate to provide nice even illumination in between the keys. Highlighting the steel plate beneath the keys brings us to the actual construction of the keyboard. It’s rock solid. The 87-key model, the one we tested, is 2.0 pounds. The 104-key is nearly a half pound heavier at 2.42 pounds. Between the steel plate, the extra-thick PCB board beneath the steel plate, and the thick ABS plastic housing, the keyboard has very solid feel to it. Combine that heft with the previously mentioned thick rubber feet and you have a tank-like keyboard that won’t budge a millimeter during normal use. Examining The Keys This is the section of the review the hardcore typists and keyboard ninjas have been waiting for. We’ve looked at the layout of the keyboard, we’ve looked at the general construction of it, but what about the actual keys? There are a wide variety of keyboard construction techniques but the vast majority of modern keyboards use a rubber-dome construction. The key is floated in a plastic frame over a rubber membrane that has a little rubber dome for each key. The press of the physical key compresses the rubber dome downwards and a little bit of conductive material on the inside of the dome’s apex connects with the circuit board. Despite the near ubiquity of the design, many people dislike it. The principal complaint is that dome keyboards require a complete compression to register a keystroke; keyboard designers and enthusiasts refer to this as “bottoming out”. In other words, the register the “b” key, you need to completely press that key down. As such it slows you down and requires additional pressure and movement that, over the course of tens of thousands of keystrokes, adds up to a whole lot of wasted time and fatigue. The CODE keyboard features key switches manufactured by Cherry, a company that has manufactured key switches since the 1960s. Specifically the CODE features Cherry MX Clear switches. These switches feature the same classic design of the other Cherry switches (such as the MX Blue and Brown switch lineups) but they are significantly quieter (yes this is a mechanical keyboard, but no, your neighbors won’t think you’re firing off a machine gun) as they lack the audible click found in most Cherry switches. This isn’t to say that they keyboard doesn’t have a nice audible key press sound when the key is fully depressed, but that the key mechanism isn’t doesn’t create a loud click sound when triggered. One of the great features of the Cherry MX clear is a tactile “bump” that indicates the key has been compressed enough to register the stroke. For touch typists the very subtle tactile feedback is a great indicator that you can move on to the next stroke and provides a welcome speed boost. Even if you’re not trying to break any word-per-minute records, that little bump when pressing the key is satisfying. The Cherry key switches, in addition to providing a much more pleasant typing experience, are also significantly more durable than dome-style key switch. Rubber dome switch membrane keyboards are typically rated for 5-10 million contacts whereas the Cherry mechanical switches are rated for 50 million contacts. You’d have to write the next War and Peace  and follow that up with A Tale of Two Cities: Zombie Edition, and then turn around and transcribe them both into a dozen different languages to even begin putting a tiny dent in the lifecycle of this keyboard. So what do the switches look like under the classicly styled keys? You can take a look yourself with the included key puller. Slide the loop between the keys and then gently beneath the key you wish to remove: Wiggle the key puller gently back and forth while exerting a gentle upward pressure to pop the key off; You can repeat the process for every key, if you ever find yourself needing to extract piles of cat hair, Cheeto dust, or other foreign objects from your keyboard. There it is, the naked switch, the source of that wonderful crisp action with the tactile bump on each keystroke. The last feature worthy of a mention is the N-key rollover functionality of the keyboard. This is a feature you simply won’t find on non-mechanical keyboards and even gaming keyboards typically only have any sort of key roller on the high-frequency keys like WASD. So what is N-key rollover and why do you care? On a typical mass-produced rubber-dome keyboard you cannot simultaneously press more than two keys as the third one doesn’t register. PS/2 keyboards allow for unlimited rollover (in other words you can’t out type the keyboard as all of your keystrokes, no matter how fast, will register); if you use the CODE keyboard with the PS/2 adapter you gain this ability. If you don’t use the PS/2 adapter and use the native USB, you still get 6-key rollover (and the CTRL, ALT, and SHIFT don’t count towards the 6) so realistically you still won’t be able to out type the computer as even the more finger twisting keyboard combos and high speed typing will still fall well within the 6-key rollover. The rollover absolutely doesn’t matter if you’re a slow hunt-and-peck typist, but if you’ve read this far into a keyboard review there’s a good chance that you’re a serious typist and that kind of quality construction and high-number key rollover is a fantastic feature.  The Good, The Bad, and the Verdict We’ve put the CODE keyboard through the paces, we’ve played games with it, typed articles with it, left lengthy comments on Reddit, and otherwise used and abused it like we would any other keyboard. The Good: The construction is rock solid. In an emergency, we’re confident we could use the keyboard as a blunt weapon (and then resume using it later in the day with no ill effect on the keyboard). The Cherry switches are an absolute pleasure to type on; the Clear variety found in the CODE keyboard offer a really nice middle-ground between the gun-shot clack of a louder mechanical switch and the quietness of a lesser-quality dome keyboard without sacrificing quality. Touch typists will love the subtle tactile bump feedback. Dip switch system makes it very easy for users on different systems and with different keyboard layout needs to switch between operating system and keyboard layouts. If you’re investing a chunk of change in a keyboard it’s nice to know you can take it with you to a different operating system or “upgrade” it to a new layout if you decide to take up Dvorak-style typing. The backlighting is perfect. You can adjust it from a barely-visible glow to a blazing light-up-the-room brightness. Whatever your intesity preference, the white-coated steel backplate does a great job diffusing the light between the keys. You can easily remove the keys for cleaning (or to rearrange the letters to support a new keyboard layout). The weight of the unit combined with the extra thick rubber feet keep it planted exactly where you place it on the desk. The Bad: While you’re getting your money’s worth, the $150 price tag is a shock when compared to the $20-60 price tags you find on lower-end keyboards. People used to large dedicated media keys independent of the traditional key layout (such as the large buttons and volume controls found on many modern keyboards) might be off put by the Fn-key style media controls on the CODE. The Verdict: The keyboard is clearly and heavily influenced by the needs of serious typists. Whether you’re a programmer, transcriptionist, or just somebody that wants to leave the lengthiest article comments the Internet has ever seen, the CODE keyboard offers a rock solid typing experience. Yes, $150 isn’t pocket change, but the quality of the CODE keyboard is so high and the typing experience is so enjoyable, you’re easily getting ten times the value you’d get out of purchasing a lesser keyboard. Even compared to other mechanical keyboards on the market, like the Das Keyboard, you’re still getting more for your money as other mechanical keyboards don’t come with the lovely-to-type-on Cherry MX Clear switches, back lighting, and hardware-based operating system keyboard layout switching. If it’s in your budget to upgrade your keyboard (especially if you’ve been slogging along with a low-end rubber-dome keyboard) there’s no good reason to not pickup a CODE keyboard. Key animation courtesy of Geekhack.org user Lethal Squirrel.       

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  • Help with timebased scoring algorithm

    - by Dave
    Im trying to devise an appropriate scoring system for my game. The game in essense has a finite number of tasks to complete (say 20) and the quicker you complete these task, the more points you get. I had devised a basic way of doing this using bands of time multiplied by a score for that band multiplied by the number of tasks solved within that time band i.e. (Time Band) = (Points) 1-5 sec = 15, 5-10 secs = 10, 10-20 secs = 5, 20-30 secs = 3, 40 secs onwards = 1, So for example if I did 3 tasks in the 1-5sec band i'd get 15*3=45points, if i found 10 in the 20-30sec band i'd get 3*10=30 points. Im sure there is a more mathematical way of doing this using powers of some kind but I just can't think how and hoping someone has already done something smilar.. Many thanks in advance

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  • How can I use the Band Pass Filter in GarageBand?

    - by Another Registered User
    What I want to do: I have a music WAV file and want to put a Band Pass Filter over it, to filter out anoying high frequencies. I was reading on the net that there is a "AuBandPass" plugin in Mac OS X. I just can't figure out how I could use that in GarageBand. I don't even find the effects at all. I created a new GarageBand file and dropped the WAV file in there. Now I can play that song in GarageBand. What must I do next?

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  • Wifi not working after a few minutes

    - by drtanz
    I'm using a few MacBooks and iPads connected to a router via WiFi. The problem is that a few minutes after they connect via WiFi the connection stops working. This happens on all devices. I went into the router settings by connecting via cable and everything seems in order. Connecting a laptop via cable to the router I can use internet as normal, the problem is only with WiFi. What can be the problem here? Here are the connected clients Connected Clients MAC Address Idle(s) RSSI(dBm) IP Addr Host Name Mode Speed (kbps) 14:10:9F:F3:48:D6 1 -36 192.168.0.5 Jeans-Air n 78000 14:99:E2:C6:41:10 1 -36 192.168.0.8 JeanGaleasiPad n 24000 Here's the router event log Mon Dec 30 04:12:30 2013 Notice (6) WiFi Interface [wl0] set to Channel 1 (Side-Band Channel:N/A)... Mon Dec 30 04:12:25 2013 Notice (6) WiFi Interface [wl0] set to Channel 1 (Side-Band Channel:5) -... Mon Dec 30 02:17:56 2013 Notice (6) WiFi Interface [wl0] set to Channel 40 (Side-Band Channel:36)... Mon Dec 30 02:16:04 2013 Notice (6) WiFi Interface [wl0] set to Channel 11 (Side-Band Channel:7) ... Mon Dec 30 01:59:26 2013 Notice (6) WiFi Interface [wl0] set to Channel 6 (Side-Band Channel:N/A)... Mon Dec 30 01:59:22 2013 Notice (6) WiFi Interface [wl0] set to Channel 6 (Side-Band Channel:2) -... Sun Dec 29 23:27:51 2013 Notice (6) WiFi Interface [wl0] set to Channel 1 (Side-Band Channel:N/A)... Sun Dec 29 23:27:49 2013 Notice (6) WiFi Interface [wl0] set to Channel 11 (Side-Band Channel:N/A... Sun Dec 29 14:32:55 2013 Critical (3) Started Unicast Maintenance Ranging - No Response received - ... Sat Dec 28 13:08:19 2013 Error (4) DHCP REBIND WARNING - Field invalid in response ;CM-MAC=1c:3e... Fri Dec 27 18:10:19 2013 Critical (3) Started Unicast Maintenance Ranging - No Response received - ... Fri Dec 27 16:08:55 2013 Error (4) Map Request Retry Timeout;CM-MAC=1c:3e:84:f1:6b:84;CMTS-MAC=0... Thu Dec 26 21:08:53 2013 Notice (6) WiFi Interface [wl0] set to Channel 11 (Side-Band Channel:7) ... Thu Dec 26 20:43:50 2013 Notice (6) WiFi Interface [wl0] set to Channel 11 (Side-Band Channel:N/A... Tue Dec 24 12:45:03 2013 Critical (3) Started Unicast Maintenance Ranging - No Response received - ... Tue Dec 24 04:55:52 2013 Error (4) Map Request Retry Timeout;CM-MAC=1c:3e:84:f1:6b:84;CMTS-MAC=0... Mon Dec 23 12:32:00 2013 Notice (6) TLV-11 - unrecognized OID;CM-MAC=1c:3e:84:f1:6b:84;CMTS-MAC=0... Mon Dec 23 12:32:00 2013 Error (4) Missing BP Configuration Setting TLV Type: 17.9;CM-MAC=1c:3e:... Mon Dec 23 12:32:00 2013 Error (4) Missing BP Configuration Setting TLV Type: 17.8;CM-MAC=1c:3e:... Mon Dec 23 12:32:00 2013 Warning (5) DHCP WARNING - Non-critical field invalid in response ;CM-MAC... Mon Dec 23 18:32:02 2013 Notice (6) Honoring MDD; IP provisioning mode = IPv4 Mon Dec 23 18:31:10 2013 Critical (3) No Ranging Response received - T3 time-out;CM-MAC=1c:3e:84:f1... Mon Dec 23 18:28:57 2013 Critical (3) Received Response to Broadcast Maintenance Request, But no Un... Mon Dec 23 18:28:25 2013 Critical (3) Started Unicast Maintenance Ranging - No Response received - ... Mon Dec 23 12:17:48 2013 Notice (6) TLV-11 - unrecognized OID;CM-MAC=1c:3e:84:f1:6b:84;CMTS-MAC=0... Mon Dec 23 12:17:48 2013 Error (4) Missing BP Configuration Setting TLV Type: 17.9;CM-MAC=1c:3e:... Mon Dec 23 12:17:48 2013 Error (4) Missing BP Configuration Setting TLV Type: 17.8;CM-MAC=1c:3e:... Mon Dec 23 12:17:48 2013 Warning (5) DHCP WARNING - Non-critical field invalid in response ;CM-MAC... Mon Dec 23 18:17:48 2013 Notice (6) Honoring MDD; IP provisioning mode = IPv4 Mon Dec 23 18:16:58 2013 Critical (3) No Ranging Response received - T3 time-out;CM-MAC=1c:3e:84:f1... Mon Dec 23 18:16:15 2013 Critical (3) Received Response to Broadcast Maintenance Request, But no Un... Mon Dec 23 18:15:43 2013 Critical (3) Started Unicast Maintenance Ranging - No Response received - ...

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  • Refresh UltraGrid's GroupBy Sort on child bands when ListChanged?

    - by Idriss
    I am using Infragistics 2009 vol 1. My UltraGrid is bound to a BindingList of business objects "A" having themself a BindingList property of business objects "B". It results in having two bands: one named "BindingList`1", the other one "ListOfB" thanks to the currency manager. I would like to refresh the GroupBy sort of the grid whenever a change is performed on the child band through the child business object and INotifyPropertyChange. If I group by a property in the child band which is a boolean (let's say "Active") and I subscribe to the event ListChanged on the bindinglist datasource with this event handler: void Grid_ListChanged(object sender, ListChangedEventArgs e) { if (e.ListChangedType == ListChangedType.ItemChanged) { string columnKey = e.PropertyDescriptor.Name; if (e.PropertyDescriptor.PropertyType.Name == "BindingList`1") { ultraGrid.DisplayLayout.Bands[columnKey].SortedColumns.RefreshSort(true); } else { UltraGridBand band = ultraGrid.DisplayLayout.Bands[0]; UltraGridColumn gc = band.Columns[columnKey]; if (gc.IsGroupByColumn || gc.SortIndicator != SortIndicator.None) { band.SortedColumns.RefreshSort(true); } ColumnFilter cf = band.ColumnFilters[columnKey]; if (cf.FilterConditions.Count > 0) { ultraGrid.DisplayLayout.RefreshFilters(); } } } } the band.SortedColumns.RefreshSort(true) is called but It gives unpredictable results in the groupby area when the property Active is changed in the child band: if one object out of three actives becomes inactive it goes from: Active : True (3 items) To: Active : False (3 items) Instead of (which is the case when I drag the column back and forth to the group by area) Active : False (1 item) Active : True (2 items) Am I doing something wrong? Is there a way to restore the expanded state of the rows when performing a RefreshSort(true); ?

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  • ASP.NET MVC - using model property as form, how can I post to action?

    - by Ryan Peters
    Consider the following model: public class BandProfileModel { public BandModel Band { get; set; } public IEnumerable<Relationship> Requests { get; set; } } and the following form: <% using (Html.BeginForm()) { %> <%: Html.EditorFor(m => m.Band) %> <input type="submit" value="Save Band" /> <% } %> which posts to the following action: public ActionResult EditPost(BandProfileModel m, string band) { // stuff is done here, but m is null? return View(m); } Basically, I only have one property on my model that is used in the form. The other property in BandProfleModel is just used in the UI for other data. I'm trying to update just the Band property, but for each post, the argument "m" is always null (specifically, the .Band property is null). It's posting just fine to the action, so it isn't a problem with my route. Just the data is null. The ID and name attributes of the fields are BAND_whatever and Band.whatever (whatever being a property of Band), so it seems like it would work... What am I doing wrong? How can I use just one property as part of a form, post back, and have values populated via the model binder for my BandProfileModel property in the action? Thanks.

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  • Calculations on the iteration count in for loop in Ruby 1.8.7

    - by user1805035
    I was playing around with Ruby and Latex to create a color coding set. I'm more than a novice with C++, but haven't looked at Ruby until now. So, still learning a lot of coding. I have the following block of code below. When attempting to run this, band1 = 1e+02. I've tried band1 = (BigDecimal(i) * 100).to_f thinking maybe there was some odd floating point issue. This is just me trying anything though as an integer multiplied by an integer should create an integer, if I'm still thinking correctly. I've tried a variety of other things as well (things that I can do in C++, but this ain't C++), but to no avail. (1..9).each do |i| #Band 1 (0..9).each do |j| #Band 2 (0..11).each do |k| #Band 3 #Band 3 Start #these are the colors of the resistor bands b1 = $c_band12[i] b2 = $c_band12[j] b3 = $c_band3[k] b4 = "Gold" oms = ((i*100) + (j*10)) * $mult[k] band1 = i*100 band2 = j band3 = $mult[k] end end end Not sure what I'm missing. Should I be using .each_with_index through these iterations? I've tried this: (1..9).each_with_index {|i, indexi| #Band 1 (0..9).each_with_index {|j, indexj| #Band 2 (0..11).each_with_index {|k, indexk| #Band 3 #Band 3 Start #these are the colors of the resistor bands b1 = $c_band12[i] b2 = $c_band12[j] b3 = $c_band3[k] b4 = "Gold" oms = ((i*100) + (j*10)) * $mult[k] band1 = indexk * 100 and I get the same answer. I can't see why 1*100 should equate to such a large number? Thank you, AT

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  • Help Me Make My Pascal Program Display Multiple Names Which Were Entered Plz.

    - by Sketchie
    Hey,Guys I'm having trouble displaying names using arrays in my Pascal program. But first heres the question I'm writing the program to answer : Develop pseudocode that accepts as input the name of an unspecified number of masqueraders who each have paid the full cost of their costume and the amount each has paid. A masquerader may have paid for a costume in any of the five sections in the band. The algorithm should determine the section in which the masquerader plays, based on the amount he/she has paid for the costume. The algorithm should also determine the number of masqueraders who have paid for costumes in each section. The names of persons and the section for which they have paid should be printed. A listing of the sections and the total number of persons registered to play in each section should also be printed, along with the total amount paid in each section. And here's what I've done so far(It's a bit messy): program Maqueprgrm; uses wincrt; type names=array [1..30]of string; var name:string; s1_nms:names; s2_nms:names; s3_nms:names; s4_nms:names; s5_nms:names; amt_paid:integer; stop,x,full,ins,ttl1,ttl2,ttl3,ttl4,ttl5,sec_1,sec_2,sec_3,sec_4,sec_5,sec:integer; begin stop := 0; writeln ('To Begin Data Collecting Section Press 1, To End Press 0'); readln(stop); while stop <0 do begin for x:= 1 to 30 do x:= x+1; writeln ('Please Enter The Name of Masquerader.'); readln (name); writeln ('Please Enter The Amount Paid For Costume.'); readln (amt_paid); IF amt_paid = 144 THEN Begin full:=full+1; {people who paid in full + 1} sec_1:=sec_1+1; {people in this section + 1} ttl1:= ttl1+amt_paid; {total money earned in this section + amount person paid} s1_nms[x]:= name; {People's names in this section plus current entry's name} End else IF amt_paid = 184 then Begin ins:=ins+1; sec_1:=sec_1+1; ttl1:=ttl1+amt_paid; s1_nms[x]:= name; end else IF amt_paid = 198 then Begin full:=full+1; sec_2:=sec_2+1; ttl2:=ttl2+amt_paid; s2_nms[x]:= 'name'; end else IF amt_paid = 153 then Begin ins:=ins+1; sec_2:=sec_2+1; ttl2:=ttl2+amt_paid; s2_nms[x]:= 'name'; end else IF amt_paid = 264 then Begin full:=full+1; sec_3:=sec_3+1; ttl3:=ttl3+amt_paid; s3_nms[x]:= 'name'; end else IF amt_paid = 322 then Begin ins:=ins+1; sec_3:=sec_3+1; ttl3:=ttl3+amt_paid; s3_nms[x]:= 'name'; end else IF amt_paid = 315 then Begin full:=full+1; sec_4:=sec_4+1; ttl4:=ttl4+amt_paid; s4_nms[x]:= 'name'; end else IF amt_paid = 402 then Begin ins:=ins+1; sec_4:=sec_4+1; ttl4:=ttl4+amt_paid; s4_nms[x]:= 'name'; end else IF amt_paid = 382. then Begin ins:=ins+1; sec_4:=sec_4+1; ttl4:=ttl4+amt_paid; s4_nms[x]:= 'name'; end else IF amt_paid = 488 then Begin ins:=ins+1; sec_5:=sec_5+1; ttl5:=ttl5+amt_paid; s5_nms[x]:= 'name'; end else begin Writeln ('Invalid Entry'); For x:= 1 to 30 do end; writeln (' To Enter More Data Press 1, To Print Data and Calculations Press 0'); Readln (stop); End; writeln ('For Information on Sections Press 1, 2, 3, 4, or 5 Respectively'); Readln (sec); IF Sec= 1 THEN Begin for x:= 1 to 30 do; begin writeln ('The Number of Revelers in This Section is ',Sec_1,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Full Is ', Full,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Installments is ', Ins ,'.'); Writeln ('The Names of Revelers in This Section is ', S1_Nms[x], '.'); Writeln ('The Total Amount Collected By This Section Is ', Ttl1, '.'); End; end else IF Sec= 2 THEN Begin For x:= 1 to 30 do begin Writeln ('The Number of Revelers in This Section is ', Sec_2,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Full Is ', Full,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Installments is ', Ins ,'.'); Writeln ('The Names of Revelers in This Section is ', S2_Nms[x] ,'.'); Writeln ('The Total Amount Collected By This Section Is ', Ttl2, '.'); End; End else IF Sec= 3 THEN Begin For x:= 1 to 30 do begin writeln ('The Number of Revelers in This Section is ', Sec_3,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Full Is ', Full,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Installments is ', Ins ,'.'); Writeln ('The Names of Revelers in This Section is ', S3_Nms[x] ,'.'); Writeln ('The Total Amount Collected By This Section Is ', Ttl3, '.'); End; End else IF Sec= 4 THEN Begin For x:= 1 to 30 do begin writeln ('The Number of Revelers in This Section is ', Sec_4,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Full Is ', Full,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Installments is ', Ins, '.'); Writeln ('The Names of Revelers in This Section is ', S4_Nms [x],'.'); Writeln ('The Total Amount Collected By This Section Is ', Ttl4 ,'.'); End; End else IF Sec= 5 THEN Begin For x:= 1 to 30 do begin writeln ('The Number of Revelers in This Section is ', Sec_5,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Full Is ', Full,'.'); Writeln ('The Number of Revelers in the Band Who Paid in Installments is ', Ins, '.'); Writeln ('The Names of Revelers in This Section is ', S5_Nms[x], '.'); Writeln ('The Total Amount Collected By This Section Is ', Ttl5 ,'.'); End; End else BEGIN Writeln ('Invalid Entry. For Information on Sections Press 1, 2, 3, 4, or 5 Respectively. '); End; end. The result I keep getting is that for the names in the section it is only the name of the last person entered that is displayed. For example it would display: The number of revelers in this section is 2 The number of revelers in the band who paid in full is 2 {Band is the whole thing divided into 5 section} The number of revelers in the band who paid in installments is 0 The names of revelers in this section is Amy Total amount collected by this section is 288 So yea, the program only displays "Amy" even though I entered more than 1 name. Do you guys know how to fix it also if it's not asking too much could you help me to make a while loop for the last portion of the program so that after the user sees the info for a section he can see another section. It sucks that I've been working on it for a while but if it doesn't run properly tomorrow I'll fail. Help would be greatly appreciated and responses are welcome anytime cause i'll be up anyway. P.S. Sorry for the long post.

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  • Jasper report always showing no content, why?

    - by spderosso
    Hi, I have the following code: InputStream reportFile = MyPage.this.getClass().getResourceAsStream("test.jrxml"); HashMap<String, String> parameters = new HashMap<String, String>(); parameters.put("StringParameterName", "show me"); try { JasperReport report = JasperCompileManager.compileReport(reportFile); JasperPrint print = JasperFillManager.fillReport(report, parameters); return JasperExportManager.exportReportToPdf(print); } catch (JRException e) { // TODO Auto-generated catch block e.printStackTrace(); return null; } And the test.jrxml looks like this (I generated part of it with the iReport, the only thing I did was to remove the language="groovy" attribute): <?xml version="1.0" encoding="UTF-8"?> <jasperReport xmlns="http://jasperreports.sourceforge.net/jasperreports" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://jasperreports.sourceforge.net/jasperreports http://jasperreports.sourceforge.net/xsd/jasperreport.xsd" name="test" pageWidth="595" pageHeight="842" columnWidth="555" leftMargin="20" rightMargin="20" topMargin="20" bottomMargin="20"> <property name="ireport.zoom" value="1.0"/> <property name="ireport.x" value="0"/> <property name="ireport.y" value="0"/> <parameter name="StringParameterName" isForPrompting="false" class="java.lang.String"/> <background> <band splitType="Stretch"/> </background> <title> <band height="20"> <staticText> <reportElement x="180" y="0" width="200" height="20"/> <text><![CDATA[Hello World!]]></text> </staticText> </band> </title> <pageHeader> <band height="35" splitType="Stretch"/> </pageHeader> <columnHeader> <band height="61" splitType="Stretch"/> </columnHeader> <detail> <band height="125" splitType="Stretch"> <textField> <reportElement x="243" y="77" width="100" height="20"/> <textElement/> <textFieldExpression class="java.lang.String"><![CDATA[$P{StringParameterName}]]></textFieldExpression> </textField> </band> </detail> <columnFooter> <band height="45" splitType="Stretch"/> </columnFooter> <pageFooter> <band height="54" splitType="Stretch"/> </pageFooter> <summary> <band height="42" splitType="Stretch"/> </summary> </jasperReport> As a result I always get a blank pdf file. What could be the reason?

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  • Display attribute from XML using PHP

    - by user560411
    Hello. I need to display the id attribute of CD from the following XML file. I display correctly everything except the id. Any help would be appreciate. display code <?php $doc = new DOMDocument(); $doc->load( 'insert.xml' ); $CATEGORIES = $doc->getElementsByTagName( "CD" ); foreach( $CATEGORIES as $CD ) { $TITLES = $CD->getElementsByTagName( "TITLE" ); $TITLE = $TITLES->item(0)->nodeValue; $BANDS= $CD->getElementsByTagName( "BAND" ); $BAND= $BANDS->item(0)->nodeValue; $YEARS = $CD->getElementsByTagName( "YEAR" ); $YEAR = $YEARS->item(0)->nodeValue; echo "<b>$TITLE - $BAND - $YEAR\n</b><br>"; } ?> XML <?xml version="1.0" encoding="utf-8"?> <MY_CD> <CATEGORIES> <CD id="3231"> <TITLE>NEVER MIND THE BOLLOCKS</TITLE> <BAND>SEX PISTOLS</BAND> <YEAR>1977</YEAR> </CD> <CD id="2453"> <TITLE>NEVERMIND</TITLE> <BAND>NIRVANA</BAND> <YEAR>1991</YEAR> </CD> </CATEGORIES> </MY_CD>

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  • Sound Waves Visualized with a Chladni Plate and Colored Sand [Video]

    - by Jason Fitzpatrick
    This eye catching demonstration combines a Chladni Plate, four piles of colored sand, and a rubber mallet to great effect–watch as the plate vibrates pattern after pattern into the sand. A Chladni Plate, named after physicist Ernst Chladni, is a steel plate that vibrates when rubbed with a rubber ball-style mallet. Different size balls create different frequencies and each frequency creates a different pattern in the sand placed atop the plate. Watch the video above to see how rubber balls, large and small, change the patterns. [via Neatorama] Secure Yourself by Using Two-Step Verification on These 16 Web Services How to Fix a Stuck Pixel on an LCD Monitor How to Factory Reset Your Android Phone or Tablet When It Won’t Boot

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  • Encoding issue - 2nd band of ISO-8859-1 values do not get encoded?

    - by bstack
    Hello, I want to send the pound sign character i.e. '£' encoded as ISO-8859-1 across the wire. I perform this by doing the following: var _encoding = Encoding.GetEncoding("iso-8859-1"); var _requestContent = _encoding.GetBytes(requestContent); var _request = (HttpWebRequest)WebRequest.Create(target); _request.Headers[HttpRequestHeader.ContentEncoding] = _encoding.WebName; _request.Method = "POST"; _request.ContentType = "application/x-www-form-urlencoded; charset=iso-8859-1"; _request.ContentLength = _requestContent.Length; _requestStream = _request.GetRequestStream(); _requestStream.Write(_requestContent, 0, _requestContent.Length); _requestStream.Flush(); _requestStream.Close(); When I put a breakpoint at the target, I expect to receive the following: '%a3', however I receive '%u00a3' instead. ISO-8859-1 is divided into 2 groups of characters: (ref: http://en.wikipedia.org/wiki/ISO_8859-1) The lower range 20 to 7E - is where all characters seem to be encoded correctly The higher range A0 to FF - is where all characters seem to encode to their Unicode equivalent value As '£' is in higher range A0 to FF, it gets encoded to %u00a3. In fact when I use the first few characters of the higher range A0 to FF i.e. '¡¢£¤¥¦§¨©ª«¬®', I get '%u00a1%u00a2%u00a3%u00a4%u00a5%u00a6%u00a7%u00a8%u00a9%u00aa%u00ab%u00ac%u00ae'. This behaviour is consistent. The question I have is why do characters in the higher range A0 to FF get encoded to their unicode value - and not to their equivalent ISO-8859-1 value? Help would be greatly appreciated... Billy

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